Creating Opera Utilising Augmented Reality and Virtual Reality Technologies
Routledge (Verlag)
978-1-041-07718-3 (ISBN)
This book investigates the use of extended reality (XR) technologies to innovate the opera experience.
Through the creation and comparison of three versions of the original opera Artemis, the research explores how virtual and augmented reality platforms can transform traditional composition and staging practices. The project resulted in three distinct iterations: a virtual reality opera built in Unity3D for the Oculus Quest, a 360° YouTube VR opera, and an augmented reality live performance. Each version utilised self-experiential prototyping to craft immersive environments and novel compositional approaches. Key features of the book include a detailed analysis of prototyping methods for XR opera development, with an emphasis on combining autoethnography, world-building, and user-centric design. By leveraging tools like Unity3D and 3D spatial sound technology, the research demonstrates how XR environments can enhance the sensory and emotional engagement of both creators and audiences. Readers will gain practical insights into designing XR operas, from managing technical constraints to creating immersive soundscapes and environments that align with operatic narratives.
This book will appeal to an academic audience in fields such as music technology, interaction design, composition, and virtual reality architecture. It provides valuable contributions for undergraduate and postgraduate students, creative practice researchers, and professionals seeking to explore the intersections of technology, performance, and composition. With its multidisciplinary approach, the book offers a roadmap for applying innovative techniques to the creation of XR operatic works and beyond.
Taana Rose is a guest lecturer at TAFE Queensland with a PhD from the University of Queensland. Having taught autoethnography, music for screen, composition, music technology and sound design at TAFE Queensland and The University of Canberra, she also tutors Indigenous students through the Keystones of Success program at the Queensland University of Technology. She has graced prestigious stages like GameSoundCon, Highscore 2022, and EUROXR, showcasing her expertise in immersive soundscapes and XR innovation. Creator of the mesmerising Artemis XR Opera and the acclaimed Artemis VR, Taana's work has reached global audiences, earning her the esteemed Best in Queensland Award at QLDXRFestival 2022. As a sound designer, she has added her sonic magic to the VR experience 'Allegory of Reality', showcased at Vacant Assembly and World Science Festival Brisbane.
1. Introduction 2. Thematic Context 3. Review of Relevant Artworks 4. Voicing Artemis 5. A Comparison of the AR and VR Artemis Works 6. Prototyping an Iterative Process 7. The Composer, As Maker
| Erscheinungsdatum | 04.06.2025 |
|---|---|
| Zusatzinfo | 3 Tables, black and white; 9 Line drawings, black and white; 5 Halftones, black and white; 14 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 138 x 216 mm |
| Gewicht | 380 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Mathematik / Informatik ► Informatik ► Theorie / Studium | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-041-07718-1 / 1041077181 |
| ISBN-13 | 978-1-041-07718-3 / 9781041077183 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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