Admirable Bashville (eBook)
77 Seiten
Charles River Editors (Verlag)
978-1-5312-4341-8 (ISBN)
George Bernard Shaw was a prolific Irish playwright who was awarded the Nobel Prize in 1925. Shaw's famous plays include Man and Superman and Pygmalion which was adapted into the classic musical My Fair Lady. This edition of The Admirable Bashville includes a table of contents.
ACT I
A glade in Wiltstoken Park
Enter Lydia
Lydia. Ye leafy breasts and warm protecting wings
Of mother trees that hatch our tender souls,
And from the well of Nature in our hearts
Thaw the intolerable inch of ice
That bears the weight of all the stamping world.
Hear ye me sing to solitude that I,
Lydia Carew, the owner of these lands,
Albeit most rich, most learned, and most wise,
Am yet most lonely. What are riches worth
When wisdom with them comes to show the purse bearer
That life remains unpurchasable? Learning
Learns but one lesson: doubt! To excel all
Is, to be lonely. Oh, ye busy birds,
Engrossed with real needs, ye shameless trees
With arms outspread in welcome of the sun,
Your minds, bent singly to enlarge your lives,
Have given you wings and raised your delicate heads
High heavens above us crawlers.
[A rook sets up a great cawing; and the other birds
chatter loudly as a gust of wind sets the branches
swaying. She makes as though she would shew them
her sleeves.
Lo, the leaves
That hide my drooping boughs! Mock me—poor maid!—
Deride with joyous comfortable chatter
These stolen feathers. Laugh at me, the clothed one.
Laugh at the mind fed on foul air and books.
Books! Art! And Culture! Oh, I shall go mad.
Give me a mate that never heard of these,
A sylvan god, tree born in heart and sap;
Or else, eternal maidhood be my hap.
[Another gust of wind and bird-chatter. She sits on
the mossy root of an oak and buries her face in her
hands. Cashel Byron, in a white singlet and
breeches, comes through the trees.
CASHEL. What’s this? Whom have we here? A woman!
LYDIA [looking up]. Yes.
CASHEL. You have no business here. I have. Away!
Women distract me. Hence!
LYDIA. Bid you me hence?
I am upon mine own ground. Who are you?
I take you for a god, a sylvan god.
This place is mine: I share it with the birds,
The trees, the sylvan gods, the lovely company
Of haunted solitudes.
CASHEL. A sylvan god!
A goat-eared image! Do your statues speak?
Walk? heave the chest with breath? or like a feather
Lift you—like this? [He sets her on her feet.
LYDIA [panting]. You take away my breath!
You’re strong. Your hands off, please. Thank you. Farewell.
CASHEL. Before you go: when shall we meet again?
LYDIA. Why should we meet again?
CASHEL. Who knows? We shall.
That much I know by instinct. What’s your name?
LYDIA. Lydia Carew.
CASHEL. Lydia’s a pretty name.
Where do you live?
LYDIA. I’ the castle.
CASHEL [thunderstruck]. Do not say
You are the lady of this great domain.
LYDIA. I am.
CASHEL. Accursed luck! I took you for
The daughter of some farmer. Well, your pardon.
I came too close: I looked too deep. Farewell.
LYDIA. I pardon that. Now tell me who you are.
CASHEL. Ask me not whence I come, nor what I am.
You are the lady of the castle. I
Have but this hard and blackened hand to live by.
LYDIA. I have felt its strength and envied you. Your name?
I have told you mine.
CASHEL. My name is Cashel Byron.
LYDIA. I never heard the name; and yet you utter it
As men announce a celebrated name.
Forgive my ignorance.
CASHEL. I bless it, Lydia.
I have forgot your other name.
LYDIA. Carew.
Cashel’s a pretty name, too.
MELLISH [calling through the wood]. Coo-ee! Byron!
CASHEL. A thousand curses! Oh, I beg you, go.
This is a man you must not meet.
MELLISH [further off]. Coo-ee!
LYDIA. He’s losing us. What does he in my woods?
CASHEL. He is a part of what I am. What that is
You must not know. It would end all between us.
And yet there’s no dishonor in’t: your lawyer,
Who let your lodge to me, will vouch me honest.
I am ashamed to tell you what I am—
At least, as yet. Some day, perhaps.
MELLISH [nearer]. Coo-ee!
LYDIA. His voice is nearer. Fare you well, my tenant.
When next your rent falls due, come to the castle.
Pay me in person. Sir: your most obedient. [She curtsies and goes.
CASHEL. Lives in this castle! Owns this park! A lady
Marry a prizefighter! Impossible.
And yet the prizefighter must marry her.
Enter Mellish
Ensanguined swine, whelped by a doggish dam,
Is this thy park, that thou, with voice obscene,
Fillst it with yodeled yells, and screamst my name
For all the world to know that Cashel Byron
Is training here for combat.
MELLISH. Swine you me?
I’ve caught you, have I? You have found a woman.
Let her shew here again, I’ll set the dog on her.
I will. I say it. And my name’s Bob Mellish.
CASHEL. Change thy initial and be truly hight
Hellish. As for thy dog, why dost thou keep one
And bark thyself? Begone.
MELLISH. I’ll not begone.
You shall come back with me and do your duty—
Your duty to your backers, do you hear?
You have not punched the bag this blessed day.
CASHEL. The putrid bag engirdled by thy belt
Invites my fist.
MELLISH [weeping]. Ingrate! O wretched lot!
Who would a trainer be? O Mellish, Mellish,
Trainer of heroes, builder-up of brawn,
Vicarious victor, thou createst champions
That quickly turn thy tyrants. But beware:
Without me thou art nothing. Disobey me,
And all thy boasted strength shall fall from thee.
With flaccid muscles and with failing breath
Facing the fist of thy more faithful foe,
I’ll see thee on the grass cursing the day
Thou didst forswear thy training.
CASHEL. Noisome quack
That canst not from thine own abhorrent visage
Take one carbuncle, thou contaminat’st
Even with thy presence my untainted blood
Preach abstinence to rascals like thyself
Rotten with surfeiting. Leave me in peace.
This grove is sacred: thou profanest it.
Hence! I have business that concerns thee not.
MELLISH. Ay, with your woman. You will lose your fight.
Have you forgot your duty to your backers?
Oh, what a sacred thing your duty is!
What makes a man but duty? Where were we
Without our duty? Think of Nelson’s words:
England expects that every man——
CASHEL. Shall twaddle
About his duty. Mellish: at no hour
Can I regard thee wholly without loathing;
But when thou play’st the moralist, by Heaven,
My soul flies to my fist, my fist to thee;
And never did the Cyclops’ hammer fall
On Mars’s armor—but enough of that.
It does remind me of my mother.
MELLISH. Ah,
Byron, let it remind thee. Once I heard
An old song: it ran thus. [He clears his throat.] Ahem, Ahem!
[Sings]—They say there is no other
Can take the place of mother—
I am out o’ voice: forgive me; but remember:
Thy mother—were that sainted woman here—
Would say, Obey thy trainer.
CASHEL. Now, by Heaven,
Some fate is pushing thee upon thy doom.
Canst thou not hear thy sands as they run out?
They thunder like an avalanche. Old man:
Two things I hate, my duty and my mother.
Why dost thou urge them both upon me now?
Presume not on thine age and on thy nastiness.
Vanish, and promptly.
MELLISH. Can I leave thee here
Thus thinly clad, exposed to vernal dews?
Come back with me, my son, unto our lodge.
CASHEL. Within this breast a fire is newly lit
Whose glow shall sun the dew away, whose radiance
Shall make the orb of night hang in the heavens
Unnoticed, like a glow-worm at high noon.
MELLISH. Ah me, ah me, where wilt thou spend the night?
CASHEL....
| Erscheint lt. Verlag | 22.3.2018 |
|---|---|
| Sprache | englisch |
| Themenwelt | Literatur ► Anthologien |
| Literatur ► Klassiker / Moderne Klassiker | |
| Literatur ► Romane / Erzählungen | |
| Schlagworte | Classic • Dublin • EPIC • Fiction • Irish • My Fair Lady • Playwright • screenplays • Victorian |
| ISBN-10 | 1-5312-4341-X / 153124341X |
| ISBN-13 | 978-1-5312-4341-8 / 9781531243418 |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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