How Am I to Be Heard?
Letters of Lillian Smith
Seiten
1996
|
New edition
The University of North Carolina Press (Verlag)
978-0-8078-4580-6 (ISBN)
The University of North Carolina Press (Verlag)
978-0-8078-4580-6 (ISBN)
This volume presents a portrait of the life and work of writer Lillian Smith (1897-1966), a leading southern white liberal of the mid-20th century. The author has selected 145 of Smith's 1500 extant letters for the book, with subjects including her lesbian relationship with Paula Snelling.
This compelling volume offers the first full portrait of the life and work of writer Lillian Smith (1897-1966), the foremost southern white liberal of the mid-twentieth century. Smith devoted her life to lifting the veil of southern self-deception about race, class, gender, and sexuality. Her books, essays, and especially her letters explored the ways in which the South's attitudes and institutions perpetuated a dehumanizing experience for all its people--white and black, male and female, rich and poor. Her best-known books are Strange Fruit (1944), a bestselling interracial love story that brought her international acclaim; and Killers of the Dream (1949), an autobiographical critique of southern race relations that angered many southerners, including powerful moderates. Subsequently, Smith was effectively silenced as a writer. Rose Gladney has selected 145 of Smith's 1500 extant letters for this volume. Arranged chronologically and annotated, they present a complete picture of Smith as a committed artist and reveal the burden of her struggles as a woman, including her lesbian relationship with Paula Snelling. Gladney argues that this triple isolation--as woman, lesbian, and artist--from mainstream southern culture permitted Smith to see and to expose southern prejudices with absolute clarity.
This compelling volume offers the first full portrait of the life and work of writer Lillian Smith (1897-1966), the foremost southern white liberal of the mid-twentieth century. Smith devoted her life to lifting the veil of southern self-deception about race, class, gender, and sexuality. Her books, essays, and especially her letters explored the ways in which the South's attitudes and institutions perpetuated a dehumanizing experience for all its people--white and black, male and female, rich and poor. Her best-known books are Strange Fruit (1944), a bestselling interracial love story that brought her international acclaim; and Killers of the Dream (1949), an autobiographical critique of southern race relations that angered many southerners, including powerful moderates. Subsequently, Smith was effectively silenced as a writer. Rose Gladney has selected 145 of Smith's 1500 extant letters for this volume. Arranged chronologically and annotated, they present a complete picture of Smith as a committed artist and reveal the burden of her struggles as a woman, including her lesbian relationship with Paula Snelling. Gladney argues that this triple isolation--as woman, lesbian, and artist--from mainstream southern culture permitted Smith to see and to expose southern prejudices with absolute clarity.
Margaret Rose Gladney is associate professor of American studies at the University of Alabama.
| Erscheint lt. Verlag | 28.2.1996 |
|---|---|
| Reihe/Serie | Gender and American Culture |
| Verlagsort | Chapel Hill |
| Sprache | englisch |
| Maße | 153 x 234 mm |
| Gewicht | 333 g |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Sachbuch/Ratgeber ► Geschichte / Politik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften | |
| ISBN-10 | 0-8078-4580-9 / 0807845809 |
| ISBN-13 | 978-0-8078-4580-6 / 9780807845806 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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