Fight Direction
For Stage and Screen
Seiten
1995
A & C Black Publishers Ltd (Verlag)
978-0-7136-4022-9 (ISBN)
A & C Black Publishers Ltd (Verlag)
978-0-7136-4022-9 (ISBN)
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This book, which has forwords by Laurence Olivier and Roman Polanski, has been designed for the inexperienced in order to promote a more professional attitude to the task of performing and arranging fights. There is an illustrated glossary of strokes, plus a short chapter on weapons.
William Hobbs has written his book as a guide to the inexperienced, so they are able to put their ideas into action more smoothly. The author's aim is to promote a more professional attitude and way of thinking about the task of performing and arranging fights that will demonstrate the range of exciting challenges which are open to directors, actors and fight arrangers alike. Both amateurs and professionals will find the problems and dangers of stage combat dealt with by the author. There is a fully illustrated glossary of strokes, a chapter on battle scenes and mass fighting, and an account of how to arrange comic and symbolic fights and how to stage unarmed fights. The author explains his system of notation for recording the moves of a fight, and includes a 6short chapter on weapons. The final chapter covers slapstick - a deceptively simple art. Forewords by Laurence Olivier and Roman Polanski. The author's first fight direction was for Franco Zefferelli's Romeo and Juliet at the Old Vic and he was Fight Director to Olivier's National Theatre Company for 9 years.
He has worked at the National Theatre with Peter Hall, the RSC, the Royal Opera House and the ENO and on many productions in Europe. His many TV productions include Olivier's King Lear and the recent BBC series, Clarissa. Fight direction on feature films includes Cyrano de Bergerac, Dangerous Liaisons, Hamlet, The Duellists, Excalibur and many others. He has just finished shooting the film Rob Roy."
William Hobbs has written his book as a guide to the inexperienced, so they are able to put their ideas into action more smoothly. The author's aim is to promote a more professional attitude and way of thinking about the task of performing and arranging fights that will demonstrate the range of exciting challenges which are open to directors, actors and fight arrangers alike. Both amateurs and professionals will find the problems and dangers of stage combat dealt with by the author. There is a fully illustrated glossary of strokes, a chapter on battle scenes and mass fighting, and an account of how to arrange comic and symbolic fights and how to stage unarmed fights. The author explains his system of notation for recording the moves of a fight, and includes a 6short chapter on weapons. The final chapter covers slapstick - a deceptively simple art. Forewords by Laurence Olivier and Roman Polanski. The author's first fight direction was for Franco Zefferelli's Romeo and Juliet at the Old Vic and he was Fight Director to Olivier's National Theatre Company for 9 years.
He has worked at the National Theatre with Peter Hall, the RSC, the Royal Opera House and the ENO and on many productions in Europe. His many TV productions include Olivier's King Lear and the recent BBC series, Clarissa. Fight direction on feature films includes Cyrano de Bergerac, Dangerous Liaisons, Hamlet, The Duellists, Excalibur and many others. He has just finished shooting the film Rob Roy."
| Erscheint lt. Verlag | 31.7.1995 |
|---|---|
| Zusatzinfo | 31 b&W illustrations, 50 line drawings |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 163 x 227 mm |
| Gewicht | 280 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Sachbuch/Ratgeber ► Sport ► Kampfsport / Selbstverteidigung | |
| ISBN-10 | 0-7136-4022-7 / 0713640227 |
| ISBN-13 | 978-0-7136-4022-9 / 9780713640229 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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