Collected works of Friedrich Schiller. Illustrated (eBook)

The Robbers, The Death of Wallenstein, Turandot, Wilhelm Tell, The Maid of Orleans, The Thirty Years War

Friedrich Schiller (Autor)

eBook Download: EPUB

2021 | 1. Auflage
1653 Seiten
Strelbytskyy Multimedia Publishing (Verlag)
978-0-88001-280-5 (ISBN)

Infos

Schiller is considered by most Germans to be Germany's most important classical playwright. The Robbers is considered by critics to be the first European melodrama. Schiller wrote many philosophical papers on ethics and aesthetics. He synthesized the thought of Immanuel Kant with the thought of the German idealist philosopher, Karl Leonhard Reinhold. Schiller's aesthetic doctrine shows the influence of Christian theosophy. His aesthetic theories have also had a long influence on German philosophy. He also wrote a study of the 16th-century conflict between Spain and the Netherlands which forms the background to the play, and this earned him a professorship of history at the University of Jena. Contents: 1. The Robbers  2. The Death of Wallenstein  3. Turandot: The Chinese Sphinx  4. Wilhelm Tell  5. The Maid of Orleans  6. The Thirty Years War, Complete 

Johann Christoph Friedrich (von) Schiller (10 November 1759 - 9 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788-1805), Schiller developed a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe. 

Textauszug

SCENE I

Franconia.

Apartment in the Castle of COUNT MOOR.

Francis, OLD MOOR.

Francis. But are you really well, father? You look so pale.

Old Moor. Quite well, my son — what have you to tell me?

Francis. The post is arrived — a letter from our correspondent at Leipsic.

Old M. (eagerly). Any tidings of my son Charles?

Francis. Hem! Hem! — Why, yes. But I fear — I know not — whether I dare — your health. — Are you really quite well, father?

Old M. As a fish in water.[3] Does he write of my son? What means this anxiety about my health? You have asked me that question twice.

Francis. If you are unwell — or are the least apprehensive of being so — permit me to defer — I will speak to you at a fitter season. — (Half aside.) These are no tidings for a feeble frame.

Old M. Gracious Heavens? what am I doomed to hear?

Francis. First let me retire and shed a tear of compassion for my lost brother. Would that my lips might be forever sealed — for he is your son! Would that I could throw an eternal veil over his shame — for he is my brother! But to obey you is my first, though painful, duty — forgive me, therefore.

Old M. Oh, Charles! Charles! Didst thou but know what thorns thou plantest in thy father's bosom! That one gladdening report of thee would add ten years to my life! yes, bring back my youth! whilst now, alas, each fresh intelligence but hurries me a step nearer to the grave!

Francis. Is it so, old man, then farewell! for even this very day we might all have to tear our hair over your coffin.[4]

Old M. Stay! There remains but one short step more — let him have his will! (He sits down.) The sins of the father shall be visited unto the third and fourth generation — let him fulfil the decree.

Francis (takes the letter out of his pocket). You know our correspondent! See! I would give a finger of my right hand might I pronounce him a liar — a base and slanderous liar! Compose yourself! Forgive me if I do not let you read the letter yourself. You cannot, must not, yet know all.

Old M. All, all, my son. You will but spare me crutches.[5]

Francis (reads). “Leipsic, May 1. Were I not bound by an inviolable promise to conceal nothing from you, not even the smallest particular, that I am able to collect, respecting your brother's career, never, my dearest friend, should my guiltless pen become an instrument of torture to you. I can gather from a hundred of your letters how tidings such as these must pierce your fraternal heart. It seems to me as though I saw thee, for the sake of this worthless, this detestable” — (OLD M. covers his face). Oh! my father, I am only reading you the mildest passages — “this detestable man, shedding a thousand tears.” Alas! mine flowed — ay, gushed in torrents over these pitying cheeks. “I already picture to myself your aged pious father, pale as death.” Good Heavens! and so you are, before you have heard anything.

Old M. Go on! Go on!

Francis. “Pale as death, sinking down on his chair, and cursing the day when his ear was first greeted with the lisping cry of 'Father!' I have not yet been able to discover all, and of the little I do know I dare tell you only a part. Your brother now seems to have filled up the measure of his infamy. I, at least, can imagine nothing beyond what he has already accomplished; but possibly his genius may soar above my conceptions. After having contracted debts to the amount of forty thousand ducats,” — a good round sum for pocket-money, father-“and having dishonored the daughter of a rich banker, whose affianced lover, a gallant youth of rank, he mortally wounded in a duel, he yesterday, in the dead of night, took the desperate resolution of absconding from the arm of justice, with seven companions whom he had corrupted to his own vicious courses.” Father? for heaven's sake, father! How do you feel?

Old M. Enough. No more, my son, no more!

Francis. I will spare your feelings. “The injured cry aloud for satisfaction. Warrants have been issued for his apprehension — a price is set on his head — the name of Moor” — No, these unhappy lips shall not be guilty of a father's murder (he tears the letter). Believe it not, my father, believe not a syllable.

Old M. (weeps bitterly). My name — my unsullied name!

Francis (throws himself on his neck). Infamous! most infamous Charles! Oh, had I not my forebodings, when, even as a boy, he would scamper after the girls, and ramble about over hill and common with ragamuffin boys and all the vilest rabble; when he shunned the very sight of a church as a malefactor shuns a gaol, and would throw the pence he had wrung from your bounty into the hat of the first beggar he met, whilst we at home were edifying ourselves with devout prayers and pious homilies? Had I not my misgivings when he gave himself up to reading the adventures of Julius Caesar, Alexander the Great, and other benighted heathens, in preference to the history of the penitent Tobias? A hundred times over have I warned you — for my brotherly affection was ever kept in subjection to filial duty — that this forward youth would one day bring sorrow and disgrace on us all. Oh that he bore not the name of Moor! that my heart beat less warmly for him! This sinful affection, which I can not overcome, will one day rise up against me before the judgment-seat of heaven.

Old M. Oh! my prospects! my golden dreams!

Francis. Ay, well I knew it. Exactly what I always feared. That fiery spirit, you used to say, which is kindling in the boy, and renders him so susceptible to impressions of the beautiful and grand — the ingenuousness which reveals his whole soul in his eyes — the tenderness of feeling which melts him into weeping sympathy at every tale of sorrow — the manly courage which impels him to the summit of giant oaks, and urges him over fosse and palisade and foaming torrents — that youthful thirst of honor — that unconquerable resolution — all those resplendent virtues which in the father's darling gave such promise — would ripen into the warm and sincere friend — the excellent citizen — the hero — the great, the very great man! Now, mark the result, father; the fiery spirit has developed itself — expanded — and behold its precious fruits. Observe this ingenuousness — how nicely it has changed into effrontery; — this tenderness of soul — how it displays itself in dalliance with coquettes, in susceptibility to the blandishments of a courtesan! See this fiery genius, how in six short years it hath burnt out the oil of life, and reduced his body to a living skeleton; so that passing scoffers point at him with a sneer and exclaim — “C'est l'amour qui a fait cela.” Behold this bold, enterprising spirit — how it conceives and executes plans, compared to which the deeds of a Cartouche or a Howard sink into insignificance. And presently, when these precious germs of excellence shall ripen into full maturity, what may not be expected from the full development of such a boyhood? Perhaps, father, you may yet live to see him at the head of some gallant band, which assembles in the silent sanctuary of the forest, and kindly relieves the weary traveller of his superfluous burden. Perhaps you may yet have the opportunity, before you go to your own tomb, of making a pilgrimage to the monument which he may erect for himself, somewhere between earth and heaven! Perhaps, — oh, father — father, look out for some other name, or the very peddlers and street boys who have seen the effigy of your worthy son exhibited in the market-place at Leipsic will point at you with the finger of scorn!

Old M. And thou, too, my Francis, thou too? Oh, my children, how unerringly your shafts are levelled at my heart.

Francis. You see that I too have a spirit; but my spirit bears the sting of a scorpion. And then it was “the dry commonplace, the cold, the wooden Francis,” and all the pretty little epithets which the contrast between us suggested to your fatherly affection, when he was sitting on your knee, or playfully patting your cheeks? “He would die, forsooth, within the boundaries of his own domain, moulder away, and soon be forgotten;” while the fame of this universal genius would spread from pole to pole! Ah! the cold, dull, wooden Francis thanks thee, heaven, with uplifted hands, that he bears no resemblance to his brother.

Old M. Forgive me, my child! Reproach not thy unhappy father, whose fondest hopes have proved visionary. The merciful God who, through Charles, has sent these tears, will, through thee, my Francis, wipe them from my eyes!

Francis. Yes, father, we will...

Produkt-Details

• Erscheint lt. Verlag: 28.10.2021
• Übersetzer: S. T. Coleridge, Theodore Martin, Anna Swanwick
• Verlagsort: Mikhailovka village
• Sprache: englisch
• Themenwelt: Literatur ► Anthologien
• Themenwelt: Literatur ► Romane / Erzählungen
• Schlagworte: Aesthetics • classics • Drama • English • ethics • foreign classics • History • Philosophy • PLAYS • Strelbytskyy Multimedia Publishing
• ISBN-10: 0-88001-280-3 / 0880012803
• ISBN-13: 978-0-88001-280-5 / 9780880012805