Concerning The Quantum in Art
Seiten
2025
Routledge (Verlag)
9781041161943 (ISBN)
Routledge (Verlag)
9781041161943 (ISBN)
This book offers an artist’s perspective on the intriguing relationship between quantum physics and fine art, focusing particularly on the role of probability, chance and uncertainty.
The author, rather than approaching quantum mechanics as a scientist, explores how its concepts shape perception and creative expression. Drawing inspiration from Walter Benjamin’s approach to photography and art, Thomas reframes the question: not whether artists can interpret quantum mechanics, but how quantum ideas influence artistic thought. Through metaphors, signs and serendipitous experiences, the book examines how the language and imagery of quantum theory intersect with the intuitive, often contradictory nature of artistic practice. It argues that while science attempts to measure phenomena, art probes sensation—offering new ways to visualise, question and internalise complex realities and showing how intuition and uncertainty have always played roles in both scientific and artistic revolutions.
This text is ideal for scholars and artists interested in art education, art theory and scientific approaches to art.
The author, rather than approaching quantum mechanics as a scientist, explores how its concepts shape perception and creative expression. Drawing inspiration from Walter Benjamin’s approach to photography and art, Thomas reframes the question: not whether artists can interpret quantum mechanics, but how quantum ideas influence artistic thought. Through metaphors, signs and serendipitous experiences, the book examines how the language and imagery of quantum theory intersect with the intuitive, often contradictory nature of artistic practice. It argues that while science attempts to measure phenomena, art probes sensation—offering new ways to visualise, question and internalise complex realities and showing how intuition and uncertainty have always played roles in both scientific and artistic revolutions.
This text is ideal for scholars and artists interested in art education, art theory and scientific approaches to art.
Paul Thomas is an Honorary Professor at the University of New South Wales, Sydney, Australia.
1. Introduction 2. Quantum Drawing 3. Quantum Blackness 4. Quantum Failure 5. Quantum Imaging 6. Quantum Duration 7. Quantum Intuition 8. Quantum Future 9. Quantum Symbiosis 10. Quantum Chaos 11. Quantum Computing 12. Quantum Scarring 13. Quantum Conceptualised 14. Quantum Immateriality 15. Quantum Mirror 16. Quantum Immortality 17. Quantum Unkown 18. Conclusion
| Erscheinungsdatum | 31.10.2025 |
|---|---|
| Reihe/Serie | Routledge Focus on Art History and Visual Studies |
| Zusatzinfo | 1 Line drawings, black and white; 5 Halftones, color; 15 Halftones, black and white; 5 Illustrations, color; 16 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 138 x 216 mm |
| Gewicht | 400 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Naturwissenschaften ► Physik / Astronomie ► Quantenphysik | |
| ISBN-13 | 9781041161943 / 9781041161943 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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Buch | Hardcover (2024)
Carl Hanser (Verlag)
CHF 62,95
