Hong Kong Neo-Noir

Buch | Hardcover

280 Seiten

2016
Edinburgh University Press (Verlag)
978-1-4744-1266-7 (ISBN)

Artikel merken

The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genre’s possible future development.

Esther C. M. Yau teaches cinema studies in the School of Humanities at The University of Hong Kong. Tony Williams is Professor and Area Head of Film Studies, English Department, southern Illinois University at Carbondale.

Acknowledgements Notes on Contributors Introduction: Hong Kong Neo-Noir, Esther C. M. Yau and Tony Williams

SECTION A: SEEDS OF NOIR IN HONG KONG CINEMAChapter 1: ‘A Rose by Any Other Name’: Wong Tin-lam’s The Wild, Wild Rose as Melodrama Musical Noir Hybrid, Lisa Odham Stokes Chapter 2: Black & Red: Post-war Hong Kong Noir and Its Interrelation with Progressive Cinema, 1947–1957, Law Kar Chapter 3: Sword, Fist, or Gun? The 1970s Origins of Contemporary Hong Kong Noir, Kristof Van den Troost

SECTION B: NEO-NOIR FILMS IN CLOSE-UP Chapter 4: Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir, Adam Bingham Chapter 5: Running on Karma: Hong Kong Noir and the Political Unconscious, Gina Marchetti Chapter 6: Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema, David Desser Chapter 7: Tech-Noir: A Subgenre may not exist in Hong Kong Science Fiction Films, Kwai-Cheung Lo

SECTION C: COSMOPOLITAN CITYSPACE AND NEO-NOIR Chapter 8: Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene, Julian Stringer Chapter 9: Running out of Time, Hard-Boiled, and 24-Hour Cityspace, Kenneth E. HallChapter 10: Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism, Jinhee ChoiChapter 11: The Tentacles of History: Shinjuku Incident’s Return of the Repressed, Tony Williams

BibliographyFilmography

Erscheinungsdatum	31.12.2016
Reihe/Serie	Edinburgh Studies in East Asian Film
Zusatzinfo	30 black and white illustrations
Verlagsort	Edinburgh
Sprache	englisch
Maße	156 x 234 mm
Gewicht	573 g
Themenwelt	Kunst / Musik / Theater ► Film / TV
	Schulbuch / Wörterbuch ► Lexikon / Chroniken
	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
ISBN-10	1-4744-1266-1 / 1474412661
ISBN-13	978-1-4744-1266-7 / 9781474412667
Zustand	Neuware