- Selected by Choice as an Outstanding Academic Title for 2011
- The first book dedicated exclusively to this history
- Explores how French animators have forged their own visual styles, narrative modes, and technological innovations to construct a distinct national style, while avoiding the clichés and conventions of Hollywood's commercial cartoons
- Includes more than 80 color and black and white images from the most influential films, from early silent animation to the recent internationally renowned Persepolis
- Essential reading for anyone interested in the study of French film
Richard Neupert is the Wheatley Professor of the Arts and a Josiah Meigs Distinguished Teaching Professor in Film Studies at the University of Georgia. His previous books include A History of the French New Wave Cinema (2007) and The End: Narration and Closure in the Cinema, as well as translations from French of Aesthetics of Film (Aumont, et al) and The French New Wave (Marie).
Richard Neupert is the Wheatley Professor of the Arts and a Josiah Meigs Distinguished Teaching Professor in Film Studies at the University of Georgia.
Figures ix
Plates xiii
Acknowledgments xvii
1 Introduction: The Rise of Animation in France 1
The Beginnings of Animation 4
Stop-Motion Animation Attractions 19
2 Silent Animation: Emile Cohl and his Artisanal Legacy 22
Emile Cohl, Caricature, and the Rise of Studio Animation 22
Emile Cohl at Pathé, Eclipse, and Eclair Studios 36
Graphic Art and the Cartoon: Lortac and O'Galop 45
But is it "Animation?" French Avant-Garde and Moving Pictures 54
3 French Animation and the Coming of Sound 60
Ladislas Starewich's Fabled Puppets 61
Berthold Bartosch's L'Idée: A Working-Class Allegory 73
Jean Painlevé's La Barbe bleue 78
Alexandre Alexeieff, Claire Parker, and the Pinscreen 82
Niche Cartoons: Lyrical Joie de vivre and the Surreal La Fortune enchantée 90
4 Toward an Alternative Studio Structure 99
Paul Grimault and the Artist-Owned Animation Studio 100
Transitional Animation: From High Art to Made-for-TV 107
Toward a New Era of Micro-Studios: Laguionie and Laloux 114
5 French Animation's Renaissance 124
Le Cartoon Plan 124
Michel Ocelot's Alternative Mode of Production 127
Comic Book Aesthetics and Niche Studios 139
Contemporary French Animation: 2006 and Beyond 149
6 Conclusion: French Animation Today 162
References 171
Further Reading 178
Index 181
"Neupert expertly integrates the lives and exploits of the
animators with the plots of films they produced and with the trends
and issues in the profession...Summing Up: Highly recommended."
- Choice
"French Animation History is a richly informed and
highly readable scholarly book that will appeal both to specialists
in the field and to the curious interested in this popular, and
often neglected, dimension of French filmmaking." -
H-France Review
"French Animation History helps the reader discover
a coherent but diverse world, starting in the nineteenth century, a
chain of independent craftsmen and artists, leading to an active
twenty-first century, and pushing us - from any country
- towards more perseverance, creativity, humanity, freedom,
passion." - Michel Ocelot
"Neupert expertly integrates the lives and exploits of the
animators with the plots of films they produced and with the trends
and issues in the profession." - Choice
| Erscheint lt. Verlag | 8.3.2011 |
|---|---|
| Sprache | englisch |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| Schlagworte | Cultural Studies • Filmforschung • Film Studies • Geschichte des Filmtheaters • History of Cinema • Kulturwissenschaften • Pathé, animated film, Cohl, Grimault, Ocelot, Fantastic Planet, Triplets of Belleville, Persepolis, stop-motion animation, studio animation, French avant-garde, cartoons, comics, graphic novels |
| ISBN-13 | 9781444392562 / 9781444392562 |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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