Fleetwood Mac's Tusk
Continuum Publishing Corporation (Verlag)
978-0-8264-2902-5 (ISBN)
"Tusk", the first record in history to cross the million dollar threshold in production costs, was the Fleetwood Mac's critically acclaimed, commercially disappointing 1979 double album. This book is an in-depth and 'official' look at one of the most unusual albums ever released by a major rock band. After "Rumours" became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and the band significant cash in the long run) and then handed the reins to their guitarist and resident perfectionist Lindsey Buckingham, a fusion of factors that led "Tusk" to become the first record in history to cross the million dollar threshold in production costs. Blame (or credit) Buckingham's public perception as a punctilious performer and producer on this, the Mac's critically acclaimed, commercially disappointing 1979 double album (it's said that Warner Brothers executives could see their Christmas bonuses flying out the window upon finally hearing "Tusk's" first rough cuts).
But the 1975 addition of Buckingham and Stevie Nicks undeniably transformed Fleetwood Mac from a barely viable blues-based group into a radio powerhouse. "Rumours", the second LP by the Mac reconfiguration of Buckingham, one-time paramour Nicks, drummer Mick Fleetwood, bassist John McVie and his wife and keyboardist Christine, sold more than 20 million copies. But during its creation, relationships within the band broke down - Buckingham split from Nicks, McVie from McVie - leaving the follow-up "Tusk" as a bizarre and fractious assemblage held together only by Buckingham's much-documented, Brian Wilson - like obsession. What remains is Fleetwood Mac's "Apocalypse Now", their "White Album", the epic beginning of their ongoing end, a shotgun blast of musical spray. And, without question, the ballsiest venture in rock history. 'A growing Alexandria of rock criticism' - "Los Angeles Times, 2008". 'Ideal for the rock geek who thinks liner notes just aren't enough' - "Rolling Stone". For more information on the series and on individual titles in the series, check out our blog.
Rob Trucks is a freelance music and sports writer based in NYC. He has published four books on baseball, and one collection of interviews with American fiction writers.
Acknowledgments
Intro: The Warning Shot
Chapter One
What We Talk About When We Talk About Tusk Jonathan Segel of Camper Van Beethoven
Chapter Three
What We Talk About When We Talk About Tusk Walter Egan
Chapter Five
What We Talk About When We Talk About Tusk Kaki King
Chapter Seven
What We Talk About When We Talk About Tusk A.C. Newman of the New Pornographers
Chapter Nine
What We Talk About When We Talk About Tusk Gretchen Heffler of the USC Spirit of Troy marching band
Chapter Eleven
What We Talk About When We Talk About Tusk Dan Boeckner and Hadji Bakara of Wolf Parade
Chapter Thirteen
What We Talk About When We Talk About Tusk Dave Portner, a/k/a Avey Tare, of Animal Collective
Chapter Fifteen
What We Talk About When We Talk About Tusk Michael G of Tusk, a Fleetwood Mac tribute band
Chapter Seventeen
| Erscheint lt. Verlag | 17.2.2011 |
|---|---|
| Reihe/Serie | 33 1/3 |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 121 x 165 mm |
| Gewicht | 130 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| ISBN-10 | 0-8264-2902-5 / 0826429025 |
| ISBN-13 | 978-0-8264-2902-5 / 9780826429025 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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