Landscape Drawing in the Making
Seiten
2026
Paul Holberton Publishing Ltd (Verlag)
978-1-915401-20-5 (ISBN)
Paul Holberton Publishing Ltd (Verlag)
978-1-915401-20-5 (ISBN)
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Landscape Drawing in the Making is the first volume on the history and theory of landscape drawing in early modern Europe.
Landscape Drawing in the Making explores the experience of landscape in its various configurations through the lens of the process of drawing nature over three centuries, and argues for the importance of landscape drawing as independent works of art.
Contributors to the book include scholars and drawing experts working in public museums, private collections and academic institutions, who provide analyses of diverse geographical and cultural contexts as well as original case studies of artistic practice. Bringing together art history, art theory and material culture, the book explores the role of the artists’ physical experience of the landscape as well as their reconstruction of imagined landscapes, offering new perspectives on the process of understanding landscape forms and their meanings through images.
The texts cover a wide geographical range: from Italian and Northern European art to the Chinese impact on European landscape visualization through drawing. Essays are organised in three sections: Materiality, Experience, Practice.
Landscape Drawing in the Making explores the experience of landscape in its various configurations through the lens of the process of drawing nature over three centuries, and argues for the importance of landscape drawing as independent works of art.
Contributors to the book include scholars and drawing experts working in public museums, private collections and academic institutions, who provide analyses of diverse geographical and cultural contexts as well as original case studies of artistic practice. Bringing together art history, art theory and material culture, the book explores the role of the artists’ physical experience of the landscape as well as their reconstruction of imagined landscapes, offering new perspectives on the process of understanding landscape forms and their meanings through images.
The texts cover a wide geographical range: from Italian and Northern European art to the Chinese impact on European landscape visualization through drawing. Essays are organised in three sections: Materiality, Experience, Practice.
Camilla Pietrabissa is Adjunct lecturer in Art History and Visual Culture at the IUAV University of Venice. She wrote a doctoral thesis on Rococo landscape painting and drawing and is now working on naturalism in Venetian painting. Elisa Spataro is Adjunct lecturer in Early Modern Art History at the Sapienza University of Rome and Gerda Henkel Fellow at the Bibliotheca Hertziana in Rome. Her research focuses on landscape painting and drawing and on the education and training of early modern artists.
| Erscheint lt. Verlag | 21.7.2026 |
|---|---|
| Zusatzinfo | 130 colour illus |
| Sprache | englisch |
| Maße | 244 x 279 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 1-915401-20-8 / 1915401208 |
| ISBN-13 | 978-1-915401-20-5 / 9781915401205 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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