Digital Cinema
Seiten
2005
McGraw-Hill Professional (Verlag)
978-0-07-142963-4 (ISBN)
McGraw-Hill Professional (Verlag)
978-0-07-142963-4 (ISBN)
Offers an overview of digital cinema technology, detailing how the different phases of the moviemaking process, shooting, postproduction, delivery, and exhibition, are changed by digital technology. This title includes digital Cinematography - how to photograph and shoot in digital; and, Nonlinear Editing - software, basic techniques and savings.
Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.
THE INSIDER'S GUIDE TO THE DIGITAL REVOLUTIONREADERS ON BRIAN McKERNAN
***** "A must for anyone who cares about navigating the new world of digital content."*
***** "The digital revolution 'Bible' ... an invaluable resource for anyone seriously interested in video, TV, streaming, and movies, and ... it's a great read."*
***** "A must-have ... reveals the lessons learned from decades of failure and success ... and gives roadmaps to the future."*
* On Creating Digital Content: Video Production for Web, Broadcast, and Cinema, co-edited by Brian McKernan
INSIDE THE PARADIGM SHIFT THAT'S REMAKING THE MOTI0N PICTURE INDUSTRY
Not since the advent of sound has technology so greatly impacted motion pictures. With its huge cost-saving potential, digital technology can alter every aspect of the movie-making process, from shooting through postproduction to delivery and exhibition.
The digital cinema revolution is the result of years of progress in the technologies of film, computer graphics, and high-definition television. Now Brian McKernan, founding editor of Digital Cinema magazine, provides an up-to-date look at how new digital technologies are reshaping the movie industry.
Digital cinema -- how it came about, its history and pioneers
Understanding digital image compression
The latest camera choices for digital cinematography -- from high end systems to the affordable world of indie filmmaking
Audio and the cinema -- why sound is half the picture
The revolution in postproduction -- the convergence of computer graphics, HDTV, film, and video
Nonlinear editing—software choices, new techniques, and digital compositing
Digital intermediates--color grading, changing the shot after the shoot, film transfer, and film recording
Independent digital filmmaking in Hollywood and across the nation -- the democratization of the movies
The new role of the cinematographer in the digital age
Understanding digital projection technologies
What digital cinema means to indie productions, exhibitors, film distribution, and the future of the movies
You'll also find insights on the cost-vs.-quality controversy, the impact of digital cinema on creative freedom, and the integration of film and digital from such leading filmmakers as George Lucas, Robert Rodriguez, and Michael Ballhaus ASC.
Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.
THE INSIDER'S GUIDE TO THE DIGITAL REVOLUTIONREADERS ON BRIAN McKERNAN
***** "A must for anyone who cares about navigating the new world of digital content."*
***** "The digital revolution 'Bible' ... an invaluable resource for anyone seriously interested in video, TV, streaming, and movies, and ... it's a great read."*
***** "A must-have ... reveals the lessons learned from decades of failure and success ... and gives roadmaps to the future."*
* On Creating Digital Content: Video Production for Web, Broadcast, and Cinema, co-edited by Brian McKernan
INSIDE THE PARADIGM SHIFT THAT'S REMAKING THE MOTI0N PICTURE INDUSTRY
Not since the advent of sound has technology so greatly impacted motion pictures. With its huge cost-saving potential, digital technology can alter every aspect of the movie-making process, from shooting through postproduction to delivery and exhibition.
The digital cinema revolution is the result of years of progress in the technologies of film, computer graphics, and high-definition television. Now Brian McKernan, founding editor of Digital Cinema magazine, provides an up-to-date look at how new digital technologies are reshaping the movie industry.
Digital cinema -- how it came about, its history and pioneers
Understanding digital image compression
The latest camera choices for digital cinematography -- from high end systems to the affordable world of indie filmmaking
Audio and the cinema -- why sound is half the picture
The revolution in postproduction -- the convergence of computer graphics, HDTV, film, and video
Nonlinear editing—software choices, new techniques, and digital compositing
Digital intermediates--color grading, changing the shot after the shoot, film transfer, and film recording
Independent digital filmmaking in Hollywood and across the nation -- the democratization of the movies
The new role of the cinematographer in the digital age
Understanding digital projection technologies
What digital cinema means to indie productions, exhibitors, film distribution, and the future of the movies
You'll also find insights on the cost-vs.-quality controversy, the impact of digital cinema on creative freedom, and the integration of film and digital from such leading filmmakers as George Lucas, Robert Rodriguez, and Michael Ballhaus ASC.
Brian McKernan (White Plains, NJ) is the Editorial Director of Television Broadcasting, Videography, and Digital Cinema magazines.
PREFACEACKNOWLEDGMENTSChapter 1: BeginningsChapter 2: Computer Graphics, Digital Video, and High-Definition TelevisionChapter 3: Lucas Takes the LeadChapter 4: Digital CompressionChapter 5: Cinematography ToolsChapter 6: PostproductionChapter 7: EFILM: A Case Study in Digital IntermediatesChapter 8: Sound Is Half the PictureChapter 9: Rebel Without a CrewChapter 10: Indy Dreams, Indy RealitiesChapter 11: A Whole New BallgameChapter 12: The Best Thief in the WorldChapter 13: Interview with Michael Ballhaus, ASCChapter 14: Digital Projection -- Films Without FilmChapter 15: Texas Instruments' DLP CinemaChapter 16: The Future of the MoviesEPILOGUEINDEX
| Erscheint lt. Verlag | 16.5.2005 |
|---|---|
| Zusatzinfo | 60 Illustrations |
| Sprache | englisch |
| Maße | 183 x 231 mm |
| Gewicht | 465 g |
| Themenwelt | Kunst / Musik / Theater ► Fotokunst |
| Sachbuch/Ratgeber ► Freizeit / Hobby ► Fotografieren / Filmen | |
| Sozialwissenschaften ► Kommunikation / Medien ► Journalistik | |
| ISBN-10 | 0-07-142963-8 / 0071429638 |
| ISBN-13 | 978-0-07-142963-4 / 9780071429634 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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