The Many Voices of Lydia Davis
Translation, Rewriting, Intertextuality
Seiten
2018
Edinburgh University Press (Verlag)
978-1-4744-3156-9 (ISBN)
Edinburgh University Press (Verlag)
978-1-4744-3156-9 (ISBN)
The first in-depth analysis of Lydia Davis’s translations and writing
The Many Voices of Lydia Davis shows how translation, rewriting and intertextuality are central to the work of Lydia Davis, a major American writer, translator and essayist. Winner of the Man Booker International Prize 2013, Davis writes innovative short stories that question the boundaries of the genre. She is also an important translator of French writers such as Maurice Blanchot, Michel Leiris, Marcel Proust and Gustave Flaubert. Translation and writing go hand-in-hand in Davis’s work. Through a series of readings, this study investigates how Davis’s translations and stories relate to each other, finding that they are inextricably interlinked. It explores how Davis uses translation - either as a compositional tool or a plot device - and other instances of rewriting in her stories, demonstrating that translation is central for understanding her prose. Understanding how Davis’s work complicates divisions between translating and other forms of writing highlights the role of translation in literary production.
Key Features
The first monograph on this key contemporary writer that analyses texts from throughout her careerA series of analyses of Davis’s major translations and how her work interacts with themA rethinking of the role of translation in literary production and the boundaries between translating and writing
The Many Voices of Lydia Davis shows how translation, rewriting and intertextuality are central to the work of Lydia Davis, a major American writer, translator and essayist. Winner of the Man Booker International Prize 2013, Davis writes innovative short stories that question the boundaries of the genre. She is also an important translator of French writers such as Maurice Blanchot, Michel Leiris, Marcel Proust and Gustave Flaubert. Translation and writing go hand-in-hand in Davis’s work. Through a series of readings, this study investigates how Davis’s translations and stories relate to each other, finding that they are inextricably interlinked. It explores how Davis uses translation - either as a compositional tool or a plot device - and other instances of rewriting in her stories, demonstrating that translation is central for understanding her prose. Understanding how Davis’s work complicates divisions between translating and other forms of writing highlights the role of translation in literary production.
Key Features
The first monograph on this key contemporary writer that analyses texts from throughout her careerA series of analyses of Davis’s major translations and how her work interacts with themA rethinking of the role of translation in literary production and the boundaries between translating and writing
Jonathan Evans is a Senior Lecturer in Translation Studies at the University of Portsmouth.
1. Introduction; 2. Blanchot and Affinity; 3. Leiris and Dialogue; 4. Proust and Rewriting; 5. Flaubert and Authority; 6. Marie Curie and Parody; 7. Translation as Composition; Bibliography.
| Erscheinungsdatum | 07.01.2018 |
|---|---|
| Reihe/Serie | Edinburgh Critical Studies in Literary Translation |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 281 g |
| Themenwelt | Schulbuch / Wörterbuch ► Wörterbuch / Fremdsprachen |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Sprachwissenschaft | |
| ISBN-10 | 1-4744-3156-9 / 1474431569 |
| ISBN-13 | 978-1-4744-3156-9 / 9781474431569 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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