Pre-Raphaelitism and the Pre-Raphaelite Brotherhood
Seiten
2013
Cambridge University Press (Verlag)
978-1-108-06065-3 (ISBN)
Cambridge University Press (Verlag)
978-1-108-06065-3 (ISBN)
William Holman Hunt (1827–1910) chronicles the Pre-Raphaelite Brotherhood's history in this two-volume memoir of 1905, controversially presenting himself as the movement's founding father. Volume 1 describes the coming together of Millais, Rossetti and their circle, Ruskin's influence, Hunt's own early successes, and the perils of painting The Scapegoat by the Dead Sea.
William Holman Hunt (1827–1910) chronicled the Pre-Raphaelite Brotherhood in this well-illustrated two-volume memoir of 1905, controversially presenting himself as the movement's founding father. Popular when first published, it illuminates the search for authenticity of treatment and depth of meaning in his own work and that of Millais, Rossetti and their circle. Stressing the contributions of himself and Millais, Hunt sets out to defend the Brotherhood's ideals, from which he never departed. After his success with The Light of the World, he survived exotic and dangerous travels to create some of the most memorable paintings of the age, such as The Scapegoat (mostly painted by the Dead Sea with a gun at hand) and The Lady of Shalott. Volume 1 shows him overcoming family objections and early criticism to pursue his artistic goals, finding common ground in the Brotherhood, winning Ruskin's backing and wider recognition, and making his first trip to the Holy Land.
William Holman Hunt (1827–1910) chronicled the Pre-Raphaelite Brotherhood in this well-illustrated two-volume memoir of 1905, controversially presenting himself as the movement's founding father. Popular when first published, it illuminates the search for authenticity of treatment and depth of meaning in his own work and that of Millais, Rossetti and their circle. Stressing the contributions of himself and Millais, Hunt sets out to defend the Brotherhood's ideals, from which he never departed. After his success with The Light of the World, he survived exotic and dangerous travels to create some of the most memorable paintings of the age, such as The Scapegoat (mostly painted by the Dead Sea with a gun at hand) and The Lady of Shalott. Volume 1 shows him overcoming family objections and early criticism to pursue his artistic goals, finding common ground in the Brotherhood, winning Ruskin's backing and wider recognition, and making his first trip to the Holy Land.
Preface; 1. Story of my family; 2. Am left free for a few weeks; 3. Armstead and other fellow-students; 4. Description of Ewell; 5. Bridger, the mysterious visitor; 6. Pre-Raphaelitism not Pre-Raphaelism; 7. Repudiation of faith in immortality; 8. Rossetti and I in Paris; 9. Millais unswerving to our purpose; 10. Inferior places for our pictures this year; 11. Visit of the two Doyles; 12. Chelsea; 13. Mr Charles Maude; 14. Halt in Paris; 15. Jaffa Gate; 16. Start with Sim and join Seddon for Hebron; 17. I resume work on Temple picture; 18. Soleiman warns me to hide myself in mountains.
| Erscheint lt. Verlag | 27.6.2013 |
|---|---|
| Reihe/Serie | Pre-Raphaelitism and the Pre-Raphaelite Brotherhood 2 Volume Set ; Volume 1 |
| Zusatzinfo | 19 Plates, black and white; 75 Line drawings, unspecified |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Gewicht | 740 g |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 1-108-06065-X / 110806065X |
| ISBN-13 | 978-1-108-06065-3 / 9781108060653 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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