Desires for Reality
Radicalism and Revolution in Western European Film
Seiten
2016
Berghahn Books (Verlag)
978-1-78533-110-7 (ISBN)
Berghahn Books (Verlag)
978-1-78533-110-7 (ISBN)
This is a fresh and groundbreaking account of the innovations and provocations of the "cinema of 1968," and its social and aesthetic contexts. Halligan offers a genuinely fresh analysis of films reflecting the cultural upheaval of youth in revolt-cinema that did not merely entertain, but was made the barricades.
As with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era's cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the "low" cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt-a cinema for the barricades.
As with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era's cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the "low" cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt-a cinema for the barricades.
Benjamin Halligan is the Director of the Doctoral College of the University of Wolverhampton. His publications include Michael Reeves (2003), and the co-edited collections The Music Documentary: Acid Rock to Electropop (2013) and The Arena Concert: Music, Media and Mass Entertainment (2015).
List of Illustrations
Acknowledgments
Chapter 1. "All All All"
Chapter 2. Prehistory - from Late Neo-Realism to the New Waves
Chapter 3. Crises of Post-Bazinian Realism
Chapter 4. Film and Revolutionism
Conclusion: Seized, Freed, Remade and Deployed
Filmography
References
Index
| Verlagsort | Oxford |
|---|---|
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 526 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-78533-110-8 / 1785331108 |
| ISBN-13 | 978-1-78533-110-7 / 9781785331107 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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