ADVERSARIES of DANCE
University of Illinois Press (Verlag)
978-0-252-06590-3 (ISBN)
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Wagner bases her work on the thesis that the tradition of opposition to dance "derived from white, male, Protestant clergy and evangelists who argued from a narrow and selective interpretation of biblical passages," and that the opposition thrived when denominational dogma held greater power over people's lives and when women's social roles were strictly limited.
Central to Wagner's work, which will be welcomed by scholars of both religion and dance, are issues of gender, race, and socioeconomic status.
Preface vii
Introduction xi
Part 1: European Antecedents 1. The Pre-Reformation Tradition 3
2. The Voices of Protestant Reformers 19
Part 2: American Attitudes 3. The Puritans in New England: The Seventeenth Century 47
4. The Gentry and the Awakening: The Eighteenth Century 70
5. Early Evangelicals and American Etiquette: 1800-1839 106
6. The Evangelical Mainstream and Radical Reformers: 1840-60 141
7. Conservatives, Liberals, and the City: 1865-89 193
8. Embattled Fundamentalists and the Rhetoric of Moral Panic: 1890-1939 236
9. Urban Reformers and the Dance Hall: 1908-40 292
10. The Polemic Upstaged: 1930-69 and Beyond 320
Part 3: Critical Variables and Cultural Context 11. The Nature of Dance and the Polemic in Reprise 363
12. Aesthetics, Morality, and Gender 383 Appendix A. Bible Verses on Dance 401
B. Known European Adversaries of Dance 407
C. Lesser-Known Adversaries Mentioned in the Text 413 Index 423
| Erscheint lt. Verlag | 1.2.1997 |
|---|---|
| Verlagsort | Baltimore |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 626 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
| ISBN-10 | 0-252-06590-5 / 0252065905 |
| ISBN-13 | 978-0-252-06590-3 / 9780252065903 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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