Zum Hauptinhalt springen
Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Studies in the Performance of Late Medieval Music -

Studies in the Performance of Late Medieval Music

Stanley Boorman (Herausgeber)

Buch | Softcover
324 Seiten
2008
Cambridge University Press (Verlag)
978-0-521-08831-2 (ISBN)
CHF 71,90 inkl. MwSt
This volume presents a series of important essays by American and European scholars on some of the problems involved in attempting to perform music of the late Middle Ages. The essays are based on papers read at a conference held at the New York University Center for Early Music in 1981.
This volume presents a series of important essays by American and European scholars on some of the problems involved in attempting to perform music of the late Middle ages. The essays are based on papers read at a conference held at the New York University Center for Early Music in 1981 and they concern a varied selection of aspects of the subject; behind many lies an interest in the reopened question of how far instruments had a role in performing secular or sacred music. Among the questions tackled are: the types of harps found in fourteenth-century Italy, and their probable uses; the numbers of singers needed (with their ranges) for fourteenth-century English music; evidence for the use of instruments in the thirteenth century and for wind articulation in the late fourteenth; specific performing ensembles of the fifteenth century, and what they may have sung in a polyphonic Mass.

1. Fifteenth-century northern book painting and the a cappella question: an essay in iconographic method James W. McKinnon; 2. The visualisation of music through pictorial imagery and notation in late mediaeval France Tilman Seebass; 3. The trecento harp Howard Mayer Brown; 4. The 'reconstruction' of instrumental music: the interpretation of the earliest practical sources Wulf Arlt; 5. Mimesis and woodwind articulation in the fourteenth century Margaret Paine Hasselman and David McGown; 6. Specific information on the ensembles for composed polyphony, 1400–1474 David Fallows; 7. The performing ensemble for English church polyphony, c. 1320–c. 1390 Roger Bowers; 8. Some evidence for French influence in northern Italy, c. 1400 Anne Hallmark; 9. Parts with words and without words: the evidence for multiple texts in fifteenth-century Masses Alejandro Enrique Planchart; 10. Fourteenth-century music with texts revealing performance practice Ursula Gunther.

Erscheint lt. Verlag 30.10.2008
Zusatzinfo Worked examples or Exercises
Verlagsort Cambridge
Sprache englisch
Maße 151 x 210 mm
Gewicht 520 g
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
ISBN-10 0-521-08831-3 / 0521088313
ISBN-13 978-0-521-08831-2 / 9780521088312
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
Essays und Gespräche

von Alfred Brendel; Michael Krüger; Martin Meyer

Buch | Hardcover (2025)
Wallstein Erfolgstitel (Verlag)
CHF 29,90
Tenor ohne Grenzen

von Gregor Hauser

Buch | Softcover (2024)
R Marheinecke (Verlag)
CHF 48,95
die Stimme der Leidenschaft

von Eva Gesine Baur

Buch | Hardcover (2023)
C.H.Beck (Verlag)
CHF 44,90