Framing the Ocean, 1700 to the Present
Routledge (Verlag)
978-1-138-24796-3 (ISBN)
Tricia Cusack’s publications include Art and Identity at the Water’s Edge (ed.) (Ashgate 2012); Riverscapes and National Identities (Syracuse University Press 2010); Art, Nation and Gender: Ethnic Landscapes, Myths and Mother-Figures (co-edited, Ashgate 2003), and numerous articles.
Introduction: Framing the ocean, 1700 to the present: envisaging the sea as social space, Tricia Cusack. Part I Exploring the Ocean: Colonial Crossings: From mare tenebrorum to Atlantic Ocean: a cartographical biography (1470-1900), Carla Lois; The Old World anew: the Atlantic as the liminal site of expectations, Emily Burns; Second encounters in the South Seas: revisiting the shores of Cook and Bougainville in the art of Gauguin, La Farge and Barnfield, Elizabeth C. Childs. Part II Ships as Microcosms of Society: The artist travels: Augustus Earle at sea, Sarah Thomas; Sailors on horseback: the representation of seamen and social space in eighteenth-century British visual culture, Geoff Quilley; The 'other' ships: dhows and the colonial imagination in the Indian Ocean, Erik Gilbert; Representation, commerce, and consumption: the cruise industry and the ocean, Adam Weaver. Part III Narratives of Shipwrecks, Rafts, and Jetsam: Shipwrecks, mutineers and cannibals: maritime mythology and the political unconscious in eighteenth-century Britain, Carl Thompson; The sea as repository: Tacita Dean's Teignmouth Electron, 1999 and Sean Lynch's DeLorean Progress Report, 2010, Kirstie North; Reconstructing the raft: semiotics and memory in the art of the shipwreck and the raft, Yvonne Scott; Plastic as shadow: the toxicity of objects in the anthropocene, Pam Longobardi. Part IV Natural and Unnatural Histories: Oceanic Imaginings: A 'dreadful apparatus': John Singleton Copley's Watson and the Shark and the cultures of natural history, Emily Ballew Neff; Mermaids and metaphors: Dorothea Tanning's surrealist ocean, Victoria Carruthers and Catriona McAra; 'Something rich and strange': coral in contemporary art, Marion Endt-Jones; 'No fancy so wild': slippery gender models in the coral gallery, Pandora Syperek. Index.
| Erscheinungsdatum | 07.09.2016 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 498 g |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Geschichte ► Teilgebiete der Geschichte ► Militärgeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Wirtschaftsgeschichte | |
| Naturwissenschaften ► Geowissenschaften ► Geografie / Kartografie | |
| ISBN-10 | 1-138-24796-0 / 1138247960 |
| ISBN-13 | 978-1-138-24796-3 / 9781138247963 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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