Unraveling French Cinema (eBook)
John Wiley & Sons (Verlag)
978-1-4443-1554-7 (ISBN)
- Looks at the differences between French and American national cinema
- Explores how French directors shape their films around two potentially divergent goals: the narration of a story and an elaboration of some theory about film itself.
- Demystifies the 'difficulty' of French cinema, allowing the American movie-goer to enjoy films that are too often perplexing at a first viewing.
- Offers extended analyses of classic, New Wave, and contemporary French films—including L'Atalante, Adele H., The Rules of the Game, and Cache.
T. Jefferson Kline is a Professor of French at Boston University where he served as Chair of Modern Foreign Languages and Literatures (1979-88) and more recently received a Metcalf Award for excellence in teaching. His publications include Bertolucci's Dream Loom, I film di Bertolucci, Intertextuality in New Wave French Cinema and various edited works and essays on literature.
Unraveling French Cinema provides a much needed introduction to the complexities of French film for students, cineastes, and the movie-loving public. Looks at the differences between French and American national cinema Explores how French directors shape their films around two potentially divergent goals: the narration of a story and an elaboration of some theory about film itself. Demystifies the "e;difficulty"e; of French cinema, allowing the American movie-goer to enjoy films that are too often perplexing at a first viewing. Offers extended analyses of classic, New Wave, and contemporary French films including L'Atalante, Adele H., The Rules of the Game, and Cache.
T. Jefferson Kline is a Professor of French at Boston University where he served as Chair of Modern Foreign Languages and Literatures (1979-88) and more recently received a Metcalf Award for excellence in teaching. His publications include Bertolucci's Dream Loom, I film di Bertolucci, Intertextuality in New Wave French Cinema and various edited works and essays on literature.
Acknowledgments vi
Introduction 1
1 Cinema and/as Poetry: L'Atalante's Apples as Poems 13
2 Cinema and the Real: Renoir's Rules 35
3 Cinema and/as Crime: Breaking the Law in The Children of Paradise, Pickpocket, and Breathless 54
4 Cinema and/as Mapping: Reorienting Ourselves Through Film 83
5 Cinema and/as Dream: Truffaut's "Royal Road" to Adele H. 109
6 Cinema and/as Hypnosis: Jacquot's Seventh Heaven 132
7 Cinema and/as Mourning: Anne Fontaine's How I Killed My Father 148
8 Cinema and/as Terror: Michael Haneke's Caché 165
9 Beautiful Fragments: Discontinuity and the French Cinema 179
Notes 193
References 212
Index 219
"T. Jefferson Kline's recent book is an interesting, instructive,
and at times intriguing Read. . . Jean Vigo's L'Atalante is
presented as an excellent example of how poetry can be achieved
through cinematography." (Historical Journal of Film, Radio and
Television, 1 September 2011)
"Cinema historians or those specialists in film studies
interested in the links between film and history may find something
still to be desired from these combinations, even if the analysis
offered does shed quite a different light on some of the most
famous films of French cinema." (FH, 2 June 2011)
"In Unraveling French Cinema by T. Jefferson Kline, the focus
(and astoundingly detailed focus it is too) is on the complexities
of this strain of cinema divided appropriately into eight sections
accompanied by in-depth examinations of ten films." (M/C Reviews,
August 20, 2010)
"I enjoyed this book very much and found it to be challenging,
rewarding and worthwhile. Kline has an engaging prose style and
clearly knows his stuff. Envy his students." (Jildy Sauce,
April 2010)
"Unravelling French Cinema is both a model of pedagogy and
an introduction to the prismatic art of reading cinema. It is
a brilliant an enduring contribution to film studies." Tom
Conley, Harvard University
"T. Jefferson Kline provides a gentle yet intelligent
introduction to what makes French cinema French.
Unraveling French Cinema offers lucid and
compelling discussions about some of French film history's most
significant films, such as Jean Vigo's
L'Atalante and François Truffaut's
Adèle H., that will prove especially useful in
the classroom." Hilary Radner, University of Otago, New
Zealand
"An original, bold, and exciting new look at the history of
French cinema and its masterpieces. Ideal for classroom use as well
as a "must read" for film scholars and French cultural historians."
Richard Golsam, Texas A&M University
| Erscheint lt. Verlag | 22.9.2011 |
|---|---|
| Sprache | englisch |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften | |
| Schlagworte | Cultural Studies • Filmforschung • Film Studies • French film, Truffaut, New Wave, film criticism, European film, world film, film theory, Haneke, Malle • Kulturwissenschaften • Medienkritik |
| ISBN-10 | 1-4443-1554-4 / 1444315544 |
| ISBN-13 | 978-1-4443-1554-7 / 9781444315547 |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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