Piano Music of the Black Renaissance
Seiten
2026
Oxford University Press
978-0-19-358037-4 (ISBN)
Oxford University Press
978-0-19-358037-4 (ISBN)
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This groundbreaking anthology introduces a canon of piano works at intermediate to advanced levels from the Black Renaissance school of the early twentieth century. Notes by Dr Samantha Ege provide historical background and interpretative insights for this previously overlooked area of piano literature.
This groundbreaking anthology introduces a canon of piano works from the Black Renaissance school of the early twentieth century. The music of Harry T. Burleigh, Samuel Coleridge-Taylor, R. Nathaniel Dett, Nora Holt, Florence B. Price, Zenobia Powell Perry, Margaret Bonds, and Betty Jackson King affirms a rich, Afrodiasporic concert tradition, in which African, Caribbean, and African American folk songs and dances are absorbed into a distinct classical voice. This volume offers clearly presented performing editions, with fingering and pedalling, of a representative selection of piano music from this period, ranging from intermediate to advanced levels. Notes by Dr Samantha Ege provide historical background and interpretative insights for this previously overlooked area of piano literature.
This groundbreaking anthology introduces a canon of piano works from the Black Renaissance school of the early twentieth century. The music of Harry T. Burleigh, Samuel Coleridge-Taylor, R. Nathaniel Dett, Nora Holt, Florence B. Price, Zenobia Powell Perry, Margaret Bonds, and Betty Jackson King affirms a rich, Afrodiasporic concert tradition, in which African, Caribbean, and African American folk songs and dances are absorbed into a distinct classical voice. This volume offers clearly presented performing editions, with fingering and pedalling, of a representative selection of piano music from this period, ranging from intermediate to advanced levels. Notes by Dr Samantha Ege provide historical background and interpretative insights for this previously overlooked area of piano literature.
Dr Samantha Ege is an author, pianist, and music historian. She holds a PhD in Musicology from the University of York and a BA in Music from the University of Bristol. She has held research positions at the University of Southampton and was previously the Lord Crewe Junior Research Fellow in Music at Lincoln College, Oxford. Her research on the Black Chicago Renaissance and on Black women in classical music has been widely published and has earned her several prestigious awards. As a concert pianist, Ege has performed across the UK, Europe, North America, and Southeast Asia. She made her Barbican debut in 2021 and gave the world premiere of Florence B. Price's complete Fantasie Nègre at the 2021 London Festival of American Music.
| Erscheint lt. Verlag | 6.8.2026 |
|---|---|
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 232 x 311 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Instrumentenkunde |
| ISBN-10 | 0-19-358037-3 / 0193580373 |
| ISBN-13 | 978-0-19-358037-4 / 9780193580374 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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