Volpone, or the Fox
Ben Jonson
Seiten
1999
|
2nd edition
Manchester University Press (Verlag)
978-0-7190-3093-2 (ISBN)
Manchester University Press (Verlag)
978-0-7190-3093-2 (ISBN)
The most thoroughly investigated edition of Volpone to date -- .
This is the most thoroughly investigated edition of Volpone to date, based on a wider collation of the 1607 quarto and 1616 folio versions than was previously possible. It calls into question several accepted textual conclusions. The introduction sets Volpone in the context of Jonson’s career at the time of writing and introduces new material on its relation to the Reynard beast epic and the commedia dell’ arte. Ambiguities in the play are discussed with reference to two Renaissance perversions of the myth of the Golden Age. Particular attention is paid to the rhythmic effects of the play in performance, especially interweavings of the main plot and subplot. Fresh suggestions are made about the play’s opening and its controversial conclusion in the light of experiments that have been made in performance since Volpone ’s stage revival in 1921. The modernized text is accompanied by full commentary, notes and illustrations. The appendices include a discussion by John Cutts of the original music, passages translated from the original sources and analogues, and a full record of the play’s modern stage history, its many adaptations, and its transformations into opera, musical comedy, film and television. -- .
This is the most thoroughly investigated edition of Volpone to date, based on a wider collation of the 1607 quarto and 1616 folio versions than was previously possible. It calls into question several accepted textual conclusions. The introduction sets Volpone in the context of Jonson’s career at the time of writing and introduces new material on its relation to the Reynard beast epic and the commedia dell’ arte. Ambiguities in the play are discussed with reference to two Renaissance perversions of the myth of the Golden Age. Particular attention is paid to the rhythmic effects of the play in performance, especially interweavings of the main plot and subplot. Fresh suggestions are made about the play’s opening and its controversial conclusion in the light of experiments that have been made in performance since Volpone ’s stage revival in 1921. The modernized text is accompanied by full commentary, notes and illustrations. The appendices include a discussion by John Cutts of the original music, passages translated from the original sources and analogues, and a full record of the play’s modern stage history, its many adaptations, and its transformations into opera, musical comedy, film and television. -- .
Brian Parker is Emeritus Professor of English at Trinity College, University of Toronto -- .
Introduction
1. The text
2. The play
3. Critical appreciation
4. Stage history
Volpone, or The Fox
Appendices
A. The music (by John P Cutts)
B. Source materials and analogues
C. Modern productions and adaptations
D. Collations of 1607 Quarto and 1616 Folio
Index to the annotations -- .
| Erscheint lt. Verlag | 9.12.1999 |
|---|---|
| Reihe/Serie | The Revels Plays |
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 138 x 240 mm |
| Gewicht | 476 g |
| Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
| ISBN-10 | 0-7190-3093-5 / 0719030935 |
| ISBN-13 | 978-0-7190-3093-2 / 9780719030932 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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