CAN YOU FORGIVE HER? (eBook)

A Victorian Classic

Anthony Trollope (Autor)

eBook Download: EPUB

2017 | 1. Auflage
300 Seiten
Musaicum Books (Verlag)
978-80-272-0214-0 (ISBN)

Infos

In Anthony Trollope's novel 'Can You Forgive Her?', we are immersed in the intricate web of Victorian society as the protagonist, Alice Vavasor, grapples with the decision between two suitors. Trollope's signature style captures the nuances of human emotions and societal expectations, making this book both a social commentary and a psychological drama. Set against the backdrop of 19th-century England, the novel explores themes of love, duty, and personal agency, while also delving into the complexities of marriage and relationships. Trollope's engaging narrative keeps readers captivated as they navigate the moral dilemmas faced by the characters. A must-read for those interested in Victorian literature and the exploration of human nature. As an acclaimed author of the Victorian era, Anthony Trollope brings his keen observation and insightful commentary to 'Can You Forgive Her?', creating a compelling story that resonates with readers even today. Trollope's own experiences working as a civil servant and his deep understanding of human psychology undoubtedly shaped the characters and themes in the novel. Influenced by his contemporary, Charles Dickens, Trollope's writing style is both accessible and thought-provoking, offering readers a glimpse into the complexities of Victorian society. I highly recommend 'Can You Forgive Her?' to anyone seeking a well-crafted narrative that combines social realism with psychological depth, making it a timeless classic in English literature.

Textauszug

Chapter V.
The Balcony at Basle

Table of Contents

I am not going to describe the Vavasors’ Swiss tour. It would not be fair on my readers. “Six Weeks in the Bernese Oberland, by party of three,” would have but very small chance of success in the literary world at present, and I should consider myself to be dishonest if I attempt to palm off such matter on the public in the pages of a novel. It is true that I have just returned from Switzerland, and should find such a course of writing very convenient. But I dismiss the temptation, strong as it is. Retro age, Satanas. No living man or woman any longer wants to be told anything of the Grimsell or of the Gemmi. Ludgate Hill is now-a-days more interesting than the Jungfrau.

The Vavasors were not very energetic on their tour. As George had said, they had gone out for pleasure and not for work. They went direct to Interlaken and then hung about between that place and Grindelwald and Lauterbrunnen, It delighted him to sit still on some outer bench, looking at the mountains, with a cigar in his mouth, and it seemed to delight them to be with him. Much that Mr Grey prophesied had come true. The two girls were ministers to him, instead of having him as their slave.

“What fine fellows those Alpine club men think themselves,” he said on one of these occasions, “and how thoroughly they despise the sort of enjoyment I get from mountains. But they’re mistaken.”

“I don’t see why either need be mistaken,” said Alice.

“But they are mistaken,” he continued. “They rob the mountains of their poetry, which is or should be their greatest charm. Mont Blanc can have no mystery for a man who has been up it half a dozen times. It’s like getting behind the scenes at a ballet, or making a conjuror explain his tricks.”

“But is the exercise nothing?” said Kate.

“Yes; the exercise is very fine;—but that avoids the question.”

“And they all botanize,” said Alice.

“I don’t believe it. I believe that the most of them simply walk up the mountain and down again. But if they did, that avoids the question also. The poetry and mystery of the mountains are lost to those who make themselves familiar with their details, not the less because such familiarity may have useful results. In this world things are beautiful only because they are not quite seen, or not perfectly understood. Poetry is precious chiefly because it suggests more than it declares. Look in there, through that valley, where you just see the distant little peak at the end. Are you not dreaming of the unknown beautiful world that exists up there;—beautiful, as heaven is beautiful, because you know nothing of the reality? If you make your way up there and back tomorrow, and find out all about it, do you mean to say that it will be as beautiful to you when you come back?”

“Yes;—I think it would,” said Alice.

“Then you’ve no poetry in you. Now I’m made up of poetry.” After that they began to laugh at him and were very happy.

I think that Mr Grey was right in answering Alice’s letter as he did; but I think that Lady Macleod was also right in saying that Alice should not have gone to Switzerland in company with George Vavasor. A peculiar familiarity sprang up, which, had all its circumstances been known to Mr Grey, would not have entirely satisfied him, even though no word was said which might in itself have displeased him. During the first weeks of their travelling no word was said which would have displeased him; but at last, when the time for their return was drawing nigh, when their happiness was nearly over, and that feeling of melancholy was coming on them which always pervades the last hours of any period that has been pleasant,—then words became softer than they had been, and references were made to old days,—allusions which never should have been permitted between them.

Alice had been very happy,—more happy perhaps in that she had been a joint minister with Kate to her cousin George’s idle fantasies, than she would have been hurrying about with him as her slave. They had tacitly agreed to spoil him with comforts; and girls are always happier in spoiling some man than in being spoiled by men. And he had taken it all well, doing his despotism pleasantly, exacting much, but exacting nothing that was disagreeable. And he had been amusing always, as Alice thought without any effort. But men and women, when they show themselves at their best, seldom do so without an effort. If the object be near the heart the effort will be pleasant to him who makes it, and if it be made well, it will be hidden; but, not the less, will the effort be there. George Vavasor had on the present occasion done his very best to please his cousin.

They were sitting at Basle one evening in the balcony of the big hotel which overlooks the Rhine. The balcony runs the length of the house, and is open to all the company; but it is spacious, and little parties can be formed there with perfect privacy. The swift broad Rhine runs underneath, rushing through from the bridge which here spans the river; and every now and then on summer evenings loud shouts come up from strong swimmers in the water, who are glorying in the swiftness of the current. The three were sitting there, by themselves, at the end of the balcony. Coffee was before them on a little table, and George’s cigar, as usual, was in his mouth.

“It’s nearly all over,” said he, after they had remained silent for some minutes.

“And I do think it has been a success,” said Kate. “Always excepting about the money. I’m ruined for ever.”

“I’ll make your money all straight,” said George.

“Indeed you’ll do nothing of the kind,” said Kate. “I’m ruined, but you are ruineder. But what signifies? It is such a great thing ever to have had six weeks’ happiness, that the ruin is, in point of fact, a good speculation. What do you say, Alice? Won’t you vote, too, that we’ve done it well?”

“I think we’ve done it very well. I have enjoyed myself thoroughly.”

“And now you’ve got to go home to John Grey and Cambridgeshire! It’s no wonder you should be melancholy.” That was the thought in Kate’s mind, but she did not speak it out on this occasion.

“That’s good of you, Alice,” said Kate. “Is it not, George? I like a person who will give a hearty meed of approbation.”

“But I am giving the meed of approbation to myself.”

“I like a person even to do that heartily,” said Kate. “Not that George and I are thankful for the compliment. We are prepared to admit that we owe almost everything to you,—are we not, George?”

“I’m not; by any means,” said George.

“Well, I am, and I expect to have something pretty said to me in return. Have I been cross once, Alice?”

“No; I don’t think you have. You are never cross, though you are often ferocious.”

“But I haven’t been once ferocious,—nor has George.”

“He would have been the most ungrateful man alive if he had,” said Alice. “We’ve done nothing since we’ve started but realize from him that picture in ‘Punch’ of the young gentleman at Jeddo who had a dozen ladies to wait upon him.”

“And now he has got to go home to his lodgings, and wait upon himself again. Poor fellow! I do pity you, George.”

“No, you don’t;—nor does Alice. I believe girls always think that a bachelor in London has the happiest of all lives. It’s because they think so that they generally want to put an end to the man’s condition.”

“It’s envy that makes us want to get married,—not love,” said Kate.

“It’s the devil in some shape, as often as not,” said he. “With a man, marriage always seems to him to be an evil at the instant.”

“Not always,” said Alice.

“Almost always;—but he does it, as he takes physic, because something worse will come if he don’t. A man never likes having his tooth pulled out, but all men do have their teeth pulled out,—and they who delay it too long suffer the very mischief.”

“I do like George’s philosophy,” said Kate, getting up from her chair as she spoke; “it is so sharp, and has such a pleasant acid taste about it; and then we all know that it means nothing. Alice, I’m going upstairs to begin the final packing.”

“I’ll come with you, dear.”

“No, don’t. To tell the truth I’m only going into that man’s room because he won’t put up a single thing of his own decently. We’ll do ours, of course, when we go up to bed. Whatever you disarrange tonight, Master George, you must rearrange for yourself tomorrow morning, for I promise I won’t go into your room at five o’clock.”

“How I do hate that early work,” said George.

“I’ll be down again very soon,” said Kate. “Then we’ll take one turn on the bridge and go to bed.”

Alice and George were left together sitting in the balcony. They had been alone together before many times since their travels had commenced; but they both of them felt that there was something to them in the present moment different from any other period of their journey. There was something that each felt to be sweet, undefinable, and dangerous. Alice had known that it would be better for her to go upstairs with Kate; but Kate’s answer had been of such a nature that had she gone she would have shown that she had some special reason for going. Why should she show such a need? Or why, indeed, should she entertain it?

Alice was seated quite...

Produkt-Details

• Erscheint lt. Verlag: 7.8.2017
• Verlagsort: Prague
• Sprache: englisch
• Themenwelt: Literatur ► Historische Romane
• Themenwelt: Literatur ► Klassiker / Moderne Klassiker
• Themenwelt: Literatur ► Romane / Erzählungen
• Schlagworte: British Literature • Bronte • Charles Dickens • Courtship and Marriage • family dynamics • gender roles • George Eliot • Henry James • Jane Austen • Joseph Conrad • Little Women • Palliser series • Parallel stories • political intrigue • Social norms • strong female characters • Thomas Hardy • Tolstoy • Victorian Era • Virginia Woolf
• ISBN-10: 80-272-0214-0 / 8027202140
• ISBN-13: 978-80-272-0214-0 / 9788027202140