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Representing from Life in Seventeenth-century Italy - Sheila McTighe

Representing from Life in Seventeenth-century Italy

(Autor)

Buch | Softcover
252 Seiten
2025
Routledge (Verlag)
9781041185369 (ISBN)
CHF 72,90 inkl. MwSt
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This book focuses on artists who practiced depicting 'from life' in Italy, both native Italians and migrants from northern Europe. Works by artists ranging from Caravaggio to Claude Lorrain, Pieter van Laer to Jacques Callot, reveal new aspects of their artistic practice and its critical implications.
In drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and authorship, the authority of the image as a source of knowledge, the boundaries between repetition and invention, and even the relation of images to words. This book focuses on artists who worked in Italy, both native Italians and migrants from northern Europe. The practice of depicting from life became a self-conscious departure from the norms of Italian arts. In the context of court culture in Rome and Florence, works by artists ranging from Caravaggio to Claude Lorrain, Pieter van Laer to Jacques Callot, reveal new aspects of their artistic practice and its critical implications.

Sheila McTighe is Senior Lecturer at the Courtauld Institute of Art, University of London. She has written about Nicolas Poussin, Annibale Carracci, caricature, and genre painting and prints, focusing on 17th-century Italy and France.

Introduction: Depicting from Life, Chapter 1. Caravaggio's Physiognomy, Chapter 2. Jacques Callot, Drawing Dal Vivo around 1620: Commerce in Florence, Piracy on the High Seas, Chapter 3. Jacques Callot's Capricci di varie figure (1617): The Allusive Imagery of the Everyday, Represented 'from Life' and Emulating a Text, Chapter 4. The Motif of the Shooting Man, and Capturing the Urban Scene: Claude Lorrain and the Bamboccianti, Chapter 5. The Absent Eyewitness:the Revolt of Masaniello and Depiction Dal Vivo in the Middle of the Seventeenth Century, Conclusion, Index

Erscheinungsdatum
Reihe/Serie Visual and Material Culture, 1300-1700
Verlagsort London
Sprache englisch
Maße 174 x 246 mm
Gewicht 470 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Kunst / Musik / Theater Malerei / Plastik
ISBN-13 9781041185369 / 9781041185369
Zustand Neuware
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