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Poetic Theory and Practice in Early Modern Verse -

Poetic Theory and Practice in Early Modern Verse

Unwritten Arts

Zenón Luis-Martínez (Herausgeber)

Buch | Softcover
352 Seiten
2025
Edinburgh University Press (Verlag)
978-1-3995-0783-7 (ISBN)
CHF 43,60 inkl. MwSt
Studies alternative concepts to received theories and practices of poetry in early modern England
How did ideas about the poet’s art surface in early modern texts? By looking into the intersections between poetry, poetics and other discourses – logic, rhetoric, natural philosophy, medicine, mythography or religion – the essays in this volume unearth notions that remained largely unwritten in the official literary criticism of the period. Focusing on questions of poetry’s origins and style, and exploring individual responses to issues of authenticity, career design, difficulty, or inspiration, this collection revisits and renews the critical lexicons that connect poetic theory and practice in early modern English texts and their European contexts. Reading canonical poets and critics – Sidney, Spenser, Marlowe, Shakespeare, Puttenham, Dryden – alongside less studied figures such as Henry Constable, Barnabe Barnes, Thomas Lodge, Aemilia Lanyer, Fulke Greville or George Chapman, this book extends the coordinates for a dialogue between literary practice and the Renaissance theories from which they stemmed and which they helped to outgrow.

Zenón Luis-Martínez is Senior Lecturer of English at the University of Huelva (Spain), where he teaches medieval and early modern literature. He has edited Abraham Fraunce’s The Shepherds’ Logic and Other Dialectical Writings (2016) for the MHRA Critical Texts Series. He is the author of In Words and Deeds: The Spectacle of Incest in English Renaissance Tragedy (Rodopi, 2002). His articles on English Renaissance and Restoration literature have appeared in journals like ELH, Cahiers Élisabéthains, Parergon and English Studies. He has also coedited several collections, among them, with Luis Gómez Canseco, Between Shakespeare and Cervantes: Trails along the Renaissance (Newark, NJ: Juan de la Cuesta, 2006), and, with Sonia Hernández-Santano, the special issue Poetry, the Arts of Discourse and the Discourse of the Arts: Rethinking Renaissance Poetic Theory and Practice for Parergon (Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies). His current research includes a critical edition of Chapman’s The Shadow of Night and Ovid’s Banquet of Sense for the MHRA and a monograph on Chapman’s poetics. He leads the Research Project “Towards a New Aesthetics of Elizabethan Poetry” (MINECO FFI2017-82269-P). Since May 2018 he is President of SEDERI (Spanish and Portuguese Society for English Renaissance Studies).

Acknowledgements
Notes on Contributors

Introduction: Unwritten Arts – Zenón Luis-Martínez
I. Origin: Poetic Aetiologies
1: Justified by Whose Grace? Poetic Worth and Transcendent Doubt in Late Elizabethan and Early Jacobean Poetry – Joan Curbet Soler
2: The Logical Cause of an Early Modern Poetics of Action – Emma Annette Wilson
3: Atomies of Love: Material (Mis)interpretations of Cupid’s Origin in Elizabethan Poetry – Cassandra Gorman
II. Style: Outgrowing the Arts
4: Bloody Poetics: Towards a Physiology of the Epic Poem – Rocío G. Sumillera
5: Figuring Ineloquence in Sixteenth-Century Poetry – David J. Amelang
6: Eloquent Bodies: Rhetoricising the Symptoms of Love in the English Epyllion – Sonia Hernández-Santano
III. Poesis: Art’s Prisoners
7: Philip Sidney’s Sublime Self-authorship: Authenticity, Ecstasy and Energy in the Defence of Poesy and Astrophil and Stella – Jonathan P. A. Sell
8: From Favour to Eternal Life: Trajectories of Grace and the Poetic Career in the Sonnets of Henry Constable and Barnabe Barnes – María Jesús Pérez-Jaúregui
9: Thomas Lodge’s ‘Supple Muse’: Imitation, Inspiration and Imagination in Phillis – Cinta Zunino-Garrido
10: The Worthy Knots of Fulke Greville – Sarah Knight 11: George Chapman’s ‘Habit of Poesie’ – Zenón Luis-Martínez
Afterword – Clark Hulse

Erscheinungsdatum
Verlagsort Edinburgh
Sprache englisch
Maße 156 x 234 mm
Themenwelt Literatur Lyrik / Dramatik Lyrik / Gedichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-3995-0783-4 / 1399507834
ISBN-13 978-1-3995-0783-7 / 9781399507837
Zustand Neuware
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