Interrupting the Machine

Theatre as a Site of Dis-Automation in the Age of AI

Saul Kemack (Autor)

Buch | Softcover

102 Seiten

2025
Tectum Wissenschaftsverlag
978-3-68900-523-8 (ISBN)

Artikel merken

Saul Kemack draws on the theories of Bernard Stiegler and Kati Röttger to examine live performance as a site for practicing "dis-automation dramaturgy." Through a detailed phenomenological and intermedial study of Forced Entertainment's Signal to Noise, the author explores how theatrical framing can expose the logics of digitally saturated life under hyper-industrial capitalism. Rather than claiming we can wholly resist such logics, his research reveals how art creates temporary interruptions - moments of reflection and reoriented sensibility - in the algorithmic flow. Saul Kemack is a writer, researcher, and dramaturg based in South Africa.

Erscheinungsdatum	20.12.2025
Reihe/Serie	AGent ; 13
Sprache	englisch
Maße	148 x 210 mm
Gewicht	159 g
Themenwelt	Kunst / Musik / Theater ► Theater / Ballett
Schlagworte	Algorithmus • Aufführung • Kapitalismus • KI • Künstlcihe Intelligenz • Maschinelles Lernen • Performance
ISBN-10	3-68900-523-X / 368900523X
ISBN-13	978-3-68900-523-8 / 9783689005238
Zustand	Neuware