Pretty Lady (eBook)

Arnold Bennett (Autor)

eBook Download: EPUB

2018
333 Seiten
Charles River Editors (Verlag)
978-1-5080-1800-1 (ISBN)

Infos

Arnold Bennett (1867-1931) was a British writer and journalist.  Bennett is perhaps best known for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency.  This edition of The Pretty Lady includes a table of contents.

Textauszug

CHAPTER 6: THE ALBANY

~

G.J. HOAPE—HE WAS USUALLY addressed as “G.J.” by his friends, and always referred to as “G.J.” by both friends and acquaintances—woke up finally in the bedroom of his flat with the thought:

“To-day I shall see her.”

He inhabited one of the three flats at the extreme northern end of the Albany, Piccadilly, W.I. The flat was strangely planned. Its shape as a whole was that of a cube. Imagine the cube to be divided perpendicularly into two very unequal parts. The larger part, occupying nearly two-thirds of the entire cubic space, was the drawing-room, a noble chamber, large and lofty. The smaller part was cut horizontally into two storeys. The lower storey comprised a very small hall, a fair bathroom, the tiniest staircase in London, and G.J.’s very small bedroom. The upper storey comprised a very small dining-room, the kitchen, and servants’ quarters.

The door between the bedroom and the drawing room, left open in the night for ventilation, had been softly closed as usual during G.J.’s final sleep, and the bedroom was in absolute darkness save for a faint grey gleam over the valance of the window curtains. G.J. could think. He wondered whether he was in love. He hoped he was in love, and the fact that the woman who attracted him was a courtesan did not disturb him in the least.

He was nearing fifty years of age. He had casually known hundreds of courtesans in sundry capitals, a few of them very agreeable; also a number of women calling themselves, sometimes correctly, actresses, all of whom, for various reasons which need not be given, had proved very unsatisfactory. But he had never loved—unless it might be, mildly, Concepcion, and Concepcion was now a war bride. He wanted to love. He had never felt about any woman, not even about Concepcion, as he felt about the woman seen for a few minutes at the Marigny Theatre and then for five successive nights vainly searched for in all the chief music-halls of Paris. (A nice name, Christine! It suited her.) He had given her up—never expected to catch sight of her again; but she had remained a steadfast memory, sad and charming. The encounter in the Promenade in Leicester Square was such a piece of heavenly and incredible luck that it had, at the moment, positively made him giddy. The first visit to Christine’s flat had beatified and stimulated him. Would the second? Anyhow, she was the most alluring woman—and yet apparently of dependable character!—he had ever met. No other consideration counted with him.

There was a soft knock; the door was pushed, and wavy reflections of the drawing-room fire played on the corner of the bedroom ceiling. Mrs. Braiding came in. G.J. had known it was she by the caressing quality of the knock. Mrs. Braiding was his cook and the wife of his “man”. It was not her place to come in, but occasionally, because something had happened to Braiding, she did come in. She drew the curtains apart, and the day of Vigo Street, pale, dirty, morose, feebly and perfunctorily took possession of the bedroom. Mrs. Braiding, having drawn the curtains, returned to the door and from the doorway said:

“Breakfast is practically ready, sir.”

G.J. perceived that this was one of her brave, resigned mornings. Since August she had borne the entire weight of the war on her back, and sometimes the burden would overpower her, but never quite. G.J. switched on the light, arose from his bed, assumed his dressing-gown, and, gazing with accustomed pleasure round the bedroom, saw that it was perfect.

He had furnished his flat in the Regency style of the first decade of the nineteenth century, as matured by George Smith, “upholder extraordinary to His Royal Highness the Prince of Wales”. The Pavilion at Brighton had given the original idea to G.J., who saw in it the solution of the problem of combining the somewhat massive dignity suitable to a bachelor of middling age with the bright, unconquerable colours which the eternal twilight of London demands.

His dome bed was yellow as to its upper works, with crimson valances above and yellow valances below. The yellow-lined crimson curtains (of course never closed) had green cords and tassels, and the counterpane was yellow. This bed was a modest sample of the careful and uncompromising reconstitution of a period which he had everywhere carried out in his abode.

The drawing-room, with its moulded ceiling and huge recessed window, had presented an admirable field for connoisseurship. Here the clash of rich primary colours, the perpendiculars which began with bronze girls’ heads and ended with bronze girls’ feet or animals’ claws, the vast flat surfaces of furniture, the stiff curves of wood and a drapery, the morbid rage for solidity which would employ a candelabrum weighing five hundredweight to hold a single wax candle, produced a real and imposing effect of style; it was a style debased, a style which was shedding the last graces of French Empire in order soon to appeal to a Victoria determined to be utterly English and good; but it was a style. And G.J. had scamped no detail. Even the pictures were hung with thick tasselled cords of the Regency. The drawing-room was a triumph.

Do not conceive that G.J. had lost his head about furniture and that his notion of paradise was an endless series of second-hand shops. He had an admirable balance; and he held that a man might make a faultless interior for himself and yet not necessarily lose his balance. He resented being called a specialist in furniture. He regarded himself as an amateur of life, and, if a specialist in anything, as a specialist in friendships. Yet he was a solitary man (liking solitude without knowing that he liked it), and in the midst of the perfections which he had created he sometimes gloomily thought: “What in the name of God am I doing on this earth?”

He went into the drawing-room, and there, by the fire and in front of a formidable blue chair whose arms developed into the grinning heads of bronze lions, stood the lacquered table consecrated to his breakfast tray; and his breakfast tray, with newspaper and correspondence, had been magically placed thereon as though by invisible hands. And on one arm of the easy-chair lay the rug which, because a dressing-gown does not button all the way down, he put over his knees while breakfasting in winter. Yes, he admitted with pleasure that he was “well served”. Before eating he opened the piano—a modern instrument concealed in an ingeniously confected Regency case—and played with taste a Bach prelude and fugue.

His was not the standardised and habituated kind of musical culture which takes a Bach prelude and fugue every morning before breakfast with or without a glass of Lithia water or fizzy saline. He did, however, customarily begin the day at the piano, and on this particular morning he happened to play a Bach prelude and fugue.

And as he played he congratulated himself on not having gone to seek Christine in the Promenade on the previous night, as impatience had tempted him to do. Such a procedure would have been an error in worldliness and bad from every point of view. He had wisely rejected the temptation.

In the deep blue arm-chair, with the rug over his knees and one hand on a lion’s head, he glanced first at the opened Times, because of the war. Among the few letters was one with the heading of the Reveille Motor Horn Company Ltd.

G.J. like his father, had been a solicitor. When he was twenty-five his father, a widower, had died and left him a respectable fortune and a very good practice. He sold half the practice to an incoming partner, and four years later he sold the other half of the practice to the same man. At thirty he was free, and this result had been attained through his frank negative answer to the question, “The law bores me—is there any reason why I should let it continue to bore me?” There was no reason. Instead of the law he took up life. Of business preoccupations naught remained but his investments. He possessed a gift for investing money. He had helped the man who had first put the Reveille Motor Horn on the market. He had had a mighty holding of shares in the Reveille Syndicate Limited, which had so successfully promoted the Reveille Motor Horn Company Limited. And in the latter, too, he held many shares. The Reveille Motor Horn Company had prospered and had gone into the manufacture of speedometers, illuminating outfits, and all manner of motor-car accessories.

On the outbreak of war G.J. had given himself up for lost. “This is the end,” he had said, as a member of the sore-shaken investing public. He had felt sick under the region of the heart. In particular he had feared for his Reveille shares. No one would want to buy expensive motor horns in the midst of the greatest war that the world, etc., etc.

Still the Reveille Company, after sustaining the shock, had somehow continued to do a pretty good business. It had patriotically offered its plant and services to the War Office, and had been repulsed with contumely and ignominy. The War Office had most caustically intimated to the Reveille Company that it had no use and never under any conceivable circumstances could have any use whatever for the Reveille Company, and that the Reveille Company was a forward and tedious jackanapes, unworthy even of an articulate rebuff. Now the autograph letter with the Reveille note-heading was written by the managing director (who represented G.J.’s interests on the Board), and it stated that the War...

Produkt-Details

• Erscheint lt. Verlag: 22.3.2018
• Sprache: englisch
• Themenwelt: Literatur ► Anthologien
• Themenwelt: Literatur ► Klassiker / Moderne Klassiker
• Themenwelt: Literatur ► Romane / Erzählungen
• Schlagworte: British • Classic • Clayhanger • how to live • Mental efficiency • old wives tale • Victorian • Women
• ISBN-10: 1-5080-1800-6 / 1508018006
• ISBN-13: 978-1-5080-1800-1 / 9781508018001