Writing the Self-Elegy
Southern Illinois University Press (Verlag)
978-0-8093-3906-8 (ISBN)
An innovative roadmap to facing our past and present selves
Honest, aching, and intimate, self-elegies are unique poems focusing on loss rather than death, mourning versions of the self that are forgotten or that never existed. Within their lyrical frame, multiple selves can coexist—wise and naïve, angry and resigned—along with multiple timelines, each possible path stemming from one small choice that both creates new selves and negates potential selves. Giving voice to pain while complicating personal truths, self-elegies are an ideal poetic form for our time, compelling us to question our close-minded certainties, heal divides, and rethink our relation to others.
In Writing the Self-Elegy, poet Kara Dorris introduces us to this prismatic tradition and its potential to forge new worlds. The self-elegies she includes in this anthology mix autobiography and poetics, blending craft with race, gender, sexuality, ability and disability, and place—all of the private and public elements that build individual and social identity. These poems reflect our complicated present while connecting us to our past, acting as lenses for understanding, and defining the self while facilitating reinvention. The twenty-eight poets included in this volume each practice self-elegy differently, realizing the full range of the form. In addition to a short essay that encapsulates the core value of the genre and its structural power, each poet’s contribution concludes with writing prompts that will be an inspiration inside the classroom and out. This is an anthology readers will keep close and share, exemplifying a style of writing that is as playful as it is interrogative and that restores the self in its confrontation with grief.
Jehanne Dubrow is the author of five poetry collections, including The Arranged Marriage, Red Army Red, Stateside, From the Fever-World, and The Hardship Post. Her poems, creative nonfiction, and book reviews have appeared in the Southern Review, New York Times Magazine, and Hudson Review, among others. She has received a number of awards and fellowships, including the Alice Fay Di Castagnola Award and two fellowships from the Sewanee Writers’ Conference. She is an associate professor at the University of North Texas. Bruce Bond, a Regents Professor of English at the University of North Texas, is the author of ten books of poetry and has served as the poetry editor for American Literary Review since 1993. His poems have appeared in many journals and anthologies, including Best American Poetry, and Bond has received a number of awards and a fellowship from the National Endowment for the Arts in recognition of his work.
CONTENTS
Handmade Ink (An Introduction)
Agency: The Framing Effect
Teresa Leo
Jennifer Maritza McCauley
John Chavez
Kasey Jueds
Catherine Kyle
Adam Crittenden
Rigoberto GonzÁlez
Kyle McCord
Jane Wong
Naomi Ortiz
Multiplicity: Multiple Timelines and Selves
Denise Leto
Carol Berg
Kristy Bowen
Floydd Michael Elliott
Kara Dorris
Jehanne Dubrow
Carl Phillips
Bruce Bond
Kevin Prufer
Other: Defining Self through the External
Rusty Morrison
Sheila Black
Lauren Berry
Anne Kaier
TC Tolbert
Raymond Luczak
Stephanie Heit
Juliet Cook
Tanaya Winder
Contributor Bios
Acknowledgments
| Erscheinungsdatum | 06.04.2023 |
|---|---|
| Co-Autor | Teresa Leo, Jennifer McCauley, John Chavez, Kasey Jueds |
| Verlagsort | Carbondale |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 408 g |
| Themenwelt | Literatur ► Anthologien |
| ISBN-10 | 0-8093-3906-4 / 0809339064 |
| ISBN-13 | 978-0-8093-3906-8 / 9780809339068 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
