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Monster and Other Stories (eBook)

eBook Download: EPUB
2017
119 Seiten
Publishdrive (Verlag)
978-1-387-08497-5 (ISBN)

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Monster and Other Stories -  Stephen Crane
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The Monster is an 1898 novella by American author Stephen Crane (1871-1900). The story takes place in the small, fictional town of Whilomville, New York. An American-African coachman
named Henry Johnson, who is employed by the town's physician, Dr.
Trescott, becomes horribly disfigured after he saves Trescott's son from
a fire. When Henry is branded a 'monster' by the town's residents,
Trescott vows to shelter and care for him, resulting in his family's
exclusion from the community. The novella reflects upon the 19th-century
social divide and ethnic tensions in America.

The fictional town of Whilomville, which is used in 14 other Crane stories, was based on Port Jervis, New York,
where Crane lived with his family for a few years during his youth. It
is thought that he took inspiration from several local men who were
similarly disfigured, although modern critics have made numerous
connections between the story and the 1892 lynching
in Port Jervis of an African-American man named Robert Lewis. A study
of prejudice, fear, and isolation in a rather small town, the novella
was first published in Harper's Magazine in August 1898. A year later, it was included in The Monster and Other Stories-the last collection of Crane's work to be published during his lifetime.

Written in a more exact and less dramatic style than two of his previous major works (Maggie: A Girl of the Streets and The Red Badge of Courage), The Monster
differs from the other Whilomville stories in its scope and length. Its
themes include the paradoxical study of monstrosity and deformity, as
well as race and tolerance. While the novella and collection received
mixed reviews from contemporary critics, The Monster is now considered one of Crane's best works.

The Monster (excerpt)

Little Jim was, for the time, engine Number 36,
and he was making the run between Syracuse and Rochester. He was
fourteen minutes behind time, and the throttle was wide open. In
consequence, when he swung around the curve at the flower-bed, a
wheel of his cart destroyed a peony. Number 36 slowed down at once
and looked guiltily at his father, who was mowing the lawn. The
doctor had his back to this accident, and he continued to pace slowly
to and fro, pushing the mower.

Jim dropped the tongue of the cart. He looked at
his father and at the broken flower. Finally he went to the peony and
tried to stand it on its pins, resuscitated, but the spine of it was
hurt, and it would only hang limply from his hand. Jim could do no
reparation. He looked again towards his father.

He went on to the lawn, very slowly, and kicking
wretchedly at the turf. Presently his father came along with the
whirring machine, while the sweet, new grass blades spun from the
knives. In a low voice, Jim said, 'Pa!'

The doctor was shaving this lawn as if it were a
priest's chin. All during the season he had worked at it in the
coolness and peace of the evenings after supper. Even in the shadow
of the cherry-trees the grass was strong and healthy. Jim raised his
voice a trifle. 'Pa!'

The doctor paused, and with the howl of the
machine no longer occupying the sense, one could hear the robins in
the cherry-trees arranging their affairs. Jim's hands were behind his
back, and sometimes his fingers clasped and unclasped. Again he said,
'Pa!' The child's fresh and rosy lip was lowered...

Stephen Crane (November 1, 1871 - June 5, 1900) was an
American poet, novelist, and short story writer. Prolific throughout his
short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation.

The ninth surviving child of Protestant Methodist parents, Crane
began writing at the age of four and had published several articles by
the age of 16. Having little interest in university studies, he left
college in 1891 to work as a reporter and writer. Crane's first novel was the 1893 Bowery tale Maggie: A Girl of the Streets,
generally considered by critics to be the first work of American
literary Naturalism. He won international acclaim in 1895 for his Civil War novel The Red Badge of Courage, which he wrote without having any battle experience.


The Monster is an 1898 novella by American author Stephen Crane (1871 1900). The story takes place in the small, fictional town of Whilomville, New York. An American-African coachman named Henry Johnson, who is employed by the town's physician, Dr. Trescott, becomes horribly disfigured after he saves Trescott's son from a fire. When Henry is branded a "e;monster"e; by the town's residents, Trescott vows to shelter and care for him, resulting in his family's exclusion from the community. The novella reflects upon the 19th-century social divide and ethnic tensions in America.The fictional town of Whilomville, which is used in 14 other Crane stories, was based on Port Jervis, New York, where Crane lived with his family for a few years during his youth. It is thought that he took inspiration from several local men who were similarly disfigured, although modern critics have made numerous connections between the story and the 1892 lynching in Port Jervis of an African-American man named Robert Lewis. A study of prejudice, fear, and isolation in a rather small town, the novella was first published in Harper's Magazine in August 1898. A year later, it was included in The Monster and Other Stories the last collection of Crane's work to be published during his lifetime.Written in a more exact and less dramatic style than two of his previous major works (Maggie: A Girl of the Streets and The Red Badge of Courage), The Monster differs from the other Whilomville stories in its scope and length. Its themes include the paradoxical study of monstrosity and deformity, as well as race and tolerance. While the novella and collection received mixed reviews from contemporary critics, The Monster is now considered one of Crane's best works.The Monster (excerpt)Little Jim was, for the time, engine Number 36,and he was making the run between Syracuse and Rochester. He wasfourteen minutes behind time, and the throttle was wide open. Inconsequence, when he swung around the curve at the flower-bed, awheel of his cart destroyed a peony. Number 36 slowed down at onceand looked guiltily at his father, who was mowing the lawn. Thedoctor had his back to this accident, and he continued to pace slowlyto and fro, pushing the mower.Jim dropped the tongue of the cart. He looked athis father and at the broken flower. Finally he went to the peony andtried to stand it on its pins, resuscitated, but the spine of it washurt, and it would only hang limply from his hand. Jim could do noreparation. He looked again towards his father.He went on to the lawn, very slowly, and kickingwretchedly at the turf. Presently his father came along with thewhirring machine, while the sweet, new grass blades spun from theknives. In a low voice, Jim said, "e;Pa!"e;The doctor was shaving this lawn as if it were apriest's chin. All during the season he had worked at it in thecoolness and peace of the evenings after supper. Even in the shadowof the cherry-trees the grass was strong and healthy. Jim raised hisvoice a trifle. "e;Pa!"e;The doctor paused, and with the howl of themachine no longer occupying the sense, one could hear the robins inthe cherry-trees arranging their affairs. Jim's hands were behind hisback, and sometimes his fingers clasped and unclasped. Again he said,"e;Pa!"e; The child's fresh and rosy lip was lowered...Stephen Crane (November 1, 1871 June 5, 1900) was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation.The ninth surviving child of Protestant Methodist parents, Crane began writing at the age of four and had published several articles by the age of 16. Having little interest in university studies, he left college in 1891 to work as a reporter and writer. Crane's first novel was the 1893 Bowery tale Maggie: A Girl of the Streets, generally considered by critics to be the first work of American literary Naturalism. He won international acclaim in 1895 for his Civil War novel The Red Badge of Courage, which he wrote without having any battle experience.
Erscheint lt. Verlag 15.8.2017
Reihe/Serie Classic Short Story Collections: American
Classic Short Story Collections: American
Sprache englisch
Themenwelt Literatur Romane / Erzählungen
Schlagworte American fiction -- 20th century • American Short Stories • collection single author • Disfigured persons -- Fiction • Fiction • Hotels -- Fiction • Missing children -- Fiction • Mittens -- Fiction • Nebraska -- Fiction • short reads • Short Stories • Social isolation -- Fiction • United States -- Social life and customs -- 19th century -- Fiction
ISBN-10 1-387-08497-6 / 1387084976
ISBN-13 978-1-387-08497-5 / 9781387084975
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Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belle­tristik und Sach­büchern. Der Fließ­text wird dynamisch an die Display- und Schrift­größe ange­passt. Auch für mobile Lese­geräte ist EPUB daher gut geeignet.

Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen dafür die kostenlose Software Adobe Digital Editions.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen dafür eine kostenlose App.
Geräteliste und zusätzliche Hinweise

Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.

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