Sacred Exchanges

Images in Global Context

Robyn Ferrell (Autor)

Buch | Hardcover

192 Seiten

2012
Columbia University Press (Verlag)
978-0-231-14880-1 (ISBN)

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As the international art market globalizes the indigenous image, it changes its identity, status, value, and purpose in local and larger contexts. Focusing on a school of Australian Aboriginal painting that has become popular in the contemporary art world, Robyn Ferrell traces the influence of cultural exchanges on art, the self, and attitudes toward the other. Aboriginal acrylic painting, produced by indigenous women artists of the Australian Desert, bears a superficial resemblance to abstract expressionism and is often read as such by viewers. Yet to see this art only through a Western lens is to miss its unique ontology, logics of sensation, and rich politics and religion. Ferrell explores the culture that produces these paintings and connects its aesthetic to the brutal environmental and economic realities of its people. From here, she travels to urban locales, observing museums and department stores as they traffic interchangeably in art and commodities. Ferrell ties the history of these desert works to global acts of genocide and dispossession.
Rethinking the value of the artistic image in the global market and different interpretations of the sacred, she considers photojournalism, ecotourism, and other sacred sites of the western subject, investigating the intersection of modern art and postmodern culture. She ultimately challenges the primacy of the "European gaze" and its fascination with sacred cultures, constructing a more balanced intercultural dialogue that deemphasizes the aesthetic of the real championed by western philosophy.

Robyn Ferrell is a research fellow in the Gender and Cultural Studies Department at the University of Sydney and has taught at the University of Melbourne, Macquarie University, and the University of Tasmania. She has also held visiting research positions at the London School of Economics and the University of Western Sydney and is the author of Copula: Sexual Technologies, Reproductive Powers, Genres of Philosophy and Passion in Theory: Conceptions of Freud and Lacan.

Acknowledgments List of Photographs Writing on Art Art Utopia Dreaming Abstraction Striking Color The Real Power of Color How Painting Began Culture Global Art, Local Knowledge The Idea of the Museum In Translation A White Thing Image Logic Photojournalism Gender Stolen Culture Litte Children Are Sacred Mum's the Word Crisis in Representation Race and Gender Law Common Law Feeling for Justice Apartheid Discovery Radical Difference Emily Inc. References Index

Erscheint lt. Verlag	27.3.2012
Reihe/Serie	Columbia Themes in Philosophy, Social Criticism, and the Arts
Zusatzinfo	28 halftones
Verlagsort	New York
Sprache	englisch
Maße	140 x 216 mm
Themenwelt	Kunst / Musik / Theater ► Kunstgeschichte / Kunststile
	Geisteswissenschaften ► Philosophie
	Sozialwissenschaften ► Soziologie
ISBN-10	0-231-14880-1 / 0231148801
ISBN-13	978-0-231-14880-1 / 9780231148801
Zustand	Neuware