Zum Hauptinhalt springen
Nicht aus der Schweiz? Besuchen Sie lehmanns.de

Lion's Share (eBook)

eBook Download: EPUB
2018
450 Seiten
Charles River Editors (Verlag)
978-1-5183-0312-8 (ISBN)

Lese- und Medienproben

Lion's Share -  Arnold Bennett
1,73 € (CHF 1,65)
Systemvoraussetzungen
1,82 € (CHF 1,75)
Systemvoraussetzungen
Der eBook-Verkauf erfolgt durch die Lehmanns Media GmbH (Berlin) zum Preis in Euro inkl. MwSt.
  • Download sofort lieferbar
  • Zahlungsarten anzeigen
Arnold Bennett (1867-1931) was a prolific British writer and journalist.  Bennett is popular for fiction such as The Old Wives' Tale and also for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency.  This edition of The Lion's Share includes a table of contents.

Arnold Bennett (1867-1931) was a prolific British writer and journalist. Bennett is popular for fiction such as The Old Wives' Tale and also for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency. This edition of The Lion's Share includes a table of contents.

CHAPTER II: THE THIEF’S PLAN WRECKED


..................

“The fact is,” said Audrey, “father has another woman in the house now.”

Mr. Moze had left Miss Ingate in the study and Audrey had cautiously rejoined her there.

“Another woman in the house!” repeated Miss Ingate, sitting down in happy expectation. “What on earth do you mean? Who on earth do you mean?”

“I mean me.”

“You aren’t a woman, Audrey.”

“I’m just as much of a woman as you are. All father’s behaviour proves it.”

“But your father treats you as a child.”

“No, he doesn’t. He treats me as a woman. If he thought I was a child he wouldn’t have anything to worry about. I’m over nineteen.”

“You don’t look it.”

“Of course I don’t. But I could if I liked. I simply won’t look it because I don’t care to be made ridiculous. I should start to look my age at once if father stopped treating me like a child.”

“But you’ve just said he treats you as a woman!”

“You don’t understand, Winnie,” said the girl sharply. “Unless you’re pretending. Now you’ve never told me anything about yourself, and I’ve always told you lots about myself. You belong to an old-fashioned family. How were you treated when you were my age?”

“In what way?”

“You know what way,” said Audrey, gazing at her.

“Well, my dear. Things seemed to come very naturally, somehow.”

“Were you ever engaged?”

“Me? Oh, no!” answered Miss Ingate with tranquillity. “I’m vehy interested in them. Oh, vehy! Oh, vehy! And I like talking to them. But anything more than that gets on my nerves. My eldest sister was the one. Oh! She was the one. She refused eleven men, and when she was going to be married she made me embroider the monograms of all of them on the skirt of her wedding-dress. She made me, and I had to do it. I sat up all night the night before the wedding to finish them.”

“And what did the bridegroom say about it?”

“The bridegroom didn’t say anything about it because he didn’t know. Nobody knew except Arabella and me. She just wanted to feel that the monograms were on her dress, that was all.”

“How strange!”

“Yes, it was. But this is a vehy strange part of the world.”

“And what happened afterwards?”

“Bella died when she had her first baby, and the baby died as well. And the father’s dead now, too.”

“What a horrid story, Winnie!” Audrey murmured. And after a pause: “I like your sister.”

“She was vehy uncommon. But I liked her too. I don’t know why, but I did. She could make the best marmalade I ever tasted in my born days.”

“I could make the best marmalade you ever tasted in your born days,” said Audrey, sinking neatly to the floor and crossing her legs, “but they won’t let me.”

“Won’t let you! But I thought you did all sorts of things in the house.”

“No, Winnie. I only do one thing. I do as I’m told—and not always even that. Now, if I wanted to make the best marmalade you ever tasted in your born days, first of all there would be a fearful row about the oranges. Secondly, father would tell mother she must tell me exactly what I was to do. He would also tell cook. Thirdly and lastly, dear friends, he would come into the kitchen himself. It wouldn’t be my marmalade at all. I should only be a marmalade-making machine. They never let me have any responsibility—no, not even when mother’s operation was on—and I’m never officially free. The kitchen-maid has far more responsibility than I have. And she has an evening off and an afternoon off. She can write a letter without everybody asking her who she’s writing to. She’s only seventeen. She has the morning postman for a young man now, and probably one or two others that I don’t know of. And she has money and she buys her own clothes. She’s a very naughty, wicked girl, and I wish I was in her place. She scorns me, naturally. Who wouldn’t?”

Miss Ingate said not a word. She merely sat with her hands in the lap of her spotted pale-blue dress, faintly and sadly smiling.

Audrey burst out:

“Miss Ingate, what can I do? I must do something. What can I do?”

Miss Ingate shook her head, and put her lips tightly together, while mechanically smoothing the sides of her grey coat.

“I don’t know,” she said. “It beats me.”

“Then I’ll tell you what I can do!” answered Audrey firmly, wriggling somewhat nearer to her along the floor. “And what I shall do.”

“What?”

“Will you promise to keep it a secret?”

Miss Ingate nodded, smiling and showing her teeth. Her broad polished forehead positively shone with kindly eagerness.

“Will you swear?”

Miss Ingate hesitated, and then nodded again.

“Then put your hand on my head and say, ‘I swear.’”

Miss Ingate obeyed.

“I shall leave this house,” said Audrey in a low voice.

“You won’t, Audrey!”

“I’ll eat my hand off if I’ve not left this house by to-morrow, anyway.”

“To-morrow!” Miss Ingate nearly screamed. “Now, Audrey, do reflect. Think what you are!”

Audrey bounded to her feet.

“That’s what father’s always saying,” she exploded angrily. “He’s always telling me to examine myself. The fact is, I know too much about myself. I know exactly the kind of girl it is who’s going to leave this house. Exactly!”

“Audrey, you frighten me. Where are you going to?”

“London.”

“Oh! That’s all right then. I am relieved. I thought perhaps you waited to come to my house. You won’t get to London, because you haven’t any money.”

“Oh, yes, I have. I’ve got a hundred pounds.”

“Where?”

“Remember, you’ve sworn.... Here!” she cried suddenly, and drawing her hand from behind her back she most sensationally displayed a crushed roll of bank-notes.

“And who did you get those from?”

“I didn’t get them from anybody. I got them out of father’s safe. They’re his reserve. He keeps them right at the back of the left-hand drawer, and he’s so sure they’re there that he never looks for them. He thinks he’s a perfect model, but really he’s careless. There’s a duplicate key to the safe, you know, and he leaves it with a lot of other keys loose in his desk. I expect he thought nobody would ever dream of guessing it was a key of the safe. I know he never looked at this roll, because I’ve been opening the safe every day for weeks past, and the roll was always the same. In fact, it was dusty. Then to-day I decided to take it, and here you are! He finished himself off yesterday, so far as I’m concerned, with the business about the punt.”

“But do you know you’re a thief, Audrey?” breathed Miss Ingate, extremely embarrassed, and for once somewhat staggered by the vagaries of human nature.

“You seem to forget, Miss Ingate,” said Audrey solemnly, “that Cousin Caroline left me a legacy of two hundred pounds last year, and that I’ve never seen a penny of it. Father absolutely declined to let me have the tiniest bit of it. Well, I’ve taken half. He can keep the other half for his trouble.”

Miss Ingate’s mouth stood open, and her eyes seemed startled.

“But you can’t go to London alone. You wouldn’t know what to do.”

“Yes, I should. I’ve arranged everything. I shall wear my best clothes. When I arrive at Liverpool Street I shall take a taxi. I’ve got three addresses of boarding-houses out of the Daily Telegraph, and they’re all in Bloomsbury, W.C. I shall have lessons in shorthand and typewriting at Pitman’s School, and then I shall get a situation. My name will be Vavasour.”

“But you’ll be caught.”

“I shan’t. I shall book to Ipswich first and begin again from there. Girls like me aren’t so easy to catch as all that.”

“You’re vehy cunning.”

“I get that from mother. She’s most frightfully cunning with father.”

“Audrey,” said Miss Ingate with a strange grin, “I don’t know how I can sit here and listen to you. You’ll ruin me with your father, because if you go I’m sure I shall never be able to keep from him that I knew all about it.”

“Then you shouldn’t have sworn,”...

Erscheint lt. Verlag 22.3.2018
Sprache englisch
Themenwelt Literatur Anthologien
Literatur Klassiker / Moderne Klassiker
Literatur Romane / Erzählungen
Schlagworte Anna of the Five Towns • British • Clayhanger • Culture • Historical • how to live • mental efficacy • old wives tale • Victorian
ISBN-10 1-5183-0312-9 / 1518303129
ISBN-13 978-1-5183-0312-8 / 9781518303128
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
EPUBEPUB (Adobe DRM)
Größe: 855 KB

Kopierschutz: Adobe-DRM
Adobe-DRM ist ein Kopierschutz, der das eBook vor Mißbrauch schützen soll. Dabei wird das eBook bereits beim Download auf Ihre persönliche Adobe-ID autorisiert. Lesen können Sie das eBook dann nur auf den Geräten, welche ebenfalls auf Ihre Adobe-ID registriert sind.
Details zum Adobe-DRM

Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belle­tristik und Sach­büchern. Der Fließ­text wird dynamisch an die Display- und Schrift­größe ange­passt. Auch für mobile Lese­geräte ist EPUB daher gut geeignet.

Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen eine Adobe-ID und die Software Adobe Digital Editions (kostenlos). Von der Benutzung der OverDrive Media Console raten wir Ihnen ab. Erfahrungsgemäß treten hier gehäuft Probleme mit dem Adobe DRM auf.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen eine Adobe-ID sowie eine kostenlose App.
Geräteliste und zusätzliche Hinweise

Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.

EPUBEPUB (Ohne DRM)

Digital Rights Management: ohne DRM
Dieses eBook enthält kein DRM oder Kopier­schutz. Eine Weiter­gabe an Dritte ist jedoch rechtlich nicht zulässig, weil Sie beim Kauf nur die Rechte an der persön­lichen Nutzung erwerben.

Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belle­tristik und Sach­büchern. Der Fließ­text wird dynamisch an die Display- und Schrift­größe ange­passt. Auch für mobile Lese­geräte ist EPUB daher gut geeignet.

Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen dafür die kostenlose Software Adobe Digital Editions.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen dafür eine kostenlose App.
Geräteliste und zusätzliche Hinweise

Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.

Mehr entdecken
aus dem Bereich
Gedichte über die Schönheiten und Härten des Lebens, über Ewiges und …

von Maja Christine Bhuiyan

eBook Download (2026)
tredition GmbH (Verlag)
CHF 5,85