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The Year's Work in Lebowski Studies

Edward Comentale, Aaron Jaffe (Herausgeber)

Buch | Hardcover
512 Seiten
2009
Indiana University Press (Verlag)
978-0-253-35380-1 (ISBN)
CHF 78,90 inkl. MwSt
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A massive underground sensation, "The Big Lebowski" has been hailed as the first cult film of the internet age. This book addresses the film's influences - westerns, noir, grail legends, the 1960s, and Fluxus - and its historical connections to the first Iraq war, boomers, slackerdom, surrealism, college culture, and of course bowling.
A massive underground sensation, "The Big Lebowski" has been hailed as the first cult film of the internet age. In this book, 21 fans and scholars address the film's influences - westerns, noir, grail legends, the 1960s, and Fluxus - and its historical connections to the first Iraq war, boomers, slackerdom, surrealism, college culture, and of course bowling. "The Year's Work in Lebowski Studies" contains neither arid analyses nor lectures for the late-night crowd, but new ways of thinking and writing about film culture.

Edward P. Comentale is Associate Professor of English at Indiana University Bloomington. He is author of Modernism, Cultural Production, and the British Avant-Garde and editor (with Stephen Watt and Skip Willman) of Ian Fleming and James Bond (IUP, 2005) and (with Andrzej Gasiorek) of T.E. Hulme and the Question of Modernism. Aaron Jaffe is Associate Professor of English at the University of Louisville. He is author of Modernism and the Culture of Celebrity.

Introduction, by Edward P. Comentale and Aaron Jaffe I. Ins (Intrinsic Models and Influences) 1. The Really Big Sleep: Jeffrey Lebowski as the Second Coming of Rip Van Winkle, by Fred Ashe; 2. A Once and Future Dude: The Big Lebowski as Medieval Grail-Quest, by Andrew Rabin; 3. Dudespeak: Or, How to Bowl like a Pornstar, by Justus Nieland; 4. Noir Literary Aesthetics in Miller's Crossing and The Big Lebowski, by Chris Raczkowski; 5. The Dude and the New Left, Stacy Thompson; 6. The Big Lebowski and Paul de Man: Historicizing Irony and Ironizing Historicism, Joshua Kates; 7. Lebowski and the Ends of Postmodern American Comedy, by Matthew Biberman; 8. Found Document: The Stranger's Commentary and a Note on His Method, by Thomas B. Byers; 9. "No literal connection": Mass Commodification, US Militarism and the Oil Industry in The Big Lebowski, by David Martin-Jones; 10. "I'll Keep Rolling Along": Some Notes on Singing Cowboys and Bowling Alleys in The Big Lebowski , by Edward P. Comentale II. Outs (Eccentric Activities and Behaviors) 11. What Condition the Postmodern Condition Is In: Collecting Culture in The Big Lebowski, by Allan Smithee; 12. Holding Out Hope for the Creedence: Music and the Search for the Real Thing in The Big Lebowski , by Diane Pecknold; 13. "Fuck it, let's go bowling": The Cultural Connotations of Bowling in The Big Lebowski, by Bradley D. Clissold; 14. LebowskIcons, by Dennis Hall and Susan Grove Hall; 15. On the White Russian, by Craig N. Owens; 16. Professor Dude: An Inquiry into the Appeal of His Dudeness for Contemporary College Students, by Richard Gaughran; 17. Abiding (as) Animal: Marmot, Pomeranian, Whale, Dude, by David Pagano; 18. Logjammin' and Gutterballs: Masculinities in The Big Lebowski, byDennis Allen; 19. Size Matters, by Judith Roof; 20. BRUNSWICK = fluxus, by Aaron Jaffe; 21. Enduring and Abiding, by Jonathan Elmer Endnote: The Goofy and the Profound: A Non-Academic's Perspective on the Lebowski Achievement, by William Preston Robertson Bibliography; Index

Zusatzinfo 44 b&w illus.
Verlagsort Bloomington, IN
Sprache englisch
Maße 156 x 178 mm
Gewicht 654 g
Themenwelt Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 0-253-35380-7 / 0253353807
ISBN-13 978-0-253-35380-1 / 9780253353801
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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