Latino/a Popular Culture
New York University Press (Verlag)
978-0-8147-3624-1 (ISBN)
Scholars from the humanities and social sciences analyze representations of Latinidad in a diversity of genres
Latinos have become the largest ethnic minority group in the United States. While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory.
In Latino/a Popular Culture, Habell-Pallán and Romero have brought together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres—media, culture, music, film, theatre, art, and sports—that are emerging across the nation in relation to Chicanas, Chicanos, mestizos, Puerto Ricans, Caribbeans, Central Americans and South Americans, and Latinos in Canada.
Contributors include Adrian Burgos, Jr., Luz Calvo, Arlene Dávila, Melissa A. Fitch, Michelle Habell-Pallán, Tanya Katerí Hernández, Josh Kun, Frances Negron-Muntaner, William A. Nericcio, Raquel Z. Rivera, Ana Patricia Rodríguez, Gregory Rodriguez, Mary Romero, Alberto Sandoval-Sánchez, Christopher A. Shinn, Deborah R. Vargas, and Juan Velasco.
Cover artwork "Layering the Decades" by Diane Gamboa, 2002, mixed media on paper, 11 X 8.5". Copyright 2001, Diane Gamboa. Printed with permission.
Michelle Habell-Pallán is an Associate Professor in the Women Studies Department at the University of Washington, Seattle. She is the co-editor with Mary Romero of Latino/a Popular Culture (NYU Press, 2002). Mary Romero is Professor of Justice Studies at Arizona University. She is the author or editor of many books, including Maid in the U.S.A.. In 2012, she was awarded the Julian Samora Distinguished Career Award by the Latino/Latina Sociology Section of the American Sociological Association.
1 Talking Back: Spanish Media and U.S. Latinidad 2 Barbie's Hair: Selling Out Puerto Rican Identity in the Global Market 3 The Buena Vista Social Club: The Racial Politics of Nostalgia 4 "Lemme Stay, I Want to Watch": Ambivalence in Borderlands Cinema 5 Encrucijadas: Ruben Blades at the Transnational Crossroads 6 "The Sun Never Sets on MTV": Tijuana NO! and the Border of Music Video 7 Bidi Bidi Bom Bom: Selena and Tejano Music in the Making of Tejas 8 Hip Hop and New York Puerto Ricans 9 Paul Simon's The Capeman: The Staging of Puerto Rican National Identity as Spectacle and Commodity on Broadway 10 Gender Bending in Latino Theater 11 "Don't Call Us Hispanic": Popular Latino Theater in Vancouver 12 A Decidedly "Mexican" and "American" Semi[er]otic Transference 13 Performing Multiple Identities: Guillermo Gomez-Pena and His "Dangerous Border Crossings" 14 Learning America's Other Game: Baseball, Race, and the Study of Latinos 15 Futbol Nation: U.S. Latinos and the Goal of a Homeland 16 Boxing and Masculinity: The History and (Her)story of Oscar de la Hoya
| Erscheint lt. Verlag | 1.6.2002 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 499 g |
| Themenwelt | Kunst / Musik / Theater |
| Sachbuch/Ratgeber ► Sport | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-8147-3624-6 / 0814736246 |
| ISBN-13 | 978-0-8147-3624-1 / 9780814736241 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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