Delphi Collected Works of John Cowper Powys Illustrated (eBook)

John Cowper Powys (Autor)

Delphi Classics (Herausgeber)

eBook Download: EPUB

2025
1017 Seiten
Delphi Publishing Ltd (Verlag)
978-1-80170-287-4 (ISBN)

Infos

Regarded as a successor to Thomas Hardy, John Cowper Powys was a Welsh novelist and essayist, known chiefly for his long panoramic novels, including the masterpieces 'Wolf Solent' and 'A Glastonbury Romance'. In his series of 'Wessex Novels', landscape plays a principal role, as does the elemental philosophy of his intriguing characters' lives. He also wrote a critically acclaimed series of 'Welsh Novels', noted for their rich mythological and fantasy elements. This eBook presents Powys' collected works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1)

* Beautifully illustrated with images relating to Powys' life and works
* Concise introductions to the major texts
* All 11 novels in the US public domain, with individual contents tables
* Rare novels appearing for the first time in digital publishing
* Images of how the books were first published, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* Rare short stories available in no other collection
* Includes Powys' rare poetry collection
* Seminal non-fiction
* Ordering of texts into chronological order and genres

Please note: due to US copyright restrictions, five novels, several short stories and two non-fiction works cannot appear in this edition. When new works enter the public domain, they will be added to the collection as a free update.

CONTENTS:

A Wessex Novel
Wolf Solent (1929)

The Welsh Novels
Morwyn (1937)
Owen Glendower (1941)
Porius (1951)

Other Novels
Wood and Stone (1915)
Rodmoor (1916)
Ducdame (1925)
Atlantis (1954)
The Brazen Head (1956)
Homer and the Aether (1959)
All or Nothing (1960)

The Shorter Fiction
The Owl, The Duck, and - Miss Rowe! Miss Rowe! (1930)
Up and Out (1957)

The Poetry Collection
Mandragora (1917)

The Non-Fiction
Visions and Revisions (1915)
Confessions of Two Brothers (1916)
Suspended Judgements (1916)
One Hundred Best Books (1916)
The Complex Vision (1920)

Textauszug

THE FACE ON THE WATERLOO STEPS

FROM WATERLOO STATION to the small country town of Ramsgard in Dorset is a journey of not more than three or four hours, but having by good luck found a compartment to himself, Wolf Solent was able to indulge in such an orgy of concentrated thought, that these three or four hours lengthened themselves out into something beyond all human measurement.

A bluebottle fly buzzed up and down above his head, every now and then settling on one of the coloured advertisements of seaside resorts — Weymouth, Swanage, Lulworth, and Poole — cleaning its front legs upon the masts of painted ships or upon the sands of impossibly cerulean waters.

Through the open window near which he sat, facing the engine, the sweet airs of an unusually relaxed March morning visited his nostrils, carrying fragrances of young green shoots, of wet muddy ditches, of hazel-copses full of damp moss, and of primroses on warm grassy hedge-banks.

Solent was not an ill-favoured man; but on the other hand he was not a prepossessing one. His short stubbly hair was of a bleached tow-colour. His forehead as well as his rather shapeless chin had a tendency to slope backward, a peculiarity which had the effect of throwing the weight of his character upon the curve of his hooked nose and upon the rough, thick eyebrows that overarched his deeply sunken grey eyes.

He was tall and lean; and as he stretched out his legs and clasped his hands in front of him and bowed his head over his bony wrists, it would have been difficult to tell whether the goblinish grimaces that occasionally wrinkled his physiognomy were fits of sardonic chuckling or spasms of reckless desperation.

His mood, whatever its elements may have been, was obviously connected with a crumpled letter which he more than once drew forth from his side-pocket, rapidly glanced over, and replaced, only to relapse into the same pose as before.

The letter which thus affected him was written in a meticulously small hand and ran as follows:

My Dear Sir: —

Will you be so kind as to arrive at Ramsgard on Thursday in time to meet my friend Mr. Darnley Otter about five o’clock in the tea-room of the Lovelace Hotel? He will be driving over to King’s Barton that afternoon and will convey you to his mother’s house, where for the present you will have your room. If it is convenient I would regard it as a favour if you will come up and dine with me on the night of your arrival. I dine at eight o’clock; and we shall be able to talk things over.

I must again express my pleasure at your so prompt acceptance of my poor offer.

Yours faithfully,

John Urquhart.

He re-invoked the extraordinary incident which had led to his “prompt acceptance” of Mr. Urquhart’s “poor offer.”

He was now thirty-five and for ten years he had laboriously taught History at a small institution in the city of London, living peacefully under the despotic affection of his mother, with whom, when he was only a child of ten, he had left Dorsetshire, and along with Dorsetshire all the agitating memories of his dead father.

As it happened, his new post, as literary assistant to the Squire of King’s Barton, brought him to the very scene of these disturbing memories; for it was from a respectable position as History Master in Ramsgard School that his father had descended, by a series of mysterious headlong plunges, until he lay dead in the cemetery of that town, a byword of scandalous depravity.

It was only the fact that the Squire of King’s Barton was a relative of Lord Carfax, a cousin of Wolf’s mother, that had made it possible for him to find a retreat, suitable to his not very comprehensive abilities, after the astounding dénouement of his London life.

He could visualize now, as if it had occurred that very day instead of two months ago, the outraged anger upon his mother’s face, when he communicated to her what had happened. He had danced his “malice-dance” — that is how he himself expressed it — in the middle of an innocent discourse on the reign of Queen Anne. He was telling his pupils quite quietly about Dean Swift; and all of a sudden some mental screen or lid or dam in his own mind completely collapsed and he found himself pouring forth a torrent of wild, indecent invectives upon every aspect of modern civilization.

He had, in fact, so at least he told his mother, danced his “malice-dance” on that quiet platform to so abandoned a tune, that no “authorities,” in so far as they retained their natural instincts at all, could possibly condone it.

And now, with that event behind him, he was escaping from the weight of maternal disapproval into the very region where the grand disaster of his mother’s life had occurred.

They had had some very turbulent scenes after the receipt of Mr. Urquhart’s first answer to his appeal. But as she had no income and only very limited savings, the sheer weight of economic necessity drove her into submission.

“You shall come down to me there when I’ve got a cottage,” he had flung out; and her agitated, handsome face, beneath its disordered mass of wavy, grey hair, had hardened itself under the impact of those words, as if he had taken up her most precious tea-set and dashed it into fragments at her feet.

One of the suppressed emotions that had burst forth on that January afternoon had had to do with the appalling misery of so many of his fellow Londoners. He recalled the figure of a man he had seen on the steps outside Waterloo Station. The inert despair upon the face that this figure had turned towards him came between him now and a hillside covered with budding beeches. The face was repeated many times among those great curving masses of emerald-clear foliage. It was an English face; and it was also a Chinese face, a Russian face, an Indian face. It had the variableness of that Protean wine of the priestess Bacbuc. It was just the face of a man, of a mortal man against whom Providence had grown as malignant as a mad dog. And the woe upon the face was of such a character that Wolf knew at once that no conceivable social readjustments or ameliorative revolutions could ever atone for it — could ever make up for the simple irremediable fact that it had been as it had been!

By the time the hill of beeches had disappeared, he caught sight of a powerful motor-lorry clanging its way along a narrow road, leaving a cloud of dust behind it, and the sight of this thing gave his thought a new direction. There arose before him, complicated and inhuman, like a moving tower of instruments and appliances, the monstrous Apparition of Modern Invention.

He felt as though, with aeroplanes spying down upon every retreat like ubiquitous vultures, with the lanes invaded by iron-clad motors like colossal beetles, with no sea, no lake, no river, free from throbbing, thudding engines, the one thing most precious of all in the world was being steadily assassinated.

In the dusty, sunlit space of that small tobacco-stained carriage, he seemed to see, floating and helpless, an image of the whole round earth! And he saw it bleeding and victimized, like a smooth-bellied, vivisected frog. He saw it scooped and gouged and scraped and harrowed. He saw it hawked at out of the humming air. He saw it netted in a quivering entanglement of vibrations, heaving and shuddering under the weight of iron and stone.

Where, he asked himself, as for the twentieth time he took out and put back Mr. Urquhart’s letter — where, in such a vivisected frog’s-belly of a world, would there be a place left for a person to think any single thought that was leisurely and easy? And, as he asked himself this and mentally formed a visual image of what he considered “thought,” such “thought” took the form of slowly stirring, vegetable leaves, big as elephants’ feet, hanging from succulent and cold stalks on the edges of woodland swamps.

And then, stretching out his legs still further and leaning back against the dusty cushions, he set himself to measure the resources of his spirit against these accursed mechanisms. He did this quite gravely, with no comic uneasiness at the arrogance of such a proceeding. Why should he not pit his individual magnetic strength against the tyrannous machinery invented by other men?

In fact, the thrill of malicious exultation that passed through his nerves as he thought of these things had a curious resemblance to the strange ecstasy he used to derive from certain godlike mythological legends. He would never have confessed to any living person the intoxicating enlargement of personality that used to come to him from imagining himself a sort of demiurgic force, drawing its power from the heart of Nature herself.

And it was just that sort of enlargement he experienced now, when he felt the mysterious depths of his soul stirred and excited by his defiance of these modern inventions. It was not as though he fell back on any traditional archaic obstinacy. What he fell back upon was a crafty, elusive cunning of his own, a cunning both slippery and serpentine, a cunning that could flow like air, sink like rain-water, rise like green sap, root itself like invisible spores of moss, float like filmy pond-scum, yield and retreat, retreat and yield, yet remain unconquered and inviolable!

As he stared out the open window and watched each span of telegraph-wires sink slowly down till the next telegraph-post pulled them upward with a jerk, he indulged himself in a sensation which always gave him a peculiar pleasure, the sensation of imagining himself to be a prehistoric giant who with an effortless ease ran...

Produkt-Details

• Erscheint lt. Verlag: 7.11.2025
• Reihe/Serie: Delphi Series Fifteen
• Sprache: englisch
• Themenwelt: Literatur ► Anthologien
• Themenwelt: Literatur ► Romane / Erzählungen
• Schlagworte: Glastonbury • Hardy • Maiden • Owen • Wessex • Weymouth • Wolf
• ISBN-10: 1-80170-287-X / 180170287X
• ISBN-13: 978-1-80170-287-4 / 9781801702874