Vixen (eBook)
735 Seiten
Charles River Editors (Verlag)
978-1-5312-6433-8 (ISBN)
M.E. Braddon was a popular British writer during the Victorian Era. Among Braddon's best known novels are Lady Audley's Secret and Aurora Floyd. This edition of Vixen includes a table of contents.
CHAPTER II. LADY JANE VAWDREY.
“It is not dogs only that are jealous!” thought Roderick, as he went home in the brougham, with all the windows down, and the cool night breeze blowing his cigar smoke away into the forest, to mix with the mist wreaths that were curling up from the soft ground. It was an offence of the highest grade to smoke in his mother’s carriage; but Rorie was in an evil temper just now, and found a kind of bitter pleasure in disobedience.
The carriage bowled swiftly along the straight, well-made road, but Rorie hated riding in a brougham. The soft padded confinement galled him.
“Why couldn’t she send me my dog-cart?” he asked himself indignantly.
Briarwood was a large white house in a small park. It stood on much higher ground than the Abbey House, and was altogether different from that good old relic of a bygone civilisation. Briarwood was distinctly modern. Its decorations savoured of the Regency: its furniture was old-fashioned, without being antique. The classic stiffness and straightness of the First French Empire distinguished the gilded chairs and tables in the drawing-room. There were statues by Chantrey and Canova in the spacious lofty hall; portraits by Lawrence and Romney in the dining-room; a historical picture by Copley over the elephantine mahogany sideboard; a Greek sarcophagus for wines under it.
At its best, the Briarwood house was commonplace; but to the mind of Lady Jane Vawdrey, the gardens and hot-houses made amends. She was a profound horticulturist, and spent half her income on orchids and rare newly-imported flowers, and by this means she had made Briarwood one of the show places of the neighbourhood.
“A woman must be distinguished for something, or she is no better than her scullery-maid,” said Lady Jane to her son, excusing herself for these extravagances. “I have no talent for music, painting, or poetry, so I devote myself to orchids; and perhaps my orchids turn out better than many people’s music and poetry.”
Lady Jane was not a pleasant-tempered woman, and enjoyed the privilege of being more feared than liked; a privilege of which she made the most, and which secured her immunity from many annoyances to which good-natured people are subject. She did good to her poor neighbours, in her own cold set way, but the poor people about Briarwood did not send to her for wine and brandy as if she kept a public-house, and was benefited by their liberal patronage; the curate at the little Gothic church, down in the tiny village in a hollow of the wooded hills, did not appeal to Lady Jane in his necessities for church or parish. She subscribed handsomely to all orthodox well-established charities, but was not prone to accidental benevolence. Nobody ever disappointed her when she gave a dinner, or omitted the duty-call afterwards; but she had no unceremonious gatherings, no gossipy kettle-drums, no hastily-arranged picnics or garden parties. When people in the neighbourhood wanted to take their friends to see the orchids, they wrote to Lady Jane first, and made it quite a state affair; and on an appointed afternoon, the lady of Briarwood received them, richly clad in a dark velvet gown and a point-lace cap, as if she had just walked out of an old picture, and there were three or four gardeners in attendance to open doors, and cut specimen blossoms for the guests.
“She’s a splendid woman, admirable in every way,” said Roderick to an Oxford chum, with whom he had been discussing Lady Jane’s virtues; “but if a fellow could have a voice in the matter, she’s not the mother I should have chosen for myself.”
Ambition was the leading characteristic of Lady Jane’s mind. As a girl, she had been ambitious lor herself, and that ambition had been disappointed; as a woman, her ambition transferred itself to her son. She was the eldest daughter of the Earl of Lodway, a nobleman who had been considerably overweighted in the handicap of life, having nine children, seats in three counties, a huge old house in St. James’s Square, and a small income—his three estates consisting of some of the barrenest and most unprofitable land in Great Britain. Of Lord Lodway’s nine children, five were daughters, and of these Lady Jane was the eldest and the handsomest. Even in her nursery she had a very distinct notion that, for her, marriage meant promotion. She used to play at being married at St. George’s, Hanover Square, and would never consent to have the ceremony performed by less than two bishops; even though the part of one hierarch had to be represented by the nursery hearth-broom. In due course Lady Jane Umleigh made her début in society, in all the bloom and freshness of her stately Saxon beauty. She was admired and talked about, and acknowledged as one of the belles of that season; her portrait was engraved in the Book of Beauty, and her ball programmes were always filled with the very best names; but at the end of the season, Lady Lodway went back to the Yorkshire Wolds with a biting sense of failure and mortification. Her handsome daughter had not sent her arrow home to the gold. She had not received a single offer worth talking about.
“Don’t you think you could consent to be married by one bishop and a dean, Jenny, if the Marquis comes to the scratch soon after the twelfth?” asked Lady Jane’s youngest brother derisively.
He had been made to do bishop in those play-weddings of Lady Jane’s, very often when the function went against the grain.
The Marquis thus familiarly spoken about was Lord Strishfogel, the richest nobleman in Ireland, and a great sea-rover, famous for his steam yachts, and his importance generally. He had admired Lady Jane’s statuesque beauty, and had been more particular in his attentions than the rest of her satellites, who for the most part merely worshipped her because it was the right thing to do. Lord Strishfogel had promised to come to Heron’s Nest, Lord Lodway’s place in the Wolds, for the grouse-shooting; but instead of keeping his promise, this erratic young peer went off to the Golden Horn, to race his yacht against the vessel of a great Turkish official. This was Lady Jane Umleigh’s first disappointment. She had liked Lord Strishfogel just well enough to fancy herself deeply in love with him, and she was unconscious of the influence his rank and wealth had exercised upon her feelings. She had thought of herself so often as the Marchioness of Strishfogel, had so completely projected her mind into that brilliant future, that to descend from this giddy height to the insignificance of unwedded girlhood was as sharp a fall as if she had worn a crown and lost it.
Her second season began, and Lord Strishfogel was still a rover; He was in the South Seas by this time, writing a book, and enjoying halcyon days among the friendly natives, swimming like a dolphin in those summery seas, and indulging in harmless flirtations with dusky princesses, whose chief attire was made of shells and flowers, and whose untutored dancing was more vigorous than refined. At the end of that second season, Jane Umleigh had serious thoughts of turning philanthropist, and taking a shipload of destitute young women to Australia. Anything would be better than this sense of a wasted life and ignominious failure.
She was in this frame of mind when Mr. Vawdrey came to Heron’s Nest for the shooting. He was a commoner, but his family was one of the oldest in Hampshire, and he had lately distinguished himself by some rather clever speeches in the House of Commons. His estate was worth fifteen thousand a year, and he was altogether a man of some mark. Above all, he was handsome, manly, and a gentleman to the marrow of his bones, and he was the first man who ever fell over head and ears in love with Jane Umleigh.
The charms that had repelled more frivolous admirers attracted John Vawdrey. That proud calm beauty of Lady Jane’s seemed to his mind the perfection of womanly grace. Here was a wife for a man to adore upon his knees, a wife to be proud of, a wife to rule her vassals like a queen, and to lead him, John Vawdrey, on to greatness.
He was romantic, chivalrous, aspiring, and Lady Jane Umleigh was the first woman he had met who embodied the heroine of his youthful dreams. He proposed and was refused, and went away despairing. It would have been a good match, undoubtedly—a truth which Lord and Lady Lodway urged with some iteration upon their daughter—but it would have been a terrible descent from the ideal marriage which Lady Jane had set up in her own mind, as the proper prize for so fair a runner in life’s race. She had imagined herself a marchioness, with a vast territory of mountain, vale, and lake, and an influence in the sister island second only to that of royalty, She could not descend all at once to behold herself the wife of a plain country gentleman, whose proudest privilege it was to write M.P. after his name.
The Earl and Countess were urgent, for they had another daughter ready for the matrimonial market, and were inclined to regard Lady Jane as an “old shopkeeper,” but they knew their eldest daughter’s temper, and did not press the matter too warmly.
Another season, Lady Jane’s fourth, and Lady Sophia’s first, began and ended. Lady Sophia was piquant and witty, with a snub nose and a playful disposition. She was a first-rate horsewoman, an exquisite waltzer, good at croquet, archery, billiards, and all...
| Erscheint lt. Verlag | 22.3.2018 |
|---|---|
| Sprache | englisch |
| Themenwelt | Literatur ► Anthologien |
| Literatur ► Klassiker / Moderne Klassiker | |
| Literatur ► Romane / Erzählungen | |
| Schlagworte | Aurora Floyd • British • Historical • lady audley • Maria Edgeworth • mrs. henry wood • Victorian |
| ISBN-10 | 1-5312-6433-6 / 1531264336 |
| ISBN-13 | 978-1-5312-6433-8 / 9781531264338 |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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