Painting and Publishing as Cultural Industries
The Fabric of Creativity in the Dutch Republic, 1580-1800
Seiten
2016
Pallas Publications (Verlag)
978-90-8964-702-3 (ISBN)
Pallas Publications (Verlag)
978-90-8964-702-3 (ISBN)
- Titel nicht im Sortiment
- Artikel merken
Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations in painting and publishing in the Dutch Republic.
The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing, and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.
The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing, and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.
Claartje Rasterhoff studied history at the University of Amsterdam and Utrecht University. She currently works as a post-doctoral researcher and lecturer in Arts and Culture Studies at Erasmus University Rotterdam.
List of images, figures, and tables, Introduction, Part I: Publishing 1580-1610, Part II: Painting 1580-1610, Conclusion, Appendix I, Bibliography, Index
| Erscheinungsdatum | 26.11.2016 |
|---|---|
| Reihe/Serie | Amsterdam Studies in the Dutch Golden Age |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 790 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| Sozialwissenschaften ► Kommunikation / Medien ► Buchhandel / Bibliothekswesen | |
| Wirtschaft | |
| ISBN-10 | 90-8964-702-3 / 9089647023 |
| ISBN-13 | 978-90-8964-702-3 / 9789089647023 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
