Fridge (eBook)
96 Seiten
Renard Press (Verlag)
978-1-913724-46-7 (ISBN)
Emma Zadow is an actor, playwright and screenwriter from Norfolk. She trained at Rose Bruford College as an actor, and her plays have been performed at the Arcola, the Old Red Lion Theatre, Camden Fringe Festival, Norwich Arts Centre and Pleasance Theatre. Emma is a BBC New Creative and alumni playwright from the Soho Theatre Writers Lab, and she was shortlisted for the ETPEP Award and Tony Craze Award. Her screenplays include the hit short film The Cromer Special. Emma now lives in London.
Scene One
My Walls
A fridge stands in darkness. The sound of the countryside can be heard – birds, etc. Slight pause. The fridge suddenly jerks and shakes. Someone is inside.
lo (from inside the fridge): Alice! Alice! Let me out! It’s not funny any more!
(The sound of laughs and giggles.)
It’s not funny!
(A knocking is heard. More shaking, until there is one last jerk. Suddenly, the door swings open and out is thrown lo. She falls on to her face. She sits up. She is not used to the light, and her eyes ache. Time has passed. She sees bottles of milkshake in neat lines left for her. She takes a bottle. She opens it with her mouth, tearing the plastic with her teeth and unscrewing the top with ease. She’s done this before. She stares at a note in her hand. She crumples it into a ball suddenly. She sits cross-legged. She takes the milkshake bottle and gulps it down in one go. This should be uncomfortable to watch. It dribbles down her neck. She finishes it. She exhales and swigs.)
I want to be just like my…
(Shadows stream on the floor. The birdsong slows down to an unnatural slow speed.)
Alice? (The wind howls.) When it’s this quiet all the time, you can’t help but hear voices, right? (The wind howls louder. She peers under the fridge and squeezes her hand underneath.) One time, Alice put me in the fridge because she told me the sea tale of the Old Mermaid of Shipden.
This is the true story of a girl
Who was banished underwater.
So her people stopped calling her ‘daughter’.
She lived there alone
And above her lost ships would groan;
The sea winds would howl
And the seals would growl
At her shedding tail
Cos she failed.
She wanted to return to the land.
The North Sea raged
As she grew ever more caged.
With hull upon hull
Her collection did grow,
And they sunk to her below.
So, the Shipden mermaid wore
Legs made of wood
From long-gone shipwrecks
To come at last ashore –
To find her family’s door
At last. But the folk of old Shipden
Said she hunted for the most beautiful hair
From little human girls.
Then she’d scalp and steal
The hair and wear them in her lair.
But she wore her wooden legs
Of the wrecks
And came to the town,
To the door of the family
That sent her down
To that watery cell.
She knocked and knocked,
But they wouldn’t open it.
Pleading, screaming,
Her shriek with a creak
Sent the entire town
To the murky depths.
And she returned to her shell;
There she wept,
Waiting for another door
To knock on
On shore.
So, she went outside when I couldn’t. But I think it was just to have a smoke with Chrissy by the guinea-pig hutch.
(A knock comes from the gloom.)
She said she fought it with fire. (She rolls her sleeve up. The wind howls again.) The winds are stronger here – there’s nothing in the way for miles and miles. We put houses in the way of the howls.
(alice, a distortion of a memory. Her voice fades in and out of focus, as per lo’s conscience. To lo, alice is present. She appears in a blue light, perhaps. Ghoulish.)
Alice? (Slight pause.) Alice? Alice? Are you there?
(Pause.)
alice: I’m here. Always have been.
(Pause.)
lo: Why didn’t you let me out?
alice: Don’t fall asleep on me.
lo: I’m the Mermaid of Shipden.
alice: That wasn’t real.
lo: Like you? She stole my hair. I think she did.
alice: Now I steal you back! There’s a good girl. Look at this.
lo: The world stopped when I—
alice: That’s enough. I’m going for a smoke.
lo: Can I come with you?
alice: No.
lo: Stay with me.
alice: Promise. (Pause.) No one should see this. This is ours, understand?
lo (nods): Are you coming back?
alice (laughs): Where else would I want to be? (The blue light disappears with alice.)
(The wind howls. A knock is heard again.)
voice from outside: Oi’m hayre!
(lo panics. She scurries to the fridge and hides something underneath it again, opens it and slams it shut. The milkshake bottles are left alone. A figure enters: tall, wearing a hood against the wind and weather. He carries a large bag over his shoulder. He brings fallen leaves in with him under his workmen’s boots.)
man: ’Ello ’un? (He sees the milkshake bottles and crouches down, inspecting them.) Looks t’ me loike the tracks of a… (He swings the fridge door open, finding her. lo screams.) What you doin’ down in hayre?
lo: In here?
man: In hayre.
lo: What you doin’ out thayre, Charlie?
charlie: What you doin’, oi?
(She jumps into his arms, wrapping her legs around him like a monkey. We see him properly. charlie is a young man, rugged, wearing boots and a fleece – a working man of the countryside. He is young, but a rural working life has left his face aged by the elements.)
Waho! Chrissy called me, so ’ere oi am.
lo: I wonder if she uses the same room every time…
charlie: Now, now. She is yer mum. (Slight pause.) Now, you know what t’ do. Just like Alice taught you. (He swings the bag off his shoulder and on to the floor. He unzips it and waits for lo.)
lo: Dippers?
charlie: Check.
lo: Fries-2-Go?
charlie: Double check. (lo...
| Erscheint lt. Verlag | 14.4.2021 |
|---|---|
| Verlagsort | Lodnon |
| Sprache | englisch |
| Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
| Schlagworte | countryside • Family • Love • Mental Health • Norfolk • Relationship • Rural • Siblings • Suicide |
| ISBN-10 | 1-913724-46-8 / 1913724468 |
| ISBN-13 | 978-1-913724-46-7 / 9781913724467 |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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