The Cloud
Seiten
2026
|
Vocal score
Oxford University Press
978-0-19-358200-2 (ISBN)
Oxford University Press
978-0-19-358200-2 (ISBN)
- Noch nicht erschienen (ca. Januar 2026)
- Portofrei ab CHF 40
- Auch auf Rechnung
- Artikel merken
for children's choir and SATB, or SSATB, and piano
The Cloud sets Sara Teasdale's poetic descriptions of nature to music, evoking themes of freedom and transience. Quartel's melodic and uplifting style shines through a vibrant opening and reflective middle and end, unified by steady triplet figures in the accompaniment.
for children's choir and SATB, or SSATB, and piano
The Cloud, commissioned by the National Youth Choirs of Great Britain, sets Sara Teasdale's poetic descriptions of nature to music, evoking themes of freedom and transience. Quartel's melodic and uplifting style shines through a vibrant opening and reflective middle and end, unified by steady triplet figures in the accompaniment. Sopranos may divide to sing the children's choir part.
The Cloud sets Sara Teasdale's poetic descriptions of nature to music, evoking themes of freedom and transience. Quartel's melodic and uplifting style shines through a vibrant opening and reflective middle and end, unified by steady triplet figures in the accompaniment.
for children's choir and SATB, or SSATB, and piano
The Cloud, commissioned by the National Youth Choirs of Great Britain, sets Sara Teasdale's poetic descriptions of nature to music, evoking themes of freedom and transience. Quartel's melodic and uplifting style shines through a vibrant opening and reflective middle and end, unified by steady triplet figures in the accompaniment. Sopranos may divide to sing the children's choir part.
Sarah Quartel is one of Canada's most internationally celebrated and widely performed living choral composers. Her music is programmed globally, and her commissions have premiered in spaces such as Carnegie Hall, Canterbury Cathedral, and the famed Church of the Rock in Helsinki. Raised as a choral singer herself, Sarah is inspired by the life-changing relationships that can occur in group singing. She is known for her fresh, exciting, and chorister-centred approach to music making, writing in a way that connects singer to singer, ensemble to conductor, and performer to audience. Sarah also works as a clinician, visiting composer, and guest conductor at music education and choral events in Canada and abroad.
| Erscheint lt. Verlag | 22.1.2026 |
|---|---|
| Reihe/Serie | Voice Junction |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 178 x 254 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| ISBN-10 | 0-19-358200-7 / 0193582007 |
| ISBN-13 | 978-0-19-358200-2 / 9780193582002 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
44 Warm-Up and Performance Studies for Jazz, Pop and Gospel Choirs. …
Notenblätter (2025)
Schott Music
CHF 49,70
Wiegenlieder, Kinderlieder, Weihnachtslieder
Media-Kombination (2025)
Carus-Verlag
CHF 109,00