Looking at Movies and Writing About Movies
WW Norton & Co
978-0-393-57194-3 (ISBN)
Looking at Movies is the most effective, engaging, and widely adopted introduction to film analysis available. From its very first chapter, Looking at Movies provides students with all the tools they need to become perceptive viewers of film, including the most sophisticated and seamlessly integrated media resources that are rich with comprehensive analysis and assessment tools ever produced for a textbook in this market. Authoritative, accessible, and of superior value, Looking at Movies offers instructors with abundant teachable resources to help students analyze movies critically and effectively.
Writing About Movies offers students two books in one: a handy guide to the process of academic writing and a brief but thorough introduction to the basics of film form, film theory, and film analysis. Written by the director of the Warren College Writing Program at University of California, San Diego, and the authors of the leading introductory film studies text, Writing About Movies is the only writing guide a student of film will need.
Richard Barsam (Ph.D., University of Southern California) is Professor Emeritus of Film Studies at Hunter College, City University of New York. He is the author of Nonfiction Film: A Critical History (rev., exp. ed. 1992), The Vision of Robert Flaherty: The Artist as Myth and Filmmaker (1988), In the Dark: A Primer for the Movies (1977), and Filmguide to "Triumph of the Will" (1975); editor of Nonfiction Film Theory and Criticism (1976); and contributing author to Paul Monaco’s The Sixties: 1960–1969 (Vol. 8, History of the American Cinema, 2001) and Filming Robert Flaherty’s "Louisiana Story": The Helen Van Dongen Diary (ed. Eva Orbanz, 1998). His articles and book reviews have appeared in Cinema Journal, Quarterly Review of Film Studies, Film Comment, Studies in Visual Communication, and Harper’s. He has been a member of the Executive Council of the Society for Cinema and Media Studies, the Editorial Board of Cinema Journal, and the Board of Advisers of the History of American Cinema series, and he cofounded the journal Persistence of Vision. Karen Gocsik is director of the Warren College Writing Program at the University of California, San Diego, where she teaches first-year composition and a graduate-level training course for the program’s teaching assistants. Professor Gocsik previously taught first-year writing at Dartmouth College, where she was also Executive Director of the Writing & Rhetoric Program. In 2012, Professor Gocsik was nationally recognized by The Princeton Review as one of the “300 Best Professors in America.” Dave Monahan (M.F.A., Columbia University) is a Professor of Film Studies at the University of North Carolina, Wilmington. His filmmaking work as a writer, director, and editor has been screened internationally in over seventy film festivals and has earned numerous awards, including the New Line Cinema Award for Most Original Film and the Seattle International Film Festival Grand Jury Prize for Best Animated Short Film.
| Erscheint lt. Verlag | 16.10.2015 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 218 x 277 mm |
| Gewicht | 1559 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 0-393-57194-7 / 0393571947 |
| ISBN-13 | 978-0-393-57194-3 / 9780393571943 |
| Zustand | Neuware |
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