Chinese Surplus
Duke University Press (Verlag)
9780822370536 (ISBN)
Ari Larissa Heinrich is Professor of Chinese Literature and Media at the Australian National University . He is the author of The Afterlife of Images: Translating the Pathological Body between China and the West, also published by Duke University Press, and coeditor of Embodied Modernities: Corporeality, Representation, and Chinese Cultures.
Acknowledgments ix
Introduction. Biopolitical Aesthetics and the Chinese Body as Surplus 1
1. Chinese Whispers: Frankenstein, the Sleeping Lion, and the Emergence of a Biopolitical Aesthetics 25
2. Souvenirs of the Organ Trade: The Diasporic Body in Contemporary Chinese Literature and Art 49
3. Organ Economics: Transplant, Class, and Witness from Made in Hong Kong to The Eye 83
4. Still Life: Recovering (Chinese) Ethnicity in the Body Worlds and Beyond 115
Epilogue. All Rights Preserved: Intellectual Property and the Plastinated Cadaver Exhibits 139
Notes 159
Bibliography 227
Index 239
| Erscheinungsdatum | 15.03.2018 |
|---|---|
| Reihe/Serie | Perverse Modernities: a Series Edited by Jack Halberstam and Lisa Lowe |
| Zusatzinfo | 26 illustrations |
| Verlagsort | North Carolina |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 363 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Naturwissenschaften | |
| ISBN-13 | 9780822370536 / 9780822370536 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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