The Matter of Still Life
Between Chardin and Morandi
Seiten
2026
University of California Press (Verlag)
9780520416994 (ISBN)
University of California Press (Verlag)
9780520416994 (ISBN)
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How does still life “matter”? Through two essays based on Carol Armstrong's 2020 Franklin D. Murphy Lectures at the University of Kansas, this project brings into focus material thought as it relates to still life. Exploring two major figures of European still life painting—eighteenth-century French artist Jean-Baptiste-Siméon Chardin and twentieth-century Italian painter Giorgio Morandi—Armstrong provides close readings, discussing these artists' paintings in relation to the works of other European painters, philosophers, and critics whose works intersect on the question of how we understand materiality in relation to still life painting and the material objects this genre represents.
Carol Armstrong is Professor of History of Art at Yale University, where she teaches nineteenth-century European art. Her most recent books are Cézanne’s Gravity and Painting Photography Painting.
Contents
Preface
1. Chardin, Diderot, and the Muteness of Made Things: Between Ekphrasis and the Encyclopedia
2. Giorgio Morandi and the Matter of Still Life
Notes
Bibliography
List of Illustrations
Index
| Erscheint lt. Verlag | 9.6.2026 |
|---|---|
| Reihe/Serie | Franklin D. Murphy Lectures |
| Zusatzinfo | 49 color images |
| Verlagsort | Berkerley |
| Sprache | englisch |
| Maße | 152 x 203 mm |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| ISBN-13 | 9780520416994 / 9780520416994 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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