King Yellowman
University of the West Indies Press (Verlag)
978-976-640-851-0 (ISBN)
Jamaican deejay
Yellowman divided a country with his bawdy songs and his very body: he has been
wildly popular among dancehall fans, yet widely despised by polite society. Even
though his contribution to Jamaican musical culture is immense, scholars have
ignored him and reggae histories have largely misunderstood him.
King Yellowman: Meaningful
Bodies in Jamaican Dancehall Culture is the first serious study of one Jamaica's most significant artists
and dancehall’s first major international star. It is a critical biography designed
to satisfy fans while furthering academic discourse on dancehall by offering a
new perspective on the way Yellowman negotiates the slackness/culture binary in
Jamaican music.
Based on years of ethnographic
fieldwork, Brent Hagerman begins with the compelling story of Winston Foster’s
early life as an abandoned ghetto outcast and his hard-fought journey to become
the King of Dancehall, then goes on to a critical exploration of the
marginalization of people with albinism in Jamaica and the use of slackness in
Caribbean music. Through slackness and his mobilization of Rastafarian symbols,
Yellowman subverts embedded Jamaican cultural notions of sexuality, gender, and
race to overcome his cultural displacement, promote his yellow body as sexually
appealing and forge a place for himself among the Jamaican body politic.
Brent Hagerman is a lecturer at Wilfrid Laurier University, Waterloo, Ontario, where he teaches courses on the intersection of popular music culture and religion. He is the author of Bob Marley: All That’s Left to Know about the King of Reggae.
Prefaceix
Acknowledgements xiii
Introduction1
Part 1. The Life and Times of Yellowman
1Abandoned: The Early Life of Winston “Yellowman” Foster, 1957–197119
2From Alpha to Eventide: The Teenage Years, 1971–197630
3Ranking Dundus: Breaking into the Music Business, 1977–197846
4Mad over Me: Tastee Talent Competition to Aces International, 1979–198174
5Ram Jam Master, 198194
6Jamaica Proud of Me, 1982127
7King Yellowman, 1983–1984150
8Can’t Hide from Jah: Encounters with Religion178
9Sufferation, That’s All I Know: Cancer, 1985192
10Message to the World: Prayer and More Slackness200
Part 2. Meaningful Bodies in Jamaican Dancehall Culture
11Yellowman, Race, Sex and Masculinity225
12Yellowman in Reggae Histories and Scholarship248
13Yellowman, Slackness and Social Critique286
14Yellowman as Moral Regulator296
15Yellowman, Sex and Religion313
Conclusion335
Appendix 1: “Galong Galong Galong”339
Appendix 2: Selected Album Covers341
Notes347
References357
Index369
| Erscheinungsdatum | 13.09.2021 |
|---|---|
| Verlagsort | Kingston |
| Sprache | englisch |
| Maße | 152 x 228 mm |
| Gewicht | 581 g |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| Sachbuch/Ratgeber ► Geschichte / Politik | |
| Sozialwissenschaften | |
| ISBN-10 | 976-640-851-3 / 9766408513 |
| ISBN-13 | 978-976-640-851-0 / 9789766408510 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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