The Siege of the Body and a Brief Respite
Salt Publishing (Verlag)
978-1-84471-017-1 (ISBN)
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This is Anthony Caleshu’s first book of poems. Divided into five sections, themes range from the erotic to the religious in poems which are as inventive for their images as they are for their form. Concerns with language and contemporary culture are at the forefront of these poems, which are alternatively whimsical and seriously subversive. Straddling both the anecdotal narrative and the experimental lyric, these poems are at their most progressive in two sections of `dialogues’ and `collaborations’. The dialogues make use of disembodied voices as each poem creates a definitive scene. The collaborations play on notions of otherness and integration as Caleshu collaborates with himself; bouncing language against langauge, like hitting a tennis ball against a garage door. This is a poetry that captures the fun of having serious implications. If American in language games and effects, it is international in subject and wit.
Anthony Caleshu is the author of two books of poetry and a novella His poems and stories have appeared widely in journals and newspapers on both sides of the Atlantic, including Times Literary Supplement, Poetry Review, Poetry Ireland Review, The Dublin Review, American Literary Review, and Agni Online. He is the editor of the literary journal Short FICTION and teaches at the University of Plymouth in South West England.
Part I.
The Siege of the Body and a Brief Respite (I)
1. The Siege of the Body
2. And a Brief Respite
Portrait
Peeping Tom’s Closing Argument on Why the Woman in the Third Floor Window Should Stop Dancing Naked around Her Room and Just Hold Her Hairbrush and Look at the Moon
Long Day’s Journey into Night
Ars Poetica Abandoned
Director’s Cut (1)
Soap Opera
1. Cassey to Samantha
2. David to Cassey
3. Samantha to Sue
4. John to Whit
5. Rob to Wilson
6. Sue to Rob
7. Whit to David
8. Helen to David
9. Wilson to Rob
10. Sue to Samantha
11. Epilogue : Samantha to Helen
The Interrupting
One Night Only : My Love Sings the Blues at the Chukker Club
Another Game of Chess
How Long Will this Game Last, or Should I Ask How Deep ?
Fixing Fences, Following the Hunt
Variations
Part II. Dialogues
Storming the Beaches
Ambushing the Houseatonic
The Wedding
Director’s Cut (2)
Drama : Galway
The Changing of the Light Bulb
Imagine a Caste System
Steve Was Caught Red-Handed Weighing and Selling Bananas by the Pound
The Headless Cyclist Wins the Tour de France
The Office Monologues
1. The Mannequin
2. The Transparent Raincoat
3. The Task
4. Lunch
5. In Case of Fire
6. The Lingering Hours of Early Afternoon
7. X, Y and Zed
8. Quitting Time
The Messenger
Invigilating Students
Homecoming
The Doctor’s Child and the Doctor
As We Approached the Summit
The Correspondence
X-Poem
The Yelping Hound Howling at Her Lord
Part III.
The Poet’s Introduction to Another Poet’s Reading
1. The ones who are better or different he has to hate because they are better or different –
2. And those who are worse he despises because that is his earned right –
3. Or, if they’re worse and successful, he hates them twice, twenty, fifty times as much for their success that indicts the taste of the public –
The Siege of the Body and a Brief Respite (II)
1. The Siege of the Body
2. And a Brief Respite
At Thy Rebuke They Fled
Andy, My Friend the Businessman
August
Sestina : The Minister of Sound
Director’s Cut (3)
Faith
The Man with Wings
The Politic Heart
In Ireland, after the Legalization of Divorce
Part IV. Collaborations
Collaboration : Cleaning up the Park
Collaboration : The Art Thief
Collaboration : On Hearing She Taught Her Younger Brother to Kiss
Collaboration : A Day at the Beach
Collaboration : Why the Birds Came
Collaboration : Director’s Cut (4)
Collaboration : Film Noir
Collaboration : Between Countries
Collaboration : The Election
Collaboration : In a Time of Terror
Collaboration : The Satisfactioners
Collaboration : The Woman Who Can’t Dance and the Man Who Thinks He Can
1. Smoke rose from the dance floor
2. Outside the door, he waits for her to collect their coats
3. On their walk home, he uses the woman who can’t dance like a crutch
4. Stopping their goodnight kiss, she gets angry
Collaboration : The Wall
Collaboration : Pastoral on Fire
Collaboration : Migration Patterns
Part V.
Ciara Can’t Dance
After the Word Love Was Spoken
Epithalymion
Love, I Have Slept in that House
Study : Sunday Morning after Their First Saturday Night
Role Playing with Ciara
Your Mama’s Boy and Her Daddy’s Girl
Epithalymion
Love Thy Faye
Director’s Cut (5)
The Madam in Her Chateau and the Cuckold Who Camps in Her Front Garden
Church Full of Objections
The Siege of the Body and a Brief Respite
| Erscheint lt. Verlag | 15.3.2004 |
|---|---|
| Reihe/Serie | Salt Modern Poets |
| Zusatzinfo | Not illustrated |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
| Mathematik / Informatik ► Mathematik ► Algebra | |
| Schlagworte | Salt Modern Poets S. |
| ISBN-10 | 1-84471-017-3 / 1844710173 |
| ISBN-13 | 978-1-84471-017-1 / 9781844710171 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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