Mediating Order and Chaos
The Water-Cycle in the Complex Adaptive Systems of Romantic Culture
Seiten
2001
Editions Rodopi B.V. (Verlag)
978-90-420-1427-5 (ISBN)
Editions Rodopi B.V. (Verlag)
978-90-420-1427-5 (ISBN)
This literature-centered study offers an interdisciplinary approach to Romantic culture. If is pioneering in that it employs the complexity method of anthropology. Recent literary studies employ the complexity/chaos theory adapted from the natural sciences; however, here is presented for the first time a complexity method taken from the social/human sciences. This complexity method is useful in mediating not only contradictions within Romanticism, but the chaos of contemporary theories concerning it. One of the intensifying literary debates is that between the so-called “Greens” and “Reds,” naturalists and humanists.
Mediating Order and Chaos not only traces the split between nature and man to Romantic Culture but finds there, too, a Spinozian vision of man and nature in unity – thereby denying any naturalist/humanist split. This volume is of interest for those who wish to see essays in the holistic approach to culture. Centering on hydraulics, hydrology, and meteorology, this study examines literature, painting, music, economics, and the rhetoric of science, philosophy, and politics, it therewith demonstrates how the water cycle was transformed into a cosmic metaphor that mediated, in the form of several complex adaptive systems, between the chaos of too much change and that of not enough.
Mediating Order and Chaos not only traces the split between nature and man to Romantic Culture but finds there, too, a Spinozian vision of man and nature in unity – thereby denying any naturalist/humanist split. This volume is of interest for those who wish to see essays in the holistic approach to culture. Centering on hydraulics, hydrology, and meteorology, this study examines literature, painting, music, economics, and the rhetoric of science, philosophy, and politics, it therewith demonstrates how the water cycle was transformed into a cosmic metaphor that mediated, in the form of several complex adaptive systems, between the chaos of too much change and that of not enough.
Introduction: Method, Model and Sub-models
The Method: Complexity Theory Applied
The Science Sub-Model from Hydrology and Meteorology
The Humanities Sub-Model from Literature, Painting, and Music
The Political Sub-Model: from Revolutions and Counterrevolutions
Source:
Fountains
Springs
How they fit into the water-cycle
Flow: Brooks
Rivers
Waterfalls
How they fit into the water-cyle
Receptacle
Lake
Sea
Ocean
How they fit into the water-cycle
Link
Clouds and the processes of evaporation and condensation – rain and snow
How they complete the cosmic vision of the water-cycle
Conclusions: the three complex adaptive systems of the Romantics
| Erscheint lt. Verlag | 1.1.2001 |
|---|---|
| Reihe/Serie | Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 56 |
| Verlagsort | Leiden |
| Sprache | englisch |
| Maße | 170 x 240 mm |
| Gewicht | 604 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften | |
| ISBN-10 | 90-420-1427-X / 904201427X |
| ISBN-13 | 978-90-420-1427-5 / 9789042014275 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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