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Whiteness, Feminism and the Absurd in Contemporary British and US Poetry - Jenna Clake

Whiteness, Feminism and the Absurd in Contemporary British and US Poetry

(Autor)

Buch | Softcover
224 Seiten
2026
Edinburgh University Press (Verlag)
978-1-4744-9435-9 (ISBN)
CHF 34,90 inkl. MwSt
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The first study to consider how Whiteness pervades and is challenged in contemporary British and US Absurdist poetry.
In an era of political and social turmoil on both sides of the Atlantic, where issues of gender, race and class are linked with concerns of how to survive in a capitalist society, a new aesthetic of Absurdist poetry has emerged. This aesthetic has a troubled relationship to race, pervaded by issues of representation in avant-garde poetry, and notions of who poetry writers and readers are. Focusing on British and US poets including Rachael Allen, Emily Berry, Crispin Best, Caroline Bird, Franny Choi, Jennifer L. Knox, Morgan Parker and Jane Yeh, Jenna Clake investigates how poets use the Absurd to destabilise ideas about race, gender and class and imagine social change. Bringing together Whiteness studies, socio-political theory, and close readings of poems, Clake examines how the Absurd has developed, how its poets understand privilege and offer prospects of hope and change, and how the Absurd might move away from nihilism.

Jenna Clake is Senior Lecturer in Creative Writing at Teesside University. Her debut novel Disturbance was published in 2023 and her poetry collections include Museum of Ice Cream (2021) and Fortune Cookie (2018). She has received an Eric Gregory Award from the Society of Authors, and was shortlisted for the Somerset Maugham Award in 2018.

Acknowledgements

Introduction: The Absurd, Race and Gender

Part I
1. Feminine and Feminist Humour and Whiteness in Contemporary British Absurdist Poetry
2. Miscommunication and Failure to Connect in the Absurd
3. The Apocalypse in the Absurd

Part II
4. Authority, 'White Trash' and Culture in Jennifer L. Knox’s A Gringo Like Me
5. Sadness in Caroline Bird’s The Hat-Stand Union and In These Days of Prohibition
6. Reality and Imagination in Emily Berry’s Dear Boy

Afterword: Failing Better

Notes
Bibliography
Index

Erscheint lt. Verlag 31.8.2026
Verlagsort Edinburgh
Sprache englisch
Maße 156 x 234 mm
Themenwelt Literatur Lyrik / Dramatik Lyrik / Gedichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-4744-9435-8 / 1474494358
ISBN-13 978-1-4744-9435-9 / 9781474494359
Zustand Neuware
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