Gina Pane: Actions Through Time
Routledge (Verlag)
978-1-032-85841-8 (ISBN)
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Gina Pane (1939–1990) is acknowledged as one of the first artists to use her body as the medium for her practice through live works or Actions she began in the late 1960s.
She became well known for this highly charged body of work, particularly her 1970s live Actions that were meticulously orchestrated to communicate viscerally and visually, often incorporating the gesture of small cuts made into her skin, marking an indelible exchange between herself and the viewer. Pane’s Actions became the subject of critical texts and theoretical analysis. Alongside newly translated interviews and writings by Gina Pane, this anthology presents a unique collection of contemporary and art historical texts. The anthology is compiled to track a chronological survey of the decades since the Actions took place in the 1970s and includes seminal writings that are translated into English for the first time. New writings and interviews with artists and curators illuminate Gina Pane’s legacy and continuing significance in the present time.
The anthology is intended for a wide readership, from artists, art historians, performance artists, performance historians, students of art, history of art, art theory, choreography and photography, exhibition historians, art collectors, museum and gallery curators, visitors and employees.
Sophie Delpeux is a senior lecturer (HDR) in Art History at the University of Paris 1 Panthéon-Sorbonne, specialized in Performance Art and body representation. Alice Maude-Roxby is an artist, curator and writer specialising in performance, photography and feminist histories. She was Director of Research in Visual Arts at Middlesex University.
List of images
Acknowledgements
ANTHOLOGY INTRODUCTION
Sophie Delpeux and Alice Maude-Roxby
Gina Pane Biography and Actions Index
Editors’ Notes
Biographies
PART I FOUNDATIONS (1973–79)
INTRODUCTION
Sophie Delpeux. https://orcid.org/0000-0002-8732-1522
1. THE BODY AND ITS SUPPORT-IMAGE FOR NON-LINGUISTIC COMMUNICATION
Gina Pane
2. excerpts from L’ART ACTUEL EN FRANCE
Anne Tronche
3. PERFORMANCE OF CONCERN: AN INTERVIEW WITH GINA PANE
Effie Stephano
4. NOTES ON THE WORK OF GINA PANE
François Pluchart
5. A CORPOREAL HUMANISM
Gilbert Gatellier
6. LETTER TO A STRANGER
Gina Pane
7. INTERVIEW WITH GINA PANE
Aline Dallier
8. GINA PANE OR THE ANGELS’ DEBACLE
Bernard Teyssèdre
9. INTERVIEW WITH GINA PANE
Irmeline Lebeer
10. INTERVIEW WITH GINA PANE
Dany Bloch
11. INJURY/DEATH: COLLECTIVE BODY Gina Pane
12. excerpt from METAPHYSICS OF THE EVERYDAY Lea Vergine
13. HAPPENING–GINA PANE AT BEAUBOURG
Hervé Guibert
image insert (1965–1972) SOCIAL SCULPTURE AND ACTION: STUDIO–LAND–DOMESTIC SPACE
INTRODUCTION
Alice Maude-Roxby https://orcid.org/0000-0002-3017-7734
GINA PANE STATEMENTS
Pierres déplacées, 1968
Action Je, 11 août 1972
IMAGES OF GINA PANE WORKS
La Pêche endeuillée, 1968
Quatre bleues pour une promenade, 1965–1966
Dessin verrouillé, 1968
Pierres déplacées, 1968
Enfoncement d’un rayon de soleil, 1969
Situation idéale: terre – artiste – ciel, 1969
Blessure théorique, 1970
Manipulation d’humus, 1970
Deuxième projet du silence, 1970
Action Escalade non-anesthésiée, 1971
Action Nourriture/Actualités télévisées/Feu, 1971
Action Je, 1972
ON THE ACTION JE
Anne Tronche
excerpts from ACTION POUR GINA PANE
François Bon
References
PART II PROPAGATION (1980–1998)
INTRODUCTION
Sophie Delpeux https://orcid.org/0000-0002-8732-1522
1. ACTION WORK
Gina Pane
2. PARTITIONS
Gilbert Lascault
3. INTERVIEW WITH GINA PANE
Bernard Marcadé
4. GINA PANE, THE MOMENT OF RAPTURE
Jean-Marie Touratier
5. INTERVIEW WITH GINA PANE
Catherine Lawless
6. THE SCENOGRAPHIC BODY
Anne Tronche
7. excerpts from CONTRACT WITH THE SKIN
Kathy O’Dell
image insert (1973–74) GINA PANE’S METHOD
INTRODUCTION
Alice Maude-Roxby https://orcid.org/0000-0002-3017-7734
GINA PANE STATEMENT
Azione sentimentale, 1973
excerpts from GINA PANE: DRAWINGS
Blandine Chavanne
IMAGES OF GINA PANE WORKS
Azione sentimentale, 1973
Action Psyché (Essai), 1974
Action Autoportrait(s): mise en condition/ contraction/rejet, 1973
excerpt from INTERVIEW WITH LISA MARTIN
Alice Maude-Roxby https://orcid.org/0000-0002-3017-7734
References
PART III RENEWAL (2000–2008)
INTRODUCTION
Sophie Delpeux https://orcid.org/0000-0002-8732-1522
1. A SINGULAR WOMAN
Robert Fleck
2. GINA PANE’S WITNESSES: THE AUDIENCE AND PHOTOGRAPHY
Jennifer Blessing
3. STIGMATA, ICONS AND RELIQUARIES: MESSAGES FROM ST. GINA
Inge Linder-Gaillard
4. excerpts from ON RECORD: ADVERTISING, ARCHITECTURE AND THE ACTIONS OF GINA PANE
Alice Maude-Roxby https://orcid.org/0000-0002-3017-7734 and Françoise Masson
5. INTERVIEW WITH JEAN-HUBERT MARTIN
Julia Hountou
6. THE FABRIC OF THE WORLD: GINA PANE’S COSMOGONY
Sophie Delpeux https://orcid.org/0000-0002-8732-1522
image insert (1975–78) GRAND NARRATIVES–COLOUR–SPACE–ACTION
INTRODUCTION
Alice Maude-Roxby https://orcid.org/0000-0002-3017-7734
IMAGES OF GINA PANE WORKS
Discours mou et mat, 1975
lo mescolo tutto, 1976
A Hot Afternoon, 1977
Laure, 1977
Little journey 1, 1978
Sans titre (n°31), 1962–1967
GINA PANE AT THE GALERIE DE APPEL
Ulrike Rosenbach
excerpt from ‘THEN AND NOW: PERFORMANCE ART IN HOLLAND’
Antje von Graevenitz
References
PART IV OPENINGS 2010–2024
INTRODUCTION
Sophie Delpeux https://orcid.org/0000-0002-8732-1522
1. THE OTHER AS HOST: GINA PANE’S JE
Kiff Bamford
2. SHARING HER PRESENCE
Sophie Delpeux https://orcid.org/0000-0002-8732-1522
3. excerpts from REVIVING THE COLLECTIVE BODY: GINA PANE’S ESCALADE NON-ANESTHÉSIÉE
Frédérique Baumgartner
4. COMMUNI(QU)ER
Sophie Duplaix
5. IMAGES = IMAGES
SOFT AND DULL LIKE SNOW: RE-READING THE PERFORMANCE WORKS OF GINA PANE
Stefanie Seibold
6. THE CONVERSION OF THE PRECIOUS BLOOD: GINA PANE AND MEDIEVAL MYSTICISM
Janig Bégoc
7. BECOMING THE OTHER: GINA PANE’S USE OF ‘ANDROGYNOUS AGENCY’
Sophie Delpeux https://orcid.org/0000-0002-8732-1522
References
PART V EXHIBITIONS DOSSIER
INTRODUCTION
Alice Maude-Roxby
1. excerpt from REGARDER AILLEURS
Effie Stephano
2. excerpt from an INTERVIEW WITH URSULA KRINZINGER
Stefanie Seibold and Patricia Gronzka
3. BODYWORKS AT THE MUSEUM OF CONTEMPORARY ART CHICAGO
Lisa Beißwanger https://orcid.org/0000-0003-0331-7241
4. GINA PANE IN BOLOGNA
Laura Iamurri https://orcid.org/0000-0002-7471-0959
5. excerpt from POLAR CROSSING
Chris Burden
6. excerpt from PARTITIONS
Gina Pane and Lea Vergine
7. excerpt from GINA PANE UK TOUR: CURATORS’ CONVERSATION
Bernard Blistène, Caroline Collier, and Stephen Foster
8. CURATING GINA PANE
Sophie Duplaix
9. INTERVIEW WITH BLANDINE CHAVANNE
Sophie Delpeux and Alice Maude-Roxby
10. GINA PANE: THERE REALLY WAS A BEFORE AND AN AFTER… Emma-Charlotte Gobry-Laurencin
11. ON PARALLEL PRACTICES: INTERVEW WITH DEAN DADERKO
Alice Maude-Roxby https://orcid.org/0000-0002-3017-7734
12. excerpts from IN THE BEGINNING THERE IS AN END: APPROACHING GINA PANE, APPROACHING DISCOURS MOU ET MAT
Malin Arnell
List of Solo Exhibitions
Conclusion and Afterword
1. MEMORIES Anne Rochette
2. HOLDING GINA PANE Karen Finley
Bibliography
Index
| Erscheint lt. Verlag | 23.3.2026 |
|---|---|
| Reihe/Serie | Routledge Advances in Theatre & Performance Studies |
| Zusatzinfo | 69 Halftones, black and white; 69 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 210 x 280 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Theater / Ballett | |
| ISBN-10 | 1-032-85841-9 / 1032858419 |
| ISBN-13 | 978-1-032-85841-8 / 9781032858418 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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