Zum Hauptinhalt springen
Nicht aus der Schweiz? Besuchen Sie lehmanns.de

Uncommercial Traveller by Charles Dickens (Illustrated) (eBook)

(Autor)

Charles Dickens (Herausgeber)

eBook Download: EPUB
2017
259 Seiten
Publishdrive (Verlag)
978-1-78656-730-7 (ISBN)

Lese- und Medienproben

Uncommercial Traveller by Charles Dickens (Illustrated) -  Charles Dickens
0,84 € (CHF 0,85)
Systemvoraussetzungen
0,91 € (CHF 0,90)
Systemvoraussetzungen
Der eBook-Verkauf erfolgt durch die Lehmanns Media GmbH (Berlin) zum Preis in Euro inkl. MwSt.
  • Download sofort lieferbar
  • Zahlungsarten anzeigen
This eBook features the unabridged text of 'The Uncommercial Traveller' from the bestselling edition of 'The Complete Works of Charles Dickens'.

Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Dickens includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

eBook features:
* The complete unabridged text of 'The Uncommercial Traveller'
* Beautifully illustrated with images related to Dickens's works
* Individual contents table, allowing easy navigation around the eBook
* Excellent formatting of the text

Please visit www.delphiclassics.com to learn more about our wide range of titles



This eBook features the unabridged text of 'The Uncommercial Traveller' from the bestselling edition of 'The Complete Works of Charles Dickens'. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Dickens includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.eBook features:* The complete unabridged text of 'The Uncommercial Traveller'* Beautifully illustrated with images related to Dickens's works* Individual contents table, allowing easy navigation around the eBook* Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

III. WAPPING WORKHOUSE


My day’s no-business beckoning me to the East-end of London, I had turned my face to that point of the metropolitan compass on leaving Covent-garden, and had got past the India House, thinking in my idle manner of Tippoo-Sahib and Charles Lamb, and had got past my little wooden midshipman, after affectionately patting him on one leg of his knee-shorts for old acquaintance’ sake, and had got past Aldgate Pump, and had got past the Saracen’s Head (with an ignominious rash of posting bills disfiguring his swarthy countenance), and had strolled up the empty yard of his ancient neighbour the Black or Blue Boar, or Bull, who departed this life I don’t know when, and whose coaches are all gone I don’t know where; and I had come out again into the age of railways, and I had got past Whitechapel Church, and was — rather inappropriately for an Uncommercial Traveller — in the Commercial Road.  Pleasantly wallowing in the abundant mud of that thoroughfare, and greatly enjoying the huge piles of building belonging to the sugar refiners, the little masts and vanes in small back gardens in back streets, the neighbouring canals and docks, the India vans lumbering along their stone tramway, and the pawnbrokers’ shops where hard-up Mates had pawned so many sextants and quadrants, that I should have bought a few cheap if I had the least notion how to use them, I at last began to file off to the right, towards Wapping.

Not that I intended to take boat at Wapping Old Stairs, or that I was going to look at the locality, because I believe (for I don’t) in the constancy of the young woman who told her sea-going lover, to such a beautiful old tune, that she had ever continued the same, since she gave him the ‘baccer-box marked with his name; I am afraid he usually got the worst of those transactions, and was frightfully taken in.  No, I was going to Wapping, because an Eastern police magistrate had said, through the morning papers, that there was no classification at the Wapping workhouse for women, and that it was a disgrace and a shame, and divers other hard names, and because I wished to see how the fact really stood.  For, that Eastern police magistrates are not always the wisest men of the East, may be inferred from their course of procedure respecting the fancy-dressing and pantomime-posturing at St. George’s in that quarter: which is usually, to discuss the matter at issue, in a state of mind betokening the weakest perplexity, with all parties concerned and unconcerned, and, for a final expedient, to consult the complainant as to what he thinks ought to be done with the defendant, and take the defendant’s opinion as to what he would recommend to be done with himself.

Long before I reached Wapping, I gave myself up as having lost my way, and, abandoning myself to the narrow streets in a Turkish frame of mind, relied on predestination to bring me somehow or other to the place I wanted if I were ever to get there.  When I had ceased for an hour or so to take any trouble about the matter, I found myself on a swing-bridge looking down at some dark locks in some dirty water.  Over against me, stood a creature remotely in the likeness of a young man, with a puffed sallow face, and a figure all dirty and shiny and slimy, who may have been the youngest son of his filthy old father, Thames, or the drowned man about whom there was a placard on the granite post like a large thimble, that stood between us.

I asked this apparition what it called the place?  Unto which, it replied, with a ghastly grin and a sound like gurgling water in its throat:

‘Mr. Baker’s trap.’

As it is a point of great sensitiveness with me on such occasions to be equal to the intellectual pressure of the conversation, I deeply considered the meaning of this speech, while I eyed the apparition — then engaged in hugging and sucking a horizontal iron bar at the top of the locks.  Inspiration suggested to me that Mr. Baker was the acting coroner of that neighbourhood.

‘A common place for suicide,’ said I, looking down at the locks.

‘Sue?’ returned the ghost, with a stare.  ‘Yes!  And Poll.  Likewise Emily.  And Nancy.  And Jane;’ he sucked the iron between each name; ‘and all the bileing.  Ketches off their bonnets or shorls, takes a run, and headers down here, they doos.  Always a headerin’ down here, they is.  Like one o’clock.’

‘And at about that hour of the morning, I suppose?’

‘Ah!’ said the apparition.  ‘They an’t partickler.  Two ‘ull do for them.  Three.  All times o’ night.  On’y mind you!’  Here the apparition rested his profile on the bar, and gurgled in a sarcastic manner.  ‘There must be somebody comin’.  They don’t go a headerin’ down here, wen there an’t no Bobby nor gen’ral Cove, fur to hear the splash.’

According to my interpretation of these words, I was myself a General Cove, or member of the miscellaneous public.  In which modest character I remarked:

‘They are often taken out, are they, and restored?’

‘I dunno about restored,’ said the apparition, who, for some occult reason, very much objected to that word; ‘they’re carried into the werkiss and put into a ‘ot bath, and brought round.  But I dunno about restored,’ said the apparition; ‘blow that!’ — and vanished.

As it had shown a desire to become offensive, I was not sorry to find myself alone, especially as the ‘werkiss’ it had indicated with a twist of its matted head, was close at hand.  So I left Mr. Baker’s terrible trap (baited with a scum that was like the soapy rinsing of sooty chimneys), and made bold to ring at the workhouse gate, where I was wholly unexpected and quite unknown.

A very bright and nimble little matron, with a bunch of keys in her hand, responded to my request to see the House.  I began to doubt whether the police magistrate was quite right in his facts, when I noticed her quick, active little figure and her intelligent eyes.

The Traveller (the matron intimated) should see the worst first.  He was welcome to see everything.  Such as it was, there it all was.

This was the only preparation for our entering ‘the Foul wards.’  They were in an old building squeezed away in a corner of a paved yard, quite detached from the more modern and spacious main body of the workhouse.  They were in a building most monstrously behind the time — a mere series of garrets or lofts, with every inconvenient and objectionable circumstance in their construction, and only accessible by steep and narrow staircases, infamously ill-adapted for the passage up-stairs of the sick or down-stairs of the dead.

A-bed in these miserable rooms, here on bedsteads, there (for a change, as I understood it) on the floor, were women in every stage of distress and disease.  None but those who have attentively observed such scenes, can conceive the extraordinary variety of expression still latent under the general monotony and uniformity of colour, attitude, and condition.  The form a little coiled up and turned away, as though it had turned its back on this world for ever; the uninterested face at once lead-coloured and yellow, looking passively upward from the pillow; the haggard mouth a little dropped, the hand outside the coverlet, so dull and indifferent, so light, and yet so heavy; these were on every pallet; but when I stopped beside a bed, and said ever so slight a word to the figure lying there, the ghost of the old character came into the face, and made the Foul ward as various as the fair world.  No one appeared to care to live, but no one complained; all who could speak, said that as much was done for them as could be done there, that the attendance was kind and patient, that their suffering was very heavy, but they had nothing to ask for.  The wretched rooms were as clean and sweet as it is possible for such rooms to be; they would become a pest-house in a single week, if they were ill-kept.

I accompanied the brisk matron up another barbarous staircase, into a better kind of loft devoted to the idiotic and imbecile.  There was at least Light in it, whereas the windows in the former wards had been like sides of school-boys’ bird-cages.  There was a strong grating over the fire here, and, holding a kind of state on either side of the hearth, separated by the breadth of this grating, were two old ladies in a condition of feeble dignity, which was surely the very last and lowest reduction of self-complacency to be found in this wonderful humanity of ours.  They were evidently jealous of each other, and passed their whole time (as some people do, whose fires are not grated) in mentally disparaging each other, and contemptuously watching their neighbours.  One of these parodies on provincial gentlewomen was extremely talkative, and expressed a strong desire to attend the service on Sundays, from which she represented herself to have derived the greatest interest and consolation when allowed that privilege.  She gossiped so well, and looked altogether so cheery and harmless, that I began to think this a case for the Eastern magistrate, until I found that on the last occasion of her attending chapel she had secreted a small stick, and had caused some confusion in the responses by suddenly producing it and belabouring the congregation.

So,...

Erscheint lt. Verlag 17.7.2017
Reihe/Serie Delphi Parts Edition (Charles Dickens)
Delphi Parts Edition (Charles Dickens)
Sprache englisch
Themenwelt Literatur Anthologien
Literatur Klassiker / Moderne Klassiker
Literatur Romane / Erzählungen
Schlagworte bleak • Copperfield • Expectations • Nickleby • Novels • pickwick • Twist
ISBN-10 1-78656-730-X / 178656730X
ISBN-13 978-1-78656-730-7 / 9781786567307
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
EPUBEPUB (Adobe DRM)
Größe: 1,7 MB

Kopierschutz: Adobe-DRM
Adobe-DRM ist ein Kopierschutz, der das eBook vor Mißbrauch schützen soll. Dabei wird das eBook bereits beim Download auf Ihre persönliche Adobe-ID autorisiert. Lesen können Sie das eBook dann nur auf den Geräten, welche ebenfalls auf Ihre Adobe-ID registriert sind.
Details zum Adobe-DRM

Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belle­tristik und Sach­büchern. Der Fließ­text wird dynamisch an die Display- und Schrift­größe ange­passt. Auch für mobile Lese­geräte ist EPUB daher gut geeignet.

Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen eine Adobe-ID und die Software Adobe Digital Editions (kostenlos). Von der Benutzung der OverDrive Media Console raten wir Ihnen ab. Erfahrungsgemäß treten hier gehäuft Probleme mit dem Adobe DRM auf.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen eine Adobe-ID sowie eine kostenlose App.
Geräteliste und zusätzliche Hinweise

Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.

EPUBEPUB (Ohne DRM)

Digital Rights Management: ohne DRM
Dieses eBook enthält kein DRM oder Kopier­schutz. Eine Weiter­gabe an Dritte ist jedoch rechtlich nicht zulässig, weil Sie beim Kauf nur die Rechte an der persön­lichen Nutzung erwerben.

Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belle­tristik und Sach­büchern. Der Fließ­text wird dynamisch an die Display- und Schrift­größe ange­passt. Auch für mobile Lese­geräte ist EPUB daher gut geeignet.

Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen dafür die kostenlose Software Adobe Digital Editions.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen dafür eine kostenlose App.
Geräteliste und zusätzliche Hinweise

Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.

Mehr entdecken
aus dem Bereich