Antipolitics in Central European Art
Reticence as Dissidence Under Post-totalitarian Rule 1956-1989
Seiten
2017
I.B. Tauris (Verlag)
978-1-78453-314-4 (ISBN)
I.B. Tauris (Verlag)
978-1-78453-314-4 (ISBN)
In this bold book Klara Kemp-Welch offers a compelling account of the way
that artists in Central Europe embraced alternative forms of action-based
practice, just as their dissident counterparts were formulating alternative
models of politics – in particular an `antipolitics’ of self organization.
In this bold book Klara Kemp-Welch offers a compelling account of the way
that artists in Central Europe embraced alternative forms of action-based
practice, just as their dissident counterparts were formulating alternative
models of politics - in particular an `antipolitics' of self organization.
Spanning a period punctuated by landmark events - the crushing of the 1956
Hungarian Revolution, the invasion of Czechoslavakia in 1968 and the birth
of the Polish Solidarity movement - while presenting powerful new readings
of six key artists, Antipolitics in Central European Art anchors art historical
analysis to a robust historical framework. Its rich illustrations reveal how
those artists struggled to enjoy freedom of expression and reclaim public
space inside a political system where both seemed impossible.
that artists in Central Europe embraced alternative forms of action-based
practice, just as their dissident counterparts were formulating alternative
models of politics – in particular an `antipolitics’ of self organization.
In this bold book Klara Kemp-Welch offers a compelling account of the way
that artists in Central Europe embraced alternative forms of action-based
practice, just as their dissident counterparts were formulating alternative
models of politics - in particular an `antipolitics' of self organization.
Spanning a period punctuated by landmark events - the crushing of the 1956
Hungarian Revolution, the invasion of Czechoslavakia in 1968 and the birth
of the Polish Solidarity movement - while presenting powerful new readings
of six key artists, Antipolitics in Central European Art anchors art historical
analysis to a robust historical framework. Its rich illustrations reveal how
those artists struggled to enjoy freedom of expression and reclaim public
space inside a political system where both seemed impossible.
KLARA KEMP-WELCH is Lecturer in Twentieth Century Modernism at The Courtauld Institute of Art, London.
Introduction
1 Disinterest
2 Doubt
3 Dissent
4 Humour
5 Reticence
6 Dialogue
Endings
| Zusatzinfo | 133 bw integrated |
|---|---|
| Sprache | englisch |
| Maße | 152 x 232 mm |
| Gewicht | 540 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Sozialwissenschaften ► Politik / Verwaltung | |
| ISBN-10 | 1-78453-314-9 / 1784533149 |
| ISBN-13 | 978-1-78453-314-4 / 9781784533144 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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