Janelle Monáe's Queer Afrofuturism
Defying Every Label
Seiten
2022
Rutgers University Press (Verlag)
978-1-9788-2669-4 (ISBN)
Rutgers University Press (Verlag)
978-1-9788-2669-4 (ISBN)
Explores how Janelle Monae’s work has connected different media platforms to strengthen and enhance new movements in art, theory, and politics. The considers not only Monae’s groundbreaking albums, but also her work as an actress, and her soundtrack appearances in socially-engaged projects.
Singer. Dancer. Movie star. Activist. Queer icon. Afrofuturist. Working class heroine. Time traveler. Prophet. Feminist. Android. Dirty Computer.
Janelle Monáe is all these things and more, making her one of the most fascinating artists to emerge in the twenty-first century. This provocative new study explores how Monáe's work has connected different media platforms to strengthen and enhance new movements in art, theory, and politics. It considers not only Monáe's groundbreaking albums The ArchAndroid, The Electric Lady, and Dirty Computer, but also Monáe's work as an actress in such films as Hidden Figures and Antebellum, as well as her soundtrack appearances in socially-engaged projects ranging from I May Destroy You to Us. Examining Monáe as a cultural icon whose work is profoundly intersectional, this book maps how she is actively reshaping discourses around race, gender, sexuality, and capitalism. Tracing Monáe's performances of joy, desire, pain, and hope across a wide range of media forms, it shows how she imagines Afrofuturist, posthumanist, and postcapitalist utopias, while remaining grounded in the realities of being a Black woman in a white-dominated industry. This is an exciting introduction to an audacious innovator whose work offers us fresh ways to talk about identity, desire, and power.
Singer. Dancer. Movie star. Activist. Queer icon. Afrofuturist. Working class heroine. Time traveler. Prophet. Feminist. Android. Dirty Computer.
Janelle Monáe is all these things and more, making her one of the most fascinating artists to emerge in the twenty-first century. This provocative new study explores how Monáe's work has connected different media platforms to strengthen and enhance new movements in art, theory, and politics. It considers not only Monáe's groundbreaking albums The ArchAndroid, The Electric Lady, and Dirty Computer, but also Monáe's work as an actress in such films as Hidden Figures and Antebellum, as well as her soundtrack appearances in socially-engaged projects ranging from I May Destroy You to Us. Examining Monáe as a cultural icon whose work is profoundly intersectional, this book maps how she is actively reshaping discourses around race, gender, sexuality, and capitalism. Tracing Monáe's performances of joy, desire, pain, and hope across a wide range of media forms, it shows how she imagines Afrofuturist, posthumanist, and postcapitalist utopias, while remaining grounded in the realities of being a Black woman in a white-dominated industry. This is an exciting introduction to an audacious innovator whose work offers us fresh ways to talk about identity, desire, and power.
DAN HASSLER-FOREST is an assistant professor of media studies at Utrecht University in the Netherlands. He is the author of Capitalist Superheroes and Science Fiction, Fantasy, and Politics: Transmedia Storytelling Beyond Capitalism.
Introduction
Vector 1: AFROFUTURISM
Vector 2: BLACK FEMINISM
Vector 3: : INTERSECTIONALITY
Vector 4: : POSTHUMANISM
Vector 5: POSTCAPITALISM
Acknowledgments
Notes
Bibliography
Index
| Erscheinungsdatum | 31.05.2022 |
|---|---|
| Zusatzinfo | 20 color images |
| Verlagsort | New Brunswick NJ |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 4 g |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| Sachbuch/Ratgeber ► Geschichte / Politik | |
| Sozialwissenschaften | |
| ISBN-10 | 1-9788-2669-9 / 1978826699 |
| ISBN-13 | 978-1-9788-2669-4 / 9781978826694 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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