Normal People (eBook)

Sally Rooney (Autor)

eBook Download: EPUB

2018 | 1. Auflage
304 Seiten
Faber & Faber (Verlag)
978-0-571-33466-7 (ISBN)

Infos

** Sally Rooney's new novel Intermezzo is available in paperback now ** AN IRISH TIMES TOP 100 IRISH BOOKS OF THE 21ST CENTURY ** Read the modern classic behind the Bafta-winning series. ** 'The literary phenomenon of the decade.' Guardian 'The book that defined a generation.' Stylist 'A Tube stop-missing, escalator-reading tale.' Evening Standard Connell and Marianne grow up in the same small town in the west of Ireland, but the similarities end there. In school, Connell is popular and well-liked, while Marianne is a loner. But when the two strike up a conversation - awkward but electrifying - something life-changing begins. Normal People is a story of mutual fascination, friendship and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find they can't. 'Tender and devastating.' Guardian 'A book to cancel plans for.' Grazia 'A classic coming-of-age love story.' Vogue Readers love Normal People: ????? 'An emotional rollercoaster from cover to cover.' Claire ????? 'It will stay with me for a long time.' Linny ????? 'The hype is entirely justified.' Caitlin ????? 'This is a book to cherish, to keep and be thankful for.' Celestine ????? 'A masterpiece, pure and simple.' Jamie Sally Rooney's book 'Normal People' was a #1 Sunday Times bestseller w/c 2018-12-24

Sally Rooney is an Irish novelist. She is the author of Conversations with Friends, Normal People and Beautiful World, Where Are You.

Autor

Sally Rooney is the author of the novels Conversations with Friends and Normal People. Her writing has appeared in the New Yorker, the New York Times, the London Review of Books and elsewhere. Conversations with Friends was shortlisted for both the Dylan Thomas Prize and the Rathbones Folio Prize, and longlisted for the Desmond Elliott Prize. Rooney was also shortlisted for the Sunday Times EFG Short Story Award for 'Mr Salary' and was the winner of the Sunday Times/PFD Young Writer of the Year Award. Normal People was the Waterstones Book of the Year 2019 and won the Costa Novel of the Year in 2018. It was longlisted for the Man Booker Prize in 2018, as well as the Women's Prize for Fiction and the Rathbones Folio Prize in 2019. Sally Rooney co-wrote the television adaptation of Normal People which was broadcast on the BBC in 2020, and for which she was nominated for an Emmy award.

Textauszug

January 2011

Marianne answers the door when Connell rings the bell. She’s still wearing her school uniform, but she’s taken off the sweater, so it’s just the blouse and skirt, and she has no shoes on, only tights.

Oh, hey, he says.

Come on in.

She turns and walks down the hall. He follows her, closing the door behind him. Down a few steps in the kitchen, his mother Lorraine is peeling off a pair of rubber gloves. Marianne hops onto the countertop and picks up an open jar of chocolate spread, in which she has left a teaspoon.

Marianne was telling me you got your mock results today, Lorraine says.

We got English back, he says. They come back separately. Do you want to head on?

Lorraine folds the rubber gloves up neatly and replaces them below the sink. Then she starts unclipping her hair. To Connell this seems like something she could accomplish in the car.

And I hear you did very well, she says.

He was top of the class, says Marianne.

Right, Connell says. Marianne did pretty good too. Can we go?

Lorraine pauses in the untying of her apron.

I didn’t realise we were in a rush, she says.

He puts his hands in his pockets and suppresses an irritable sigh, but suppresses it with an audible intake of breath, so that it still sounds like a sigh.

I just have to pop up and take a load out of the dryer, says Lorraine. And then we’ll be off. Okay?

He says nothing, merely hanging his head while Lorraine leaves the room.

Do you want some of this? Marianne says.

She’s holding out the jar of chocolate spread. He presses his hands down slightly further into his pockets, as if trying to store his entire body in his pockets all at once.

No, thanks, he says.

Did you get your French results today?

Yesterday.

He puts his back against the fridge and watches her lick the spoon. In school he and Marianne affect not to know each other. People know that Marianne lives in the white mansion with the driveway and that Connell’s mother is a cleaner, but no one knows of the special relationship between these facts.

I got an A1, he says. What did you get in German?

An A1, she says. Are you bragging?

You’re going to get six hundred, are you?

She shrugs. You probably will, she says.

Well, you’re smarter than me.

Don’t feel bad. I’m smarter than everyone.

Marianne is grinning now. She exercises an open contempt for people in school. She has no friends and spends her lunchtimes alone reading novels. A lot of people really hate her. Her father died when she was thirteen and Connell has heard she has a mental illness now or something. It’s true she is the smartest person in school. He dreads being left alone with her like this, but he also finds himself fantasising about things he could say to impress her.

You’re not top of the class in English, he points out.

She licks her teeth, unconcerned.

Maybe you should give me grinds, Connell, she says.

He feels his ears get hot. She’s probably just being glib and not suggestive, but if she is being suggestive it’s only to degrade him by association, since she is considered an object of disgust. She wears ugly thick-soled flat shoes and doesn’t put make-up on her face. People have said she doesn’t shave her legs or anything. Connell once heard that she spilled chocolate ice cream on herself in the school lunchroom, and she went to the girls’ bathrooms and took her blouse off to wash it in the sink. That’s a popular story about her, everyone has heard it. If she wanted, she could make a big show of saying hello to Connell in school. See you this afternoon, she could say, in front of everyone. Undoubtedly it would put him in an awkward position, which is the kind of thing she usually seems to enjoy. But she has never done it.

What were you talking to Miss Neary about today? says Marianne.

Oh. Nothing. I don’t know. Exams.

Marianne twists the spoon around inside the jar.

Does she fancy you or something? Marianne says.

Connell watches her moving the spoon. His ears still feel very hot.

Why do you say that? he says.

God, you’re not having an affair with her, are you?

Obviously not. Do you think it’s funny joking about that?

Sorry, says Marianne.

She has a focused expression, like she’s looking through his eyes into the back of his head.

You’re right, it’s not funny, she says. I’m sorry.

He nods, looks around the room for a bit, digs the toe of his shoe into a groove between the tiles.

Sometimes I feel like she does act kind of weird around me, he says. But I wouldn’t say that to people or anything.

Even in class I think she’s very flirtatious towards you.

Do you really think that?

Marianne nods. He rubs at his neck. Miss Neary teaches Economics. His supposed feelings for her are widely discussed in school. Some people are even saying that he tried to add her on Facebook, which he didn’t and would never do. Actually he doesn’t do or say anything to her, he just sits there quietly while she does and says things to him. She keeps him back after class sometimes to talk about his life direction, and once she actually touched the knot of his school tie. He can’t tell people about the way she acts because they’ll think he’s trying to brag about it. In class he feels too embarrassed and annoyed to concentrate on the lesson, he just sits there staring at the textbook until the bar graphs start to blur.

People are always going on at me that I fancy her or whatever, he says. But I actually don’t, at all. I mean, you don’t think I’m playing into it when she acts like that, do you?

Not that I’ve seen.

He wipes his palms down on his school shirt unthinkingly. Everyone is so convinced of his attraction to Miss Neary that sometimes he starts to doubt his own instincts about it. What if, at some level above or below his own perception, he does actually desire her? He doesn’t even really know what desire is supposed to feel like. Any time he has had sex in real life, he has found it so stressful as to be largely unpleasant, leading him to suspect that there’s something wrong with him, that he’s unable to be intimate with women, that he’s somehow developmentally impaired. He lies there afterwards and thinks: I hated that so much that I feel sick. Is that just the way he is? Is the nausea he feels when Miss Neary leans over his desk actually his way of experiencing a sexual thrill? How would he know?

I could go to Mr Lyons for you if you want, says Marianne. I won’t say you told me anything, I’ll just say I noticed it myself.

Jesus, no. Definitely not. Don’t say anything about it to anyone, okay?

Okay, alright.

He looks at her to confirm she’s being serious, and then nods.

It’s not your fault she acts like that with you, says Marianne. You’re not doing anything wrong.

Quietly he says: Why does everyone else think I fancy her, then?

Maybe because you blush a lot when she talks to you. But you know, you blush at everything, you just have that complexion.

He gives a short, unhappy laugh. Thanks, he says.

Well, you do.

Yeah, I’m aware.

You’re blushing now actually, says Marianne.

He closes his eyes, pushes his tongue against the roof of his mouth. He can hear Marianne laughing.

Why do you have to be so harsh on people? he says.

I’m not being harsh. I don’t care if you’re blushing, I won’t tell anyone.

Just because you won’t tell people doesn’t mean you can say whatever you want.

Okay, she says. Sorry.

He turns and looks out the window at the garden. Really the garden is more like ‘grounds’. It includes a tennis court and a large stone statue in the shape of a woman. He looks out at the ‘grounds’ and moves his face close to the cool breath of the glass. When people tell that story about Marianne washing her blouse in the sink, they act like it’s just funny, but Connell thinks the real purpose of the story is something else. Marianne has never been with anyone in school, no one has ever seen her undressed, no one even knows if she likes boys or girls, she won’t tell anyone. People resent that about her, and Connell thinks that’s why they tell the story, as a way of gawking at something they’re not allowed to see.

I don’t want to get into a fight with you, she says.

We’re not fighting.

I know you probably hate me, but you’re the only person who actually talks to me.

I never said I hated you, he says.

That gets her attention, and she looks up. Confused, he continues looking away from her, but in the corner of his eye he still sees her watching. When he talks to Marianne he has a sense of total privacy between them. He could tell her anything about himself, even weird things, and she would never repeat them, he knows that. Being alone...

Produkt-Details

• Erscheint lt. Verlag: 28.8.2018
• Verlagsort: London
• Sprache: englisch
• Themenwelt: Literatur ► Romane / Erzählungen
• Schlagworte: Anna Burns • Anuk Arudpragasam A Passage North • A Slow Fire Burning Paula Hawkins • Assembly • assembly natasha brown • BBC • Candice Carty-Williams • Colin Barrett • conversations with friends • Costa Book Awards 2018 • daisy edgar jones • Daisy Jones and the Six • eleanor oliphant • Eleanor Oliphant is Completely Fine • eleanor oliphant is completely fine by gail honeyman • Girls • Girl Woman Other • Granta • Kiley Reid • love marriage • luster • Man Booker Prize 2018 • Milkman • My Dark Vanessa • oliphant • Open Water • Phoebe Waller-Bridge • Phoebe Waller-Bridge, Young Writer of the Year Award • Queenie • sally rooney • Such a Fun Age • the Maid • To Paradise • To Paradise, Lamplighters, Sarah Moss • Trinity College Dublin • TV Show • Zadie Smith
• ISBN-10: 0-571-33466-0 / 0571334660
• ISBN-13: 978-0-571-33466-7 / 9780571334667