We That Are Young
Alfred A. Knopf (Verlag)
978-1-5247-1145-0 (ISBN)
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When a billionaire hotelier and political operator attempts to pit his three daughters against one another, a brutal struggle for primacy begins in this modern-day take on Shakespeare's King Lear. Set in contemporary India, where rich men are gods while farmers starve and water is fast running out, We That Are Young is a story about power, status, and the love of a megalomaniac father. A searing exploration of human fallibility, Preti Taneja's remarkable novel reveals the fragility of the human heart-and its inevitable breaking point.
Preti Taneja was born in England to Indian parents. She has worked with youth charities, with refugees, and in conflict and post-conflict zones on minority and cultural rights, and teaches writing in prisons and universities. She is the co-founder of the advocacy collective ERA Films and of Visual Verse, an online anthology of art and words. We That Are Young won the 2018 Desmond Elliot Prize for the UK's best debut novel and was nominated for numerous international awards, including the Folio Prize, India's Shakti Bhatt First Novel Prize, and Europe's most prestigious award for a work of world literature, the Prix Jan Michalski.
i It's not about land, it's about money. He whispers his mantra as the world drops away, swinging like a pendulum around the plane. The glittering ribbon of the Thames, the official stamps of the Royal parks, a bald white dome spiked with a yellow crown, are swallowed by summer's deep twilight. The plane lifts, the clouds quilt beneath it, tucking England into bed to dream of better times. It is still yesterday, according to his watch. He winds the dial forward. Now it is tomorrow, only eight hours to go. He's landed the window seat with the broken touchscreen: it's either in-flight information or Slumdog Millionaire, the last movie he ever took Ma to. They went on release weekend. The entire line of people had been brown, so for once Ma didn't hunch in his shadow as if his jeans and camel coat would protect her, explain her. Instead they had the same old fight about Iris, and as he bought toffee popcorn she began to sniff: she said she was catching a chill. She kept up the sniffing as the credits rolled over the entire cast line-dancing on the set of an Indian train station. When they got outside, he thought she'd been crying. He put his arms around her: her head was the perfect place for his chin to rest. He asked her if she liked the movie, she said she didn't at all. It was not real India, except for the songs. It's been a long haul from JFK to the LHR stopover. He's half shot with the comfort of Johnnie Walker, knows it's not the best but he appreciates the label. It feels bespoke to him, like a child in a gift shop who finds a mug with his own name on it. No gift shop in America has a JIVAN mug so he borrowed JON, and that's been it since he did this trip the other way. Thirteen years old: sold on leaving India by the promise of his first time in the air. Forward, forward, he wills the plane, drumming his hands on the tray-table, earning himself the side eye from the woman wedged into the seat next to him. She's using her iPhone 4 to photograph the back page of the in-flight magazine: Ambika Gupta: offering you the miracle of advanced Numerology: a digit for your future. She pokes the man on her other side: Sardarji in a blue turban, matching jersey stretched over his belly, stitched with a white number 5. Dude looks like he's birthing quintuplets under there. She smiles at him, sits back in her seat. There are thin red lines traced all over her hands in fading bridal henna as if she's been turned inside out, painful, beautiful, the pattern of her is all paisleys. Her ring is a platinum band with a square-cut white diamond and her bag is Longchamps like all the pretty-pretty girls have; navy waterproof with brown leather trim, but small, the cheapest. Don't you know, pretty girl, that no bag is better than trying too hard? She's flicking through the magazine: ads for Marc Jacobs, Charlize Theron, flicks to the gadgets, flicks to the movies, clink-chime-clink go the red glass bangles stacked up her wrists. It sounds like the overture to Ma's practice music. Played for her to dance Kathak, with precision, while Jivan kept time. Fist thumping into palm, Dha-din-din-dha. His memories are coloured by her last months-Ma, fading from brown to yellow, a bruise that would not heal against the hospital white. Dha-din-din-dha became her fingers beating lightly on his temples-blurring into the rattle of her breath toward the end-the background hum of the plane's engine in his ears. They are cruising high over the mountains of who knows where. He pulls out his own magazine. The cover is a cartoon illustration-a tiny brown body topped with an oversized head. Under a halo of white hair, two puffed cheeks blow out candles on a vast birthday cake the shape of an udder. India, sprouting with the turrets of heritage hotels, factory chimneys. Cars race off its surface, bolts of cloth unfurl, tigers hunt goats through spurting oil rigs. The orange headline shouts: Happy 75th Birthday Devraj Bapuji! T
| Erscheinungsdatum | 30.08.2018 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 154 x 235 mm |
| Gewicht | 553 g |
| Themenwelt | Literatur ► Historische Romane |
| Literatur ► Märchen / Sagen | |
| Literatur ► Romane / Erzählungen | |
| ISBN-10 | 1-5247-1145-4 / 1524711454 |
| ISBN-13 | 978-1-5247-1145-0 / 9781524711450 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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