The Music Documentary
Routledge (Verlag)
978-0-415-52802-3 (ISBN)
In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights in their production and promotion, close studies of documentaries relating to favourite bands or performers, and approaches to questions of music documentary and form, from the celluloid to the digital age.
Robert Edgar is Head of the MA programmes in Film and Documentary at York St John University. Kirsty Fairclough-Isaacs is Lecturer in Media and Performance in the School of Media, Music and Performance at the University of Salford. Benjamin Halligan is the Director of Postgraduate Research Studies for the College of Arts and Social Sciences, University of Salford. Publications include Michael Reeves (2003) and Reverberations: The Philosophy, Aesthetics and Politics of Noise (2012).
Introduction: Music Seen: The Formats and Functions of the Music Documentary Part I: Evolutions of the Music Documentary Part II: Scenes from the Sixties Part III: Punk Cultures Part IV: "Mockumentaries" and "Rockumentaries" Part V: New Directions in the Music Documentary
| Reihe/Serie | Routledge Music and Screen Media Series |
|---|---|
| Zusatzinfo | 3 Tables, black and white; 3 Line drawings, black and white; 73 Halftones, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 362 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| Geisteswissenschaften ► Geschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 0-415-52802-X / 041552802X |
| ISBN-13 | 978-0-415-52802-3 / 9780415528023 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
